If you haven’t already, wander over to the LBC blog to check out our newest “Read This” selection. Personally, it’s my favorite out of all the books I’ve read for the Litblog Co-op. The book is called Television and it was written by Jean-Philippe Toussaint and Jordan Stump.
Using Amazon.com bestseller rankings as his data set, a physicist at UCLA, Didier Sornette, and his coauthors have just completed a study to investigate which phenomena lie behind the creation of best-selling books. While Sornette acknowledges that a big sales spike occurs after a book receives a prominent review or a mention on television, “the slower peaks tend to generate more sales over time.” He finds that word of mouth is — scientifically — the best way to sell books. Or, to put it another way, it appears as though the laws of physics decree that creative marketing will win out over the more aggressive variety. Here’s the abstract for the original study with all its scientific mumbo-jumbo.A Baseball Book MiracleAs Janet Maslin notes in her review of Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season, Stephen King and Stewart O’Nan couldn’t have picked a better year than this one to write a fan’s-eye-view book about their beloved Boston Red Sox. Maslin likes the book and I’m not surprised; passion for the subject matter often leads to inspired and entertaining writing.
I had such a good time reading the Count of Monte Cristo that it made me wonder why I don’t read more so-called “classics.” So many times I have wandered into a book store or browsed through Amazon fruitlessly, when I might have gone for the known quantity that is the classic. First, let me define what I’m talking about here. People shy away from classics for two reasons: because they are old. You worry that the book will seem moldy and out of touch. And a classic is the sort of book that is assigned in middle school and high school, and therefore it doesn’t seem like the sort of book you’d want to read for fun (it might bring back bad memories, after all). But again and again I find that this is the wrong way to look at it. I am almost never disappointed when I read a classic novel. So, for all you casual readers out there, consider the classic.But classics aren’t just great for us grown ups, they’re perfect for precocious young readers. When I worked at the book store, I would often encounter parents trying to find books for kids who had read all the kids books. These young readers had read all the Harry Potter, all the Lemony Snicket, and the parents were looking for more of the same. I realized that classic novels are the perfect way to graduate these young readers to the next level of reading. Sure they may get assigned some of these books in school, but I know that when I was young, I found reading books for fun to be far more gratifying than reading for school. Here’s a quick list of classics that I like to recommend to precocious young readers (I’m only recommending books that I have read, so if you’ve got any ideas please share – there are so many more!):The Adventures of Huckleberry Finn by Mark TwainThe Scarlet Letter by Nathaniel HawthornePride and Prejudice by Jane AustenGreat Expectations by Charles DickensGulliver’s Travels by Jonathan SwiftFrankenstein by Mary ShelleyOr you could just get ALL of themUpdate: From the comments:Awakening by Kate Chopin (suggested by edan)Madame Bovary by Gustave Flaubert (suggested by edan)Wuthering Heights by Emily Bronte (suggested by erin)The Brothers Karamazov by Fyodor Dostoevsky (suggested by The Happy Booker)Related: Ask a Book Question: The 27th in a Series (Classifying Classics)Related: Giving Kids the Classics
Slash’s memoir, Slash, became the surprise hard-rock book hit of the year after it received two votes from two Charleses (D’Ambrosio and Bock) in our 2008 Year in Reading roundup. In contrast, the recent Axl Rose biography, W.A.R.: The Unauthorized Biography of William Axl Rose, received none. Slash’s honesty and openness endear him to us – the book literally begins with a bang, with an account of his defibrillator implant going off mid-show – whereas the reports of Axl’s anger and manipulation in W.A.R. make it far easier to identify with the former band members he forced out. Is The Millions yet another outlet that participates, as Axl claims, in the pro-Slash, pro-old Guns media bias? Let’s just say we won’t be granted an interview with Axl anytime soon.Amazingly, twenty years post Appetite for Destruction and fifteen years after the dissolution of the original band, the members have made a resurgence of noise and headlines. Axl breaks his nine-year print-interview silence on recording matters and the possibility of reuniting with Slash, but still thinks everyone’s out to get him, Duff McKagan debuts as Playboy’s new financial analyst, and former drummer Steven Adler’s appetite for self-destruction continues. A related article in this week’s New York Times Magazine remarks on the paradox of Adler’s camera-dodging on “Sober House”: “He was trying to escape reality, and the desire to escape reality is – on ‘Sober House,’ anyway – the height of reality.”
