While millions of teenage girls and grown women (see the Twilight Moms blog if you don’t believe me) wait with bated breath for the November 20th premier of New Moon (see the preview here), the film version of the second installment of Stephenie Meyer‘s Twilight series, some less satisfied readers are making movies of their own–movies in which they beat, burn, and otherwise insult copies of Twilight, New Moon, Eclipse, and Breaking Dawn. See Burn, Twilight, Burn!, Twilight Burning, with Techno, The Twilight Chainsaw Massacre, Twilight Baseball. And that’s only for starters. I also like this one, Twilight Burning Party, in which two spunky Ghost World-y young ladies, Cassi and Angel, do a little stand-up literary critique before burning the book.
“It is hard to see why anyone would abandon the generous Pearce Sectional Sofa, so we must assume that whomever was under that cozy throw was taken by force. More signs of abduction: reading glasses left atop a rare antique encyclopedia, a half-finished glass of wine, and a decorative conch shell that has tumbled to the floor, not to mention the wide-open French doors.” Pottery Barn catalogue descriptions written by an aspiring crime novelist.
Over thirteen years, John Berryman wrote his famous Dream Songs, composing his most innovative and well-known poetry while his own life began to unravel. In a piece for the LRB, August Kleinzahler reappraises the poet to mark a raft of new editions of his work, citing Randall Jarrell, Saul Bellow and other contemporaries in the process. Pair with Stephen Akey on The Dream Songs.
What do Talking Heads, The Smiths, Judas Priest, and Blondie have in common? They’re all featured in the playlist Picador made to accompany the paperback release of Jeffrey Eugenides’s latest novel, The Marriage Plot. The Spotify list is chock full of songs “Madeleine, Leonard, and Mitchell might have been listening to in the early 1980s.” You can read Eugenides’s take on the book’s genesis over here, too.
Elena Ferrante’s introduction to the Folio edition of Sense and Sensibility is available at The Guardian. She describes the experience of reading Jane Austen as a girl. “At the time, I was enthralled by the great male adventure novels, with their stories that ranged all over the world, and I wanted to write such books myself: I couldn’t resign myself to the idea that women’s novels were domestic tales of love and marriage. I was past 20 when I returned to Austen. And from that moment not only did I love everything she had written but I was passionate about her anonymity.”
The Recuyell of the Histories of Troye, the first book published in English, recently sold at auction for almost 2 million dollars.