My nominee for this round has been posted at the LBC blog. Though it didn’t grab my cohorts enough to be named our “Read This” pick, I do highly recommend it.
I recently happened upon bookride, a blog by a rare book dealer that each day posts about a valuable book, explaining why the book is collectible and why it’s worth what it is. Fascinating stuff. A recent post looks at a rare copy of The Waste Land.
As literary genres go, bathroom graffiti ranks somewhere between obscenities carved into desks and poorly spelled comments in terms of respectability. Yet it’s still a form that could reveal interesting things, which is why a group of researchers took a series of fact-finding trips to public stalls across America. Their takeaway? “The mere fact of being in a public bathroom could be skewing how people choose to present themselves when they uncap that Sharpie.” Related: Buzz Poole onThe History of American Graffiti.
Jennifer Eganrecently spoke withWilling Davidson, fiction editor of The New Yorker, as part of Rewiring the Real, a yearlong series of podcasts with writers about the interplay of literature, technology and religion. Rachel Hurn, a former Millions intern, was there and noted Egan’s ambivalence towards “personal writing.” [Updated to correct the quote] “If writing necessarily meant writing about myself, then I’d rather do something else,” Egan said.
London is the most popular literary city. Graphic designer Edgard Barbosa made an infographic that visualizes the number of English-language books written about 10 international cities from 1800 to 2000. The locales include Rome, New York City, London, Paris, Tokyo, Madrid, Beijing, Chicago, Cairo, and Mumbai.
“The short story, as a form, has plenty of defenders,” the collection of unconnected short stories, maybe not so much. In an essay for LitHub, regular Millions contributor Jonathan Russell Clark praises the unlinked stories of Barbara the Slut and Other People and Single, Carefree, Mellow because “despite a lack of the wholeness of a novel, something complete and true and hard-won emerges by the end.”
Why does the new Liam Neeson film use a hyphen in its title? According to AP Style, “nonstop” is one word, yet the film is marketed stateside with a hyphen stuck in the middle. At Slate,L.V. Andersonlooks into a typographic mystery.