Twitter had its big moment last week, but unlike so many other technology start-ups in the seeming parade of millionaire-makers over the last two decades (with the obvious exception of Amazon.com), Twitter has developed a special following in the literary community, from high-brow to low. Perhaps that’s not surprising. Writers revel in words, and Twitter, nearly alone among hot technology start-ups, is mostly about words, crafting them to meet the medium’s peculiar restraints and sending them out into the world to be engaged with or ignored. Twitter is like some atomized version of the writer’s process. With Twitter, ideas go out piecemeal, the whole process taking a millionth the amount of time it would if you were to glom all those ideas together into one big whole and turn it into something as unlikely-seeming by comparison as a book. This speed, then, may be deeply satisfying — even addictive — as writers bypass so much of the toil of getting a book out of their brains and off to readers (New York’s Kathryn Schulz elaborated smartly on this idea last week.)
There is no uniform stance on Twitter in the literary community, of course. Some, like Teju Cole and Colson Whitehead, find it vital; many others — led by a certain one-time Time coverboy from the Midwest, do not. Some writers have more prosaic feelings about Twitter. Novelist Peter Orner wrote, “Some are talented at it; others, less so.”
Zadie Smith is not on Twitter. Nor are Jeffrey Eugenides (though his vest once was), Michael Chabon (not really, though his writer wife Ayelet Waldman is), George Saunders, or David Mitchell. Jennifer Egan is, but just a little bit.
Nonetheless, Twitter appears to be here to stay, for a while anyway. And it will remain a pastime for writers looking for book news, inspiration, distraction, literary puns, and every other thing they might want. But it wasn’t always that way. In the not too distant past, the literary lights of Twitter pecked out their first 140 characters and waited to see what Twitter would bring.
Curious, I dug back into the Twitter archive to see how these writers took their first steps into Twitter. What follows are the very first tweets of some of Twitter’s well-known practitioners from the literary world.
Finishing the website entries for my fall novel The Year of the Flood.
— Margaret E. Atwood (@MargaretAtwood) July 8, 2009
How does a petty trader come by N30 million worth of cars? Police hope Israel Ubatuegwu, of Ajah, has a good explanation.
— colson whitehead (@colsonwhitehead) March 15, 2009
Preparing for Book Expo America in the office in Dumbo. The last time we’ve to schlap boxes ourselves. Next year we pay the Teamsters…
— Richard Nash (@R_Nash) May 30, 2007
Last night at the Norman Mailer Award Ceremony in NYC, Oliver Stone said beautifully: “A serious writer is a rebel.”
— Joyce Carol Oates (@JoyceCarolOates) October 5, 2012
trying to figure out if someone does a decent MP3 workout, which will magically transform my iphone and my body at the same time.
— Dani Shapiro (@danijshapiro) April 24, 2009
Slaughtered by Sam A. and Jefffery Y. at post-diner breakfast ping-pong. Licking wounds.
— Dwight Garner (@DwightGarner) February 13, 2009
Here’s a video of my speech at the NBCC in NYC last week: http://tinyurl.com/dfe8rt
— Ron Charles (@RonCharles) March 17, 2009
— Sarah Weinman (@sarahw) April 24, 2007
— Susan Orlean (@susanorlean) December 23, 2007
doesn’t want to be an editor. oops, too late.
— Emma Straub (@emmastraub) December 3, 2008
I just opened my present from Dave McKean, The Big Fat Duck Cookbook. Heavy as a stone and beautiful. “See?” he said. “I do read your blog.”
— Salman Rushdie (@SalmanRushdie) September 15, 2011
Fine, then. I’ll twitter.
