- Bat Segundo’s BEA podcasts continue. Yours truly makes a brief appearance in the latest installment.
- Elizabeth Crane is discussing George Saunders’ collection In Persuasion Nation at her blog this week.
- Meant to post this Friday, but luckily I think spelling bee-related links have an indefinite shelf life. Language Hat and his band of commenters provide indispensible commentary on the word that won the National Spelling Bee, “ursprache,” and other Bee topics.
New releases this week include the much-hyped The Autobiography of Mark Twain, Volume I. Also out in nonfiction is President Obama’s picture book Of Thee I Sing: A Letter to My Daughters, Unbroken by Laura Hillenbrand (author of Seabiscuit), as reviewed by the New York Times, Siddhartha Mukherjee’s The Emperor of All Maladies: A Biography of Cancer, and, for hip-hop fans, Jay-Z’s memoir Decoded.
Farrar, Straus & Giroux will team up with GQ for something called “The Originals Series.” The series, as stated in a blog post from FSG’s digital marketing manager, will consist of “authors and musicians in conversation, hosted by David Rees (Get Your War On, Artisanal Pencil Sharpening, Kale City), in an intimate West Village loft space. We’ll film each event and edit it down to a compelling short film for broadcast online.” You can RSVP to the November 8th kick-off, which features John Jeremiah Sullivan and the Brooklyn-based band Caveman, here.
The B.O.M.M. blog looked at our recent item Best American Short Stories: By the Numbers, in which we crunched some numbers behind the Best American Short Stories series, and created a nifty word map of the short story titles that appeared in the series from 1978 to 2008. “The most frequent word for a title (not including articles and such)? Life. It has appeared 9 times.” If anyone else decides to mine some interesting discoveries from the B.A.S.S. data, let us know.
“These poets foreground elaborate and mythically transgressive evocations of eros in which stylistic excesses counter the violent excesses of homophobia and racial marginalization. The queer Baroque is, fundamentally, a poetry of radical ambivalence.” On Prelude to Bruise by Saeed Jones.