Mark at TEV has posted the first installment of his interview with John Banville, whose book The Sea has recently been shortlisted for the Booker Prize. This is the first of four installments that will appear weekly. Mark did a great job on this interview and I highly recommend it – it’s interviews like this, thoughtful and unpretentious, that show the true promise of book blogs.
I’m pleased to announce that Mark Batty Publisher, a New York-based art & design press, will be publishing my first book this spring. Modeled on fin-de-siecle scientific manuals, A Field Guide to the North American Family: An Illustrated Novella presents the story of two families in 63 alphabetized entries: Adolescence, Boredom, Commitment… A lavish, full-color plate will illustrate each entry.The book itself, in the tradition of Julio Cortazar’s Hopscotch and of the Choose Your Own Adventure series, encourages collaborative reading via a system of cross-references. But in discussing the illustrations, MBP and I decided we didn’t want the collaboration to end there. So this week, we’re launching www.afieldguide.com, an online resource that allows interested artists to contribute digital images to the Field Guide. My dream has always been to have 40-60 photographers represented in the book, each offering their own distinct take on contemporary life.Every image submitted via the “upload” page will be posted on the website, indexed and cross-referenced by the Field Guide‘s entry tags. They will remain there in perpetuity, along with contributors’ bios and website links – a kind of networked reference work. In March, we’ll select 63 images from contributors who’ve asked to be considered for the print edition, and those will become the images in the book. Each contributor will have a bio in the back of the book, and will receive a contributors’ copy.Writers who publish in literary magazines have long been used to the online submission process, but illustrating a book via internet collaboration is, I think, a relatively new thing. I’m excited to see how it works. If afieldguide.com succeeds, it seems to me, it might open some publishing doors for the explosion of online photographic activity: flickr, photoblogging, etc. And the book promises to be beautifully designed.The photographic element of the book will only be as strong as the submissions we receive. So I want to take this opportunity to encourage readers of The Millions to explore afieldguide.com, to contribute an image or two, and to spread the word, via email and blog, to artists who might be interested in participating. Cheers.
Ed hones in on a favorite excuse that wannabe writers use to explain why they don’t have an agent or aren’t getting published:The point of all this is that if you’re a writer clinging to the stubborn notion that someone is out there to “steal” your work, and if you are letting this get in the way of writing, submitting, or pitching, then I ask you for the good of humanity to step out of the way.Like Ed, I have encountered a number of writers (and a couple of musicians) who insist that they would be published and even famous were it not for concerns that the moment they let anyone see or hear their work it would be snapped up by a greedy opportunist. As Ed rightfully illuminates, this is almost always a stock excuse to cover up a lack of motivation, confidence, or even the fact that their work doesn’t yet exist.
Counterpoint is rereleasing a collection of Donald Barthelme tidbits (it’s subtitled “Satires, Parodies, Fables, Illustrated Stories, and Plays”), The Teachings of Don B.. The collection is perhaps most notable in that it contains an introduction by Thomas Pynchon. I’m fairly certain it’s the same essay by Pynchon that’s found here. It begins:Though to all appearances a gathering of odds and ends, what this volume in fact offers us is the full spectrum of vintage Barthelmismo — fictions thoughtfully concocted and comfortably beyond the reach of time, reactions less exempt from deadlines and rent payments to news of past moments that nonetheless remain our own, not to mention literary send-ups, intriguing recipes, magisterially extended metaphors, television programming that never was, strangely illuminated dreams, elegant ranting, debonair raving, and more, much more.Now that’s a blurb.
Recently I got a very interesting email from a reader. Frank Kovarik writes and teaches English in St. Louis. For the last five years, he has also been keeping meticulous track of the fiction that appears in the New Yorker. Not just the titles and authors, but things like gender, country of origin, and frequency of appearance.Frank has generously offered to make his spreadsheet available to download in Excel format. If you’re interested, you can get it here.Having this data allows us to dig deeper into the proclivities of New Yorker fiction editor Deborah Treisman and whoever else has a hand in what fiction appears in the magazine’s hallowed pages.Gender: From the database we learn that, of the 257 stories in the New Yorker from 2003 through 2007, 96 or 37.4% were penned by women.Nationality: Americans account for a fairly substantial portion of the stories that appear in the New Yorker, 134 of them, or 52% (and this leaves off several writers who could be conceivably classified as both American and a native of another country). Coming in tied for second are the Brits and the Irish at 18 stories apiece.Frequency: Much of that Irish total comes from master of the short story form, William Trevor, who readers were most likely to find if they flipped through an issue these last five years. Trevor was there on nine occasions. Including, an issue that included three separate but linked stories, Canada’s Alice Munro comes in second with eight stories. 12 other writers have appeared at least five times over the last five years, meaning that 14 writers have accounted for 32% of the fiction in the magazine during that period.9 stories:William Trevor8 stories:Alice Munro7 stories:Tessa HadleyHaruki Murakami6 stories:Thomas McGuane5 stories:T. Coraghessan BoyleRoddy DoyleLouise ErdrichLara VapnyarJohn UpdikeGeorge SaundersEdward P. JonesCharles D’AmbrosioAntonya NelsonIf anybody else draws interesting conclusions from the spreadsheet, we’d love to hear about them.
I got a free cd through work the other day. It’s called Stars and it’s by Kazufumi Kodama. I’ve been trying to track down more info on this guy, but so far I haven’t uncovered much. The music, though, is wonderful. It has a dub base to it, but it’s skeletal with computerized beats and the spare plinking of steel drums and xylophones. Over top of all that is a soaring layer of trumpet. At times it reminds me of the background music to video games back before they had their own soundtracks full of real songs. It is a very interesting listen though. I haven’t heard much else like it.