I went back home to Istanbul for my cousin’s wedding (yes, a lot of weddings indeed, fun nevertheless, and may all of them be happy) and there picked up Tuna Kiremitci’s third novel Yolda Uc Kisi (Three People on the Road). I had briefly mentioned Tuna Kiremitci’s first two novels in my Year in Reading for 2004. I had found both very pop but at the same time sincere and interesting. Yolda Uc Kisi has an interesting storyline, but it does not explore feelings, ideas, conflicts, and desires as strongly as its predecessors. The author’s involvement as the narrator was also too cheap and easy at times, helping Kiremitci to skim over facts that could well make the novel more interesting. I understand that he is a poet and would rather take the short cut, but Yolda Uc Kisi was a disappointing read with certain highlights and no identifiable resolution. I would recommend Orhan Pamuk’s Sessiz Ev (also reviewed last year) for those interested in the divide between the understanding of revolutionaries and consumers, as well as young and old, and the political life in Turkey before the military coup of 1980, it goes much deeper than Yolda Uc Kisi, and actually presents a full story.
Funny book given as present by my friend Roland at the Virginia wedding: In Me Own Words: The Autobiography of Bigfoot by Graham Roumieu. Absolutely hilarious, from the myth to pop culture, everything that Bigfoot presents in his broken English puts a smile on your face or makes you laugh out loud. You will read the whole book in 5 minutes and then rush over to your friends to read what you thought was the funniest, realizing soon thereafter that you have read the whole thing to them, too. Go to a bookstore, pick it up, and see if it makes you smile. [Ed. Note: I’m also a big fan of the Bigfoot book. Go here to get a taste of Roumieu’s art.]
Next I turned to Danyel Smith’s Bliss, which hit the shelves on July 12 to great acclaim. Smith takes the reader through the booming world of hip hop in the late ’80s and the ’90s, through the experiences, ambitions, and personal conflicts of Eva Glenn, a successful executive at Roadshow Records. Although fairly well concentrated on her career and personal freedom, Eva actually has little time to focus on her real problems as she juggles Sunny, her successful, multi-platinum artist; Ron Lil’ John, her rival record executive and part-time lover; Dart, Sunny’s manic-depressive brother and manager; and all other rivals in the cut-throat recording industry. Bliss is very pop and fun to read: Eva’s constant musings over songs – relating developments in her life through verses from artists like the Temptations and Tupac – her constant inner dialogue, which explains the real motivations behind her actions, and stories of making mixed tapes from radio broadcasts make for a novel that captivates the reader. Bliss is very similar to Syrup by Maxx Barry in both style and context. I had enjoyed Syrup a lot when I read it and think that it covers personal vice and dynamics of a cut-throat industry – marketing in this instance – stronger than Bliss does. Nevertheless, it was really entertaining to read about the recording industry especially when the story is of success, competition, music. If you are headed to the beach before the summer is over, or have a sweet life like Eva Glenn and will be traveling to an exotic island, take Bliss with you and marvel at how, maybe one day, your life can be like that too.