Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
Harold Bloom turns eighty-five this year, which makes it all the more impressive that his forty-fifth book, The Daemon Knows, comes out this week. At Vulture, Amy Bloom (no relation) has tea and scones with the Yale professor, who talks about Emily Dickinson, Walt Whitman and why a critic called his new book “an invectorium.” You could also read Matt Hanson on his last volume of criticism.
New Herring Press is a Brooklyn/Portland publisher of prose chapbooks, and they’re likely the best new chapbook press you haven’t heard of yet. Volume II of their annual series features titles by Eileen Myles, Justin Torres, Amanda Davidson, and Sara Veglahn, with cover art by illustrator Jacob Magraw-Mickelson. NHP’s ultra-short backlist includes notable authors like Lynne Tillman and Deb Olin Unferth. Volume III is in the works, with authors and artist TBA soon. Check them out at newherringpress.tumblr.com.
Recommended Reading: This piece by Elisa Gabbert at Guernica Magazine in which she questions whether certain ideas can survive new shifts in language. It's too bad she didn't write it in emoji.
"His life's work, and his stunning prose, teaches us to better understand political influence, American democracy, and the true power of biography." The National Book Foundation just announced Robert Caro as this year's recipient of the National Book Awards lifetime achievement medal. Definitely pair with this piece by our own Michael Bourne on Caro's epic literary ambitions.
"Terrific ham. The best. Terrific eggs. Were they green? Who knows? So many years." In case you missed it, the best tweets from yesterday's #TrumpBookReport trend. Pair with our own Claire Cameron's translation of Lauren Groff's Fates and Furies for Twitter.