This is a clever project from artist Pascual Sisto: Remake of Ed Ruscha’s 1967 book Thirtyfour Parking Lots using Google Maps. (The original book) (via This Isn’t Happiness)
Ed Ruscha’s Thirtyfour Parking Lots, Recreated Using Google Maps
Bad Behavior
Lesley M. M. Blume writes on how Hemingway’s bad behavior came to define his generation. “Hard-drinking, hard-fighting, hard-loving—all for art’s sake.” Pair with this Millions essay on Hemingway’s influence on advertising.
Transitions
In the latest issue of The Walrus, Casey Plett reads a number of books involving transgender people, critiquing several aspects of their depictions. Along with the essay, she provides a list of transgender novels everyone should read, including Nevada by Imogen Binnie and Wanting in Arabic by Trish Salah.
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the looking glass of this language
This National Geographic piece on the desire to document and preserve the world’s many dying languages is great.
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Carl Köhler in Toronto
The University of Toronto now has a webpage up for its current exhibition “Beyond the Words: Author Portraits by Carl Köhler.” See some of Köhler’s remarkable portraits of artists and intellectuals and read about him here.
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Visible Men
Now is as good a time as there ever will be to go and check out the Art Institute of Chicago. A new exhibit, “Invisible Man: Gordon Parks and Ralph Ellison in Harlem,” combines the photography of Parks, who eventually went on to gain a measure of fame in the ’70s as a Hollywood movie director, and the writing of Ralph Ellison, in an attempt to offer a portrait of Harlem in the post-World War II years.
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Janie Crawford and Tea Cake on Air
To commemorate the book’s 75th anniversary, WNYC and WQXR Radio will present a live radio play of Zora Neale Hurston’s Their Eyes Were Watching God. New Yorkers will be able to catch the broadcast on February 29th and March 1st, and then the rest of the nation can hear it in September.
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Book of Lies
Year in Reading alumnus Alexander Chee writes about the impulse to write fiction, his first novel, and unpublished manuscripts in an essay for the Center For Fiction’s Why Fiction Matters series. “The first story I ever invented for public consumption was in a book report back in grade school. I had made a vow to read every book in my grade school library, and at some point, as I made my way through them, I remember very clearly understanding that there was simply no way my teacher would know about every book ever published—this was before the Internet—and so I decided I would make one up and see if she noticed.” Pair with this Millions piece, featuring six writers looking back on their first novels.
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