Our own Garth was interviewed at the enotes Book Blog, where he talked about his new book A Field Guide to the North American Family, how it came together, and influences from Charles Dickens to Julio Cortazar. Check it out.
When he woke in the woods in the dark and the cold and the ditch he’d reach out to touch the child sleeping beside him. Not in a weird way. The nights dark beyond all reckoning of darkness, days endless gray. He rose from the reeking sleeprags and looked towards the east for a hint of light. Long ago snuffed by lowhanging dust, crusted and festering whoremouth. In the dream from which he’d wakened he and the child had wandered in a cave, scrounging for rotted batmeat. Shadows playing the walls like clownpuppets, the whitegloved fingers gnarled and ginshaken. Encircled by the dim, an abattoir lullaby. They came to a great stone room within which lay a longdead lake, its water stagnant and foul. And on the far shore a eunuch mime, naked save for a filthy gray cravat. Dead eyes milky and hollow. With a thin straw to its dirtscarred lips, it knelt, sipping from the brack. It heard their steps, craning its mimeneck to see what it could not. Skin translucent, ribs charbling and swortled, the heart beating tiredly. Facepaint smeared. It waved sadly in their direction, for it could not speak. Then it scuttled into the inky blackness. The man shook his head in the freezing predawn. No more peaches before bed.
With the first gray light he rose and walked out to the road and squatted and studied the country to the south. Godless and blasted. A madman’s timeshare. The trees dead, the grass dead, the shrubs dead also. The rivers dead. And the streams and reeds, the mosses and voles. Dead as well. He glassed the ruins, hoping for a shred of color, a wisp of smoke, a faroff Cracker Barrel. There was nothing but swirling gloom, a grasping murk. He sat with the binoculars and the gray, and thought: the child is my warrant. If he is not the word of God God never spoke, although he might have scribbled something on a paperscrap and passed it along. He bit hard on his blistered upperlip. If only I had thought to give him a name. If only.
An hour later they were on The Road, an Oprah’s Book Club selection. He pushed the cart and both he and the boy carried knapsacks in case they had to make a run for it. Cannibal rapists, roving bloodcults. Greenpeace volunteers. In the knapsacks were essential things: tins of food, metal utensils, a broken Slinky, a canopener, three bullets, a picture of ham. He looked out over the barren waste, the scorpled remain. The road was empty, as was its wont. Quiet, moveless. Are you okay? he said, quotation marks dead as the reeds. The boy nodded. Then they started down the road, humming a sprightly tune. The tune was silent, and unsprightly.
In time they had arrived at a roadside filling station. It was still and precise, a blaggard’s assbath. Ashcovered and freighted with doubt. They stood in the road and studied it. The windows were unbroken, the pumps intact. I think we should check it out, the man said. There might be snacks. Cheez-Its, maybe. The boy looked on as he entered an open door. The man, not the boy. Nothing in the service bay save for a standing metal toolbox, a trash-filled wastecan. Waterlogged tittymagazines. In the small office, ash and dust, soot and flumb. A cashregister, a telephonebook, a metal desk. He crossed to the desk, standing over the phone. He picked it up and punched at the numbers. Three three three, three three three, three three five three three. The boy stood at the door. What are you doing? he said. The man hung up the phone. Jingle Bells, the man said.
In the service bay he tipped over the trashdrum and sorted through the plastic oilbottles. Then they sat in the floor decanting them of their dregs, standing the bottles upside down to drain into a pan. This reminds me of ketchup, the man said as he watched the slowdraining oil. The boy brightened. Can you tell me about ketchup, Papa? the boy said. Please tell me. The man stared, remembering another world entire, a world of jellies and mustards, of condiments boundless. Perhaps later, he said. I’ll tell you about ketchup later. The boy watched the slowing oildrip, chin in his hand. Okay.
On the far side of the valley the road passed through a fearsome charswath. Blackened and limbless trees, ashblown and dead. On a distant rise, the heatscorched ruins of a farmhouse. Tilted roadside lightpoles. Faded billboards advertising motels, the use of irony. An abandoned Vespa. Are you having fun? he said. The boy hesitated, shook his head. Are you sure? Yes, the boy said. I’m sure. The man looked out over the blasted land, the pebblestrewn waste. Impressions? the man said. The boy kicked at a small black rock. No, said the boy. The man’s heart ached. The boy used to love his impressions.
That night they lay beneath their filthy plastic tarp as rain fell from a godless heaven. After stowing the cart in a jagged roadside scarp, they had found a spot a good distance from the road. A thick copse of deadburnt spruce. The dirt underhead was hard, and with the wind and the cold and the running viscous ash it was difficult to sleep. Can I ask you a question? the boy said after a time, his teeth chattering.
