- Hitchens looks back at the Rushdie fatwa and its legacy of censorship.
- The Feltron 2008 Annual Report
- “The Governor and the Glove” – an encounter with Blagojovich
- Joseph O’Neill remembers Updike (via TEV)
- Ted Leo performs Bruce Springsteen’s “Dancing in the Dark.”
- The Paleolithic era of online news.
- TNR reviews Outliers: “It is an axiom of Malcolm Gladwell’s method that a perfect anecdote proves a fatuous rule.“
Curiosities: The Governor and the Glove
The Widening Spell
“Ah, I think, a lizard-poet. This particular category was one I had concocted years before to describe those poets who were too Olympian to mingle with the rest of us, who stood to the side, detached, having feelings.” Remembering Larry Levis, whose book of last poems, The Darkening Trapeze, was released this past week.
Our Ramshackle Universe
“I’m writing about people. Man involved in the human dilemma, facing the problems bigger than he, whether he licks them or whether they lick him. But man as frail and fragile as he is, yet he will keep on trying to be brave and honest and compassionate, and that, to me, is very fine and very interesting — and that is the reason I think any writer writes.” William Faulkner on why writers write in a rare recording from the University of Virginia, via Brain Pickings.
Career Advancement
From the where are they now file: former NYT fabulist Jayson Blair has started a new career as a life coach. (via)
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n+1: The Singles
Millions fave n+1 has begun putting out a series of mini-ebooks via Kindle Singles. Three are available thus far: “Octomom and the Politics of Babies” by Mark Grief, “Gatsby in New Delhi” by Siddhartha Deb, and “Argentinidad” by Benjamin Kunkel.
Whose Line Is It Anyway?
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Things to Be Cognizant Of
All of us have particular words that we use a little too often. Writers tend to be embarrassed about their predilections for certain turns of phrase. At Slate, Matthew J.X. Malady reacts to the news that he uses iteration too much, and delves into the ways our verbal habits spread to others.
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Writer-Collector
“I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend.” Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, “the chaos of memories,” and becoming a writer. Pair with David L. Ulin‘s reflection on Bergman’s essay and the way we think about memory, written for the LA Times.
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