On the occasion of Scribner’s publication of the “Restored Edition” of A Moveable Feast, Gioia Diliberto, biographer of Ernest Hemingway’s wife Hadley, writes of her discovery of the Hadley Hemingway tapes.
Mark Athitakiswrites about the National Book Award in 1980, “an interesting time for the prize.” The previous year, publishers pulled out of the awards, contending according to an NYT article, “the awards favored little-read books.” (This criticism resurfaced in 2004.) After 1980, the festivities ballooned to eight fiction categories before eventually being scaled back in subsequent years. (via Maud)
In Slate, Nathaniel Richwonders why “the most peaceful people on earth [Scandinavians] write the greatest homicide thrillers.”
The “Significant Objects project,” in which worthless trinkets are sold on eBay along with original fiction written about said worthless trinkets, has launched. Participants include Curtis Sittenfeld, Lydia Millet, Matthew Sharpe, Sam Lipsyte, and a few dozen others. The eBay auctions can be found here.
“Why Facebook? Why this format?… The striking thing about the real Zuckerberg, in video and in print, is the relative banality of his ideas concerning the ‘Why’ of Facebook. He uses the word ‘connect’ as believers use the word ‘Jesus,’ as if it were sacred in and of itself…” Zadie Smith considers “Generation Why” and The Social Networkat the New York Review of Books. Our own review of The Social Network by Sonya Chung can be found here.
In an interview for The Atlantic, Greil Marcus talks about his new book The Doors: A Lifetime of Listening to Five Mean Years. Later on, however, he tosses off his gloves to dismiss the bits about Pauline Kael in James Wolcott’s memoir Lucking Out. “I’m not really interested in what Jim has to say about Pauline,” Marcus says. “He became an acolyte of Pauline’s in a way that was embarrassing to read, when he was mimicking her and celebrating her in The Village Voice.“