Fredric Jameson reviews Margaret Atwood’s Year of the Flood for the London Review of Books.
The Cultural Logic of Margaret Atwood
Two from Eileen Myles
Recommended Reading: Two poems by Eileen Myles, including what I now consider to be the finest poem about flowers ever written.
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“I refuse to cater to the bullshit of innocence.”
“I never started out as a children’s book artist. What is a children’s-book artist? A moron! Some ugly fat pip-squick of a person who can’t be bothered to grow up. That’s the way we’re treated in the adult world of publishing.” The Believer interviews the late Maurice Sendak, who passed away last May.
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On Pronouns and Ownership
Dr. Dennis Ryan Storoshenko is conducting research for a Yale Linguistics project, looking to ask people about theirselves and their pronouns. Take a minute of your time to help him out.
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Let the Rain Kiss You
“The half-stripped trees / struck by a wind together, / bending all, / snapping before the power of… / thundersnow? / Oh shit, do you see that? / Thundersnow!” It’s safe to say that William Carlos Williams would have been blown away by thundersnow. Here are a few other classic poems helpfully reimagined for the climate change age.
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“When it gets loudly, IT GETS VERY LOUD INDEED”
Have you Yanks seen BBC‘s 6-episode series cum feature film The Trip? If not, your interest will be piqued by this clip of the show’s main characters doing their best Michael Caine impressions. It’s on Netflix if you’re into laughter, merriment, and that sort of thing.
Call It Humanistic Indecency”
Recommended Reading: Katy Waldman on Jenny Zhang’s Sour Heart.
Apparently There is a “There” There
Gertrude Stein once said of Oakland that “There’s no ‘there’ there.” If the latest novel by Michael Chabon, Telegraph Avenue, is any indication, not everyone agrees — the author set the book in the Oakland of 2004. At The New Yorker’s Page-Turner blog, Matt Feeney delves into the book’s racial politics.
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