- The O.E.D., the ultimate bibliophile’s extravagance may never again appear in a new print edition, according to the New York Times. (via)
- “The most talked about books of the 2008 spring season,” according to European newspapers.
- Like Kennedy buffs hunched over stills from the Zapruder film, Bolaño enthusiasts may find themselves scrutinizing the cover design for 2666 (featured on the back flap of the galley).
- “The idea that a university education is for everyone is a destructive myth.“
Do “algorithms and online recommendations threaten to replace [publishers] as arbiters of quality”? This Economist riff on e-book publishing says so. Elsewhere, at least 20 companies are using computer software instead of human beings to write their articles.
A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, “most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. … The middle of the journey sometimes seems to be all about losing the way.”
“Our culture has focused so much attention on the most visible members of the Black Panthers that it has been easy to forget it was a nationwide organization — an entity that needed to attract ordinary people who believed in something and were also willing to work for it.” In the Times, Rembert Browne reviews two new books about the Black Power movement.
“I’ve always referred to it as a troubled project in the sense that I’m trying to tell stories about people who not are here in a way to tell their own stories. I’m trying to speak about an environment I knew well, but I’m aware that I’m dealing with very dark material. I’m pointing out the irony of what we would wish for ourselves and what actually ends up happening.” Teju Cole on tweeting American drone strikes.
Yesterday, our own Elizabeth Minkel pondered if Twitter fiction could be real art. She cited Teju Cole, a literary Twitter master, but what does he have to say about how Twitter affects his writing? “My memory is worse than it was a few years ago, but I hope that my ability to write a good sentence has improved,” he told The New York Times.