Yes. Of course.
Are we going to die?
Sometime. Not now.
Okay. Tomorrow maybe?
No. Not tomorrow. Not for a long, long time.
Oh. Why not?
Because we’re going to be okay.
The boy considered this. Okay, he said.
There was silence for a time. Then the boy spoke again. But could we maybe die the day after?
No. I will protect you. No matter what.
Okay. The boy paused. But what if we did? Or maybe just me? Could I maybe die?
The man laughed into the tarpgrit as thunder pealed across the wet, bleakened valley. And leave all this? he said.
Philip Caputo’s new book Acts of Faith is being favorably compared to The Quiet American. Caputo, a Pulitzer Prize-winning journalist, has traveled extensively in Africa, and this new novel is set in Sudan. According to PW, Caputo “presents a sharply observed, sweeping portrait, capturing the incestuous world of the aid groups, Sudan’s multiethnic mix and the decayed milieu of Kenyan society.” Though the novel has a timely, flashy, “ripped from the headlines” sound to it, Kakutani called it “devastating” before comparing it to the work of Robert Stone, V.S. Naipaul and Joan Didion. Scott noted Kakutani’s “heady praise” a couple of weeks ago. And here’s an excerpt from the book (which weighs in at 688 pages, by the way. Whoa!)Charles Chadwick wrote recently about being a first time novelist at the age of 72 (scroll down): “A first novel of 300,000 words by a 72-year-old sounds like someone trying to be funny. Acceptance by Faber and then by Harper Collins in the US – the recognition that all along one had been some good at it – took a lot of getting used to. Still does.” The book, It’s All Right Now, which also weighs in at 688 pages, oddly enough (not exactly light Summer reading, these books), was panned by Nick Greenslade in The Guardian. Greenslade suggests that its publishers were more enamored by the idea of a 72-year-old debut novelist than by the book itself. I’m curious to see what US reviewers say because the book doesn’t sound all that bad to me.As I recall, Jonathan Coe’s 2002 novel, The Rotters’ Club, was well-received by my coworkers and customers at the bookstore. A sequel, The Closed Circle, comes out soon. Here’s a positive review from The Independent and an excerpt. These are good times for Coe. His recently released biography of British writer B.S. Johnson, Like a Fiery Elephant has been shortlisted for the $56,000 Samuel Johnson Prize.
Today in my mailbox, I found a hardcover edition of Roberto Bolaño’s 2666. Longtime readers of this blog may recall that I’ve become something of a Bolaño–phile in the last year… in fact, I already read the English translation of 2666, the late Chilean author’s magnum opus, this summer, in galley form. And so the arrival of the finished book was a pleasant surprise.Superficially, I can report that the dustjacket is a little disappointing; its reproduction of Gustave Moreau’s “Jupiter and Semele” appears mildly washed-out to me, and the author’s name gets a bit lost. In all other particulars, though – the wonderful, sea-sponge endpapers, the sturdy cloth binding, the great typefaces – 2666 has the look of a masterpiece. (The three-paperback edition is handsome, too.)That said, looking like a masterpiece is pretty meaningless. How the book reads is what matters. While I plan to write at greater length in the next month about the contents of 2666, I noted with some interest an early review from Kirkus, excerpted in the press materials: “Unquestionably the finest novel of the present century – and we may be saying the same thing 92 years from now.” This is heady stuff, but once you’ve read the novel, it doesn’t seem hyperbolic; rather, it’s an indicator of the high stakes for which Bolaño was playing in this, his last book.Back in May, I wondered if critics were going to recognize the seriousness of the attempt, or whether, Kakutani-like, they would draw an invidious comparison with the more accessible The Savage Detectives. I guess we’ll soon find out.
