Electric Literature teamed up with animator Jonathan Ashley and musician Nick DeWitt to produce an animated trailer for Jim Shepard’s “Your Fate Hurtles Down at You,” a story which appeared in the literary magazine’s first issue.
“She could be a diva, says this source, ‘but in a way I fucking admire it. The world would be a sorrier place without divas.’” For New York magazine, Boris Kachka on the drama behind Michiko Kakutani‘s departure from The New York Times and what her absence means for the world of books. Consider also: our own Matt Seidel‘s rogue’s gallery of prominent critics.
Both Flesh and Not, a posthumous collection of David Foster Wallace essays, is now out in paperback. Also out: Report from the Interior by Paul Auster; a new paperback edition of Stephanie LaCava’s An Extraordinary Theory of Objects; and a new collection of essays by C.S. Lewis. For more on these and other great titles, check out our Great Second-Half 2013 Book Preview.
The London Review of Books sought out Will Self to help create “a digital literary work that pushed the boundaries of the literary essay well beyond its traditional form.” The effort, they hoped, would “loosen and enhance the structure of the essay, changing the way the reader interacts with the text.” Well, consider that a success. Behold, “Kafka’s Wound” in all its multimedia glory. [Bonus: Millions readers in the UK can catch Will Self’s discussion of the digital essay on September 6th.]
Photographer Doug Rickard employs an interesting technique for his “A New American Picture” series: Google Street View. Check out the shots he took while he “virtually [drove] the unseen and overlooked roads of America, to find bleak places that are forgotten, economically devastated, and abandoned.”
Out this week: Ember Days by our own Nick Ripatrazone, Early Warning by Jane Smiley; Madam President by The View co-host Nicolle Wallace; Black Run by Antonio Manzini; Devotion by Maile Meloy; Collected Poems by Michael Gizzi; Volume 5 of The Letters of T.S. Eliot; and Book 4 of My Struggle by Karl Ove Knausgaard. For more on these and other new titles, check out our Great 2015 Book Preview.
Does a writer make the city or does the city make the writer? At Grantland, Michael Weinreb discusses why Elmore Leonard is the ultimate Motor City writer and discovers Leonard’s Detroit. “Without his books, the city would still have suffered the same hellish decline. But because of him, that suffering was rendered into an art form all its own.” Pair with: Our own Bill Morris writing against Detroit’s ruin porn reputation.