— John Green (@realjohngreen) December 11, 2008
No matter what I do there are always 5 emails in my inbox that I am avoiding.
— Doug Coupland (@DougCoupland) April 1, 2009
I’ve reached the limit on how many Facebook friends I can add. So here is a new page.
— Amy Tan (@AmyTan) August 12, 2010
— E L James (@E_L_James) April 12, 2011
First Tweet ever, prompted by Jeff Howe’s essay in Sunday’s NYTBR. Velly interesting. Helloooooo?
— William Gibson (@GreatDismal) April 1, 2009
coveting Susan Lewis’ hair.
— Chuck Palahniuk (@chuckpalahniuk) January 28, 2009
Becoming far more wired than I probably really need to be.
— Gary Shteyngart (@Shteyngart) December 1, 2011
I’m going to do it right this time.
— Emily Gould (@EmilyGould) May 21, 2009
today felt like the unabomber but i wasn’t plotting anything or planning anything or trying to bomb anything and i was wearing 4-inch heels
— Kate Zambreno (@daughteroffury) June 29, 2012
Wessex Man http://tinyurl.com/yw93xb
— New York Times Books (@nytimesbooks) March 18, 2007
News: Netherland wins PEN/Faulkner award: It was overlooked for the Booker prize and the prestigious US Nat.. http://bit.ly/AufPL
— Guardian Books (@GuardianBooks) February 26, 2009
— NY Review of Books (@nybooks) July 2, 2008
Check out our feature on the best audiobooks coming this spring.
— Publishers Weekly (@PublishersWkly) January 31, 2009
Mario Bros. meets Macbeth: What do a pixelated plumber and a murderous king have in common? Nintendo DS — in En.. http://tinyurl.com/5gr5m4
— L.A. Times Books (@latimesbooks) December 10, 2008
Hello, world! Official Library of Congress Twitter feed here. So nice to see 215 followers before so much as a single tweet!
— Library of Congress (@librarycongress) January 27, 2009
Welcome to the new GalleyCat Twitter feed, regularly collecting tweets from Senior Editor Ron Hogan, Editor Jason Boog, and Jeff Rivera.
— NPR Books (@nprbooks) January 8, 2010
We noticed lots of sites use Twitter for feedback. We created this account as a placeholder, but please visit our Feedback Group anytime!
— goodreads (@goodreads) August 19, 2008
56 years after William Styron warned us about chasing the zeitgeist, The Paris Review is now on twitter. From issue 1: http://bit.ly/BCnnE
— The Paris Review (@parisreview) September 4, 2009
Culling together work for Electric Literature no.2, planning events for October, spinning splendidly through another day at the office.
— Electric Literature (@ElectricLit) August 31, 2009
Rick Moody on running out of luck: http://tinyurl.com/ckno8d
— The Rumpus (@The_Rumpus) January 29, 2009
What will be named top book of the decade? http://bit.ly/AMgq8 What’s your pick?
— The Millions (@The_Millions) September 21, 2009
What’s the best part of B.G.’s “Bling Bling” video? Pre-tattoo’d Wayne, zooming red VW Beetles, or the crew’s outdoor fine china picnic?
— Nick Moran (@nemoran3) February 2, 2011
I’m heading to Chicago this afternoon to scope the place out. This summer, after Miss Millions and I get hitched, we’re moving to Chicago where I’ll be attending the Medill School of Journalism at Northwestern. Chicago will be a big change for us… the weather alone is a little daunting, but I’m excited about getting to know a new city, and I will do my best to keep The Millions going while I’m in school. In fact, one of the things that keeps the Millions going is the great book stores in LA where I can keep track of the latest books and even meet authors from time to time. I happened upon Golden Rule Jones, which will keep me informed of readings and other literary events, but I need to find a good book store that can be my home base in Chicago, preferably somewhere on the North side of the city, since that’s where we’ll be living. So, I probably won’t be blogging for the next few days, but I will be checking back here. I’m hoping that those of you with knowledge of Chicago will leave some bookstore recommendations in the comments area so that I can check them out. Thanks guys!