Mark at TEV has posted the first installment of his interview with John Banville, whose book The Sea has recently been shortlisted for the Booker Prize. This is the first of four installments that will appear weekly. Mark did a great job on this interview and I highly recommend it – it’s interviews like this, thoughtful and unpretentious, that show the true promise of book blogs.
In the Times (UK), a look at the forthcoming Rough Guide to Cult Fiction begs the question: what is cult fiction? “The editors note in an introduction that Toby Litt once said that in their purest form, cult books ought to have been out of print for ten years,” Erica Wagner writes. She also notes that in order for there to be “cult fiction,” the fans of such fiction must be cult-like in their devotion. The Rough Guide apparently contains some odd inclusions as well as omissions, but the concept made me think of my experience with cult fiction. Based on working at a book store, I would say that, among contemporary authors, Chuck Palahniuk, Douglas Coupland, and, to a certain extent T.C. Boyle had cultish fans. During my reading life, I’ve only gotten really cultish about one author, Richard Brautigan, of whose poetry and fiction I was enamored as a teenager. Brautigan, I would imagine, fits the “cult fiction” label pretty well. Curious if anyone else uses this label, I found an interesting list of books that a library in Indiana has labeled “cult fiction.”
Thanks to the shoddy service of my DSL provider, I haven’t been able to post new reports for you. This is sad because I have many great books to tell you all about. But now it is too late since I am off to Europe this afternoon and I have far too much to do before I leave. If the facilities are adequate and I have the time, I will try to update from Europe. If not, please check back in two weeks when I will pick up right where I left off. Bye bye everyone!
I have an article in the newest issue of Poets & Writers. It’s about the publishing industry’s recent interest in doing business in China and in bringing Chinese writers to the rest of the world.Not unlike European explorers five hundred years ago, the U.S. publishing industry is looking for a route to China. And, like those explorers, each company seems to be setting a different course. HarperCollins recently partnered with a Chinese publisher and plans to release new and classic Chinese books in English translation in the United States, the U.K., and China. Penguin has also secured a local publishing partner and is already offering Chinese readers ten of its Penguin Classics in Mandarin – and it has an open-ended plan to bring out more. At the same time, Penguin has stepped up its efforts to release more Chinese literature in translation in Western markets. Macmillan, meanwhile, has started a new publishing division, Picador Asia, based in Hong Kong.
I know this is old news, but I thought I’d give my brief thoughts on the stories from the New Yorker debut fiction issue. I wasn’t bowled over any of the stories, but I was most impressed by Umwem Alpem’s “Ex-Mas Feast,” not so much for writerly virtuosity as for the glimpse of the exotic the story provides. Perhaps because so many short stories seem to be set in the suburbs, I am always drawn to stories set in faraway places. I was somewhat less impressed by Karen Russell’s “Haunting Olivia,” which I thought would have been a more successful story if it had been half as long. I did, however, enjoy how Russell injected a bit of the surreal into her story. I was also dutifully shocked upon discovering that she is only 23 years old, even though I should know that the New Yorker loves to find these fiction savants. Least interesting of all to me was Justin Tussing’s “The Laser Age,” which, at first glance, I thought was going to be a story of the twisted not to distant future, but instead was just another mismatched boy-meets-girl tale.
Nicole Krauss is back with her first novel in seven years. Forest Dark “interweaves the stories of two disparate individuals — an older lawyer and a young novelist — whose transcendental search leads them to the same Israeli desert.” The cover of Krauss’s new offering sports cool blue waves (dunes?) and the now-ubiquitous yellow, centering a truly killer blurb from Philip Roth. Krauss was a National Book Award and Orange Prize finalist for Great House, and The History of Love won the Saroyan Prize for International Literature. Forest Dark will be published by HarperCollins on September 12.