Even though this blog is devoted almost exclusively to books, I would be remiss if I did not mention the remarkable natural phenomenon that has been going on around me these past few days. The 17 year cicadas have emerged en masse from underground. Everyone, I’m sure, in their lifetime has had an encounter with a swarm of one type of bug or another, termites, bees, mosquitoes perhaps. In one of my grungier apartments in Los Angeles I once walked into to the kitchen to find more ants than one ever likes to see in one place. But the cicadas, they are something completely different. Brood X, as the scientists call this particular population, inhabits highly localized spots in the mid-Atlantic and Ohio River valley, and in some areas, like where I live, there are as many as 1.5 million per densely forested acre. The bugs themselves are large, larger than nearly any bug I’ve encountered, but they are oddly non-threatening. They are so dumb as to be barely functioning organisms. Walking through my yard, I’ll see a cicada approaching at a distance of fifty feet, and it will continue to fly in a straight line until it plows into me and then falls to the ground, dazed or unconscious. Each morning there are hundreds of them in piles against the side of the house, which they were unable to avoid during their night time travels. We sweep them away and an hour later there are dozens more. They give off this high pitched drone, and when you get a million or so together you can hear them from inside the house. Combined with the ungodly humidity, the noisesome, gigantic bugs have lent a prehistoric feel to the summer, not unlike the dinosaur simulation I remember from Epcot Center when I was younger. I half-expect a giant plastic animatronic T. Rex to be lurking behind my house. But they’ll be gone in a month, not to return for another 17 years, and I’ll be able to put away the plastic whiffle bat that I use to beat them back every time I leave the house.Vladimir Nabokov, of course, adored a more likeable sort of bug, the butterfly. In yet another fantastic “Second Reading” column, Washington Post book reviewer, Jonathan Yardley revisits Nabokov’s memoir, Speak, Memory. If this all sounds familiar to you, you may recall that a New York Times article about Nabokov inspired me to write about this book a few weeks back.And in non-bug news, E. L. Doctorow, whose new book Sweet Land Stories came out recently, comments in the Washington Post on the heckling he received during his controversial commencement speech at Hofstra University last weekend.
Ed points to a great article about silly blurbs, namely Dave Eggers’ blurb for Daniel Handler’s novel Adverbs: “Adverbs describes adolescence, friendship, and love with such freshness and power that you feel drunk and beaten up, but still want to leave your own world and enter the one Handler’s created. Anyone who lives to read gorgeous writing will want to lick this book and sleep with it between their legs.” I’ve noticed that a lot of Eggers’ blurbs tend to draw attention to the blurber rather than the blurbee.Another notorious blurber is Jerry Stahl, author of Permanent Midnight. Here’s his blurb for Apocalypse Culture II edited by Adam Parfrey: “Adam Parfrey’s astonishing, un-put-downable and absolutely brilliant compilation… will blow a hole through your mind the size of JonBenet’s fist. This book should be in hotel rooms.” And how about this for Mall by Eric Bogosian: “Eric Bogosian writes like an M-16 ripping through the brain pan of Western civilization. A read-till-your-eyes-bleed chronicle of American appetites run amok.” There’s a whole bunch of them collected in this old LA Weekly piece (scroll down). Interesting note: The compiler of the aformentioned piece called the book store where I was working with the list of books, and I read the blurbs to her over the phone. Ah, the magic of journalism. At any rate, the experience inspired me to, much much later, compile some collected blurbs here, here, here, and here.
I’ve acquired some books over the last month in various ways, and now I have added them to the reading queue, which at its current swollen proportions will take me over a year to get through. Here’s what I’ve added. As mentioned in this post, I snagged a copy of The Glory of Their Times, an oral history of the early years of baseball by Lawrence Ritter. I can’t believe that spring training is only a couple of weeks away. I also got some books from my mom, who is great about sending books my way. She passed along two books by Virginia Woolf (whose work I have never read), To the Lighthouse as well as a collection of her shorter fiction. She also got me the first play to be added to my young reading queue, Jumpers by Tom Stoppard. I rarely read any drama though I should probably read more. In fact, I don’t think I’ve read a play since college… another Stoppard play, Rosencrantz & Guildenstern Are Dead. Going in a completely different direction, I’ve added a graphic novel that my friend Chris, insisting that I would enjoy it, kindly lent to me: I Never Liked You by Chester Brown. I also secured a copy of Absolutely American, a book that David Lipsky wrote after spending four years following one cadet class through West Point. And finally I acquired a couple of advance copies of some books that’ll be out this spring. The first is You Remind Me of Me, a new novel by up and comer Dan Chaon. The other is Rick Atkinson’s book about being embedded with the 101st Airborne in Iraq. Check out the post where I broke the news on this book back in October. Atkinson won the Pulitzer last year for the first book in his “Liberation Trilogy,” An Army at Dawn (also on the reading queue!)Insider ReviewsEver since Amazon instituted the customer review feature there have been a fair amount of complaints from authors and publishers that one vengeful reader’s review can kill their sales. Other improprieties have also been alleged, like authors anonymously reviewing their own books glowingly while disparaging the books of rivals and enemies. A recent glitch at Amazon’s Canadian site lifted the veil of anonymity from the process. This New York Times article describes the fallout. The highlights: John Rechy giving glowing reviews to his own novel, The Life and Adventures of Lyle Clemens and Dave Eggers writing a positive review of his friend Heidi Julavits’ novel, The Effect of Living Backwards.