After Timequake, Kurt Vonnegut declared that his career as a novelist was over, but in recent years Seven Stories Press has collected the scattered writing he has done since his retirement into small books. A new, and perhaps more substantial, collection called A Man without a Country comes out in September. Seven Stories describes it thusly: “Based on short essays and speeches composed over the last five years and plentifully illustrated with artwork by the author throughout, A Man Without a Country gives us Vonnegut both speaking out with indignation and writing tenderly to his fellow Americans, sometimes joking, at other times hopeless, always searching.”
I discovered the other day that an ambitious project to publish the complete run of Charles Shulz’s seminal comic, Peanuts, has begun. The books are very attractive and they have rounded up some notable folks to pen the introductions. The first volume, which covers 1950-1952, includes an introduction by Garrison Keillor and is already in book stores. Volume two (1953-1954) will be released this fall with an introduction by Walter Cronkite. According to the publisher, Fantagraphics, the 25 book series will span the full 50 year run of the comic and the books will be released at a rate of two books per year. When it is all said and done, the collection (along with the introductions within) should provide an interesting look into the second half of the twentieth century in America.
The auditions are over, according to my friends in Iowa, now that Ben Marcus – aka the “Dark Horse” – has made his visit to campus to try out for the Director job. During the workshop students noted his nervousness, which they saw as a good sign, that perhaps he’s more invested in getting this job than the other three candidates. Marcus handed out passages from published stories that complimented the stories being workshopped. Marcus also went above and beyond with his feedback on the stories, giving each one a three page, single-spaced typed response. At the reading, Marcus’ short story “Father Costume” got mixed reactions. Many were confused, but some allowed that it was beautifully written. Marcus’ craft talk appeared to get the best reception of all the craft talks. Instead of talking about literary theory, Marcus talked about how he runs a workshop and what kinds of seminars he teaches at Columbia. He talked about trying to be the ideal reader for each text in workshop, and about how he meets with students after their stories are up to help them figure out what of the numerous and diverging criticisms he/she should take to heart. When he opened the talk to questions, he was honest about the kinds of stuff he reads (from Carver to Munro to Barthelme) and the way he chooses applications. He said that often his favorite applicants at Columbia end up coming to Iowa, which proves that both programs can recognize good writing. He even passed out course descriptions of some of his seminars at Columbia, including one about how writers use language to produce emotion in the reader. Rumor mill: Marcus gets thumbs up from the poets and most of the students, but the fiction faculty isn’t so keen.So, that’s it. Hopefully, we’ll get another report when the final decision is made.Previously: Richard Bausch, Lan Samantha Chang, Jim Shepard
The first chapter (or a fraction thereof) of John Irving’s new novel Until I Find You has been posted at the Random House Web site. This novel looks like standard Irving – in the brief excerpt I noticed two classic Irving tropes, Toronto and a protagonist with a missing father. It’s hard to say if the book will be good or bad. His last couple have been clunkers, but if Irving has managed to recreate some of the magic from his earlier novels in Until I Find You, I’ll certainly read it. According to this article in the Times, he started the book back in 1998, which I’ll take as a good sign. The reviews will probably start coming in soon. The book comes out July 12.Update: Until I Find You gets a “B-” at the Complete Review.