“I realized that there was something wrong with an arrangement whereby a relatively affluent person such as I had become could afford to write about minimum wage jobs, squirrels as an urban food source or the penalties for sleeping in parks, while the people who were actually experiencing these sorts of things, or were in danger of experiencing them, could not.” Barbara Ehrenreich on writing about poverty.
Draw It With Your Eyes Closed, which has been a fixture on our Top Ten lists of late, has launched a companion website to “expand on the previously published content, allowing a broader range of teachers, students, and artists to access, share, and contribute to the project.”
Next week, the folks at Literary Death Match are bringing literature into the third dimension by staging “LDM TV: The Pilot.” Two shows consisting of four readers apiece will take place in Los Angeles, and performances will be judged by a killer lineup including such notables as Susan Orlean, Michael C. Hall, Moby and Tig Notaro. Full event details can be found here. For what it’s worth, I still rank Matt Gajewski’s LDM performance as my all-time favorite, so Beau Sia, Simon Rich, Daniel Alarcón and company have their work cut out for them.
New this week: All the Light We Cannot See by Anthony Doerr; American Innovations by Rivka Galchen; The Snow Queen by Michael Cunningham; The Temporary Gentleman by Sebastian Barry; An Untamed State by Rumpus editor and Year in Reading alum Roxane Gay; Wonderland by Stacey D’Erasmo; The Painter by Peter Heller; and Friday Was the Bomb by Millions contributor Nathan Deuel.