We’re digging the cover for Colson Whitehead’s forthcoming novel, Sag Harbor.
Wikipedia find of the week:Fakelore: “Fakelore is inauthentic, manufactured folklore presented as if it were genuinely traditional.”
Murakami’suneasy relationship with Japan: “He has been seen, and to some degree positioned himself, as a literary pariah in Japan, in part because of its tepid-to-negative critical reception of his work.”
Further reading: Check out the interesting Kindle pro and con in the comments of Max’s Kindle/iPhone post this week; And check out the interesting discussion of the New Yorker’s commitment (or lack thereof) to international literature in the comments of Garth’s DFW post.
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length withVictoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
“With thirteen other diners, the two professors of English first prepared and then made their way through eight courses, including beef broth, haddock, steak, mutton, chicken, and chocolate profiteroles....The dinner was a recreation of one eaten 132 years earlier, in one of England’s grandest country houses. Among the guests at this first dinner was George Scharf, founding director of the National Portrait Gallery in London, a man not especially famous in his own day and virtually unknown in ours.” Love Among the Archivesbrings us into the world of George Scharf, a bachelor affectionately deemed “The Most Boring Man in the World.”