A “Minority Opinion” has been posted over at the LBC Blog by the Co-op members who were not fans of the first LBC pick – Case Histories by Kate Atkinson. Some good discussion is already brewing in the comments. As for me, I fall somewhere in between the Minority Opinion and the LBC members who wholeheartedly endorse the book. To me, Case Histories is a worthwhile read, but perhaps not up to par with the big things that many seem to be expecting from the LBC. The most vocal commenters seem to pulling for the Co-op to choose a book that is of impeccable quality, yet has been ignored by big publishing houses and major reviewers. If such a book exists, I hope we can find it for our readers. “Read This” picks aside, I think the LBC may also prove valuable in determining whether or not the Great American (or British, or Chinese, etc.) Novel is in any danger of being ignored or underappreciated.
As anyone who has worked as a bookseller before can attest, book stores seem to attract a disproportionate number of crazies, people with odd obsessions, questionable hygiene, and/or highly developed eccentricities. Some might decry the modern online book store because it does not allow for this unique slice of life, but, as it turns out, even Amazon has its own resident crazies. Check out the reviews by the Amazon.com JFK obsessive. For a quick taste, here's his take on Seven Deadly Wonders, a thriller by Matthew Reilly.7 Deadly Wonders has America as the Bad Guys and England not even seriously in the race for the Capstone of the Great Pyramid of Cheops. When I read the plot outline I thought the old Gizar is plateauing. On a happier note I had a dream about 4 Year Old Caroline Kennedy describing a crayon drawing to President Jack Kennedy saying "I hope you like me Daddy" The next thing you know I'll be tapped four the Skulls. Well I have always been a Kennedy family loyalist. Thanks to JFK and his clever and beautiful First Lady La Loi Exige. Following your Taft outline of going to Texas Florida Arizona and then back to Texas I am guessing that you are in Texas at a secure bunker Mister Shadow President. As your second in command I would like to join you with my Daughter Julia at that bunker as soon as possible Sir. Thanks to Amazon for allowing freedom of speech like the kind President George W Bush supports.(via)
I'm pleased to announce that Mark Batty Publisher, a New York-based art & design press, will be publishing my first book this spring. Modeled on fin-de-siecle scientific manuals, A Field Guide to the North American Family: An Illustrated Novella presents the story of two families in 63 alphabetized entries: Adolescence, Boredom, Commitment... A lavish, full-color plate will illustrate each entry.The book itself, in the tradition of Julio Cortazar's Hopscotch and of the Choose Your Own Adventure series, encourages collaborative reading via a system of cross-references. But in discussing the illustrations, MBP and I decided we didn't want the collaboration to end there. So this week, we're launching www.afieldguide.com, an online resource that allows interested artists to contribute digital images to the Field Guide. My dream has always been to have 40-60 photographers represented in the book, each offering their own distinct take on contemporary life.Every image submitted via the "upload" page will be posted on the website, indexed and cross-referenced by the Field Guide's entry tags. They will remain there in perpetuity, along with contributors' bios and website links - a kind of networked reference work. In March, we'll select 63 images from contributors who've asked to be considered for the print edition, and those will become the images in the book. Each contributor will have a bio in the back of the book, and will receive a contributors' copy.Writers who publish in literary magazines have long been used to the online submission process, but illustrating a book via internet collaboration is, I think, a relatively new thing. I'm excited to see how it works. If afieldguide.com succeeds, it seems to me, it might open some publishing doors for the explosion of online photographic activity: flickr, photoblogging, etc. And the book promises to be beautifully designed.The photographic element of the book will only be as strong as the submissions we receive. So I want to take this opportunity to encourage readers of The Millions to explore afieldguide.com, to contribute an image or two, and to spread the word, via email and blog, to artists who might be interested in participating. Cheers.
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In a recent issue of The New York Times, Tina Brown explained the rationale behind her nascent Book Beast project thusly: There is a real window of interest when people want to know something. . . . And that window slams shut pretty quickly in the media cycle. As a diagnosis, this is accurate - there is a real window (or at least a figurative one) - but it begs a number of relevant questions. For instance: Isn't the erstwhile "Queen of Buzz" part of the problem of dwindling attention spans, rather than part of the solution? (I suppose you can't unslam a window any more than you can unring a bell, but still...) Ms. Brown's remedy is, characteristically, to get books out there even faster, publishing topical e-books and paperbacks "on a much shorter schedule than traditional books." However, the imminent arrival of Going Rogue - whose gestation period was shorter than a goat's - would seem to suggest that Beast Books will differ from today's "traditional books" more in degree than in kind. (On the other hand, from a marketing standpoint, I suppose Ms. Brown was right: six months was long enough for me to realize I'm tired of reading about Sarah Palin. If it had been available in March, I might have bought the sucker.) Now, at The New Republic, Damon Linker has blogged a pretty succinct summation of Beast Books' weird commingling of the redundant, the oxymoronic, and the inevitable: Opining is fun, and so is ideological combat. But a book is, or should be, something different: A chance to slow down. An opportunity to raise one’s sights a little higher. . . . To reflect instead of react. What Beast Books is proposing . . . is (in Truman Capote’s words) the reduction of writing to typing. Presumably, this is just the sort of "something" that might merit book-length treatment...were the whole subject not so last week. Bonus link: The Art of Fashionable Lateness
It seems like there's a new magazine debuting every week. After Brigid Hughes was ousted at the Paris Review, she started her own litmag called A Public Space, the debut issue of which has just arrived. Contained within: work by Charles D'Ambrosio, Kelly Link, Haruki Murakami, Marilynne Robinson, Rick Moody, and others. Here's the full TOC.
Scanning the headlines for news about books:I noticed, after I'd been working at the book store for a while, that there is a religious book industry that shadows the mainstream book industry. There isn't much crossover between the two: there are mainstream bookstores that sell exclusively mainstream books and Christian bookstores that sell exclusively Christian books. But now the Associated Press is reporting that the lines are blurring thanks to the success of the The Da Vinci Code and the odd cultural phenomenon of Mel Gibson's The Passion of Christ. According to the story, several psuedo-religious books, books that don't fit neatly into either segment of the book industry, have become big sellers in the last year. The Gnostic Gospels by Elaine Pagels, Holy Blood, Holy Grail by Michael Baigent, Richard Leigh, and Henry Lincoln, and The Woman With the Alabaster Jar: Mary Magdalen and the Holy Grail by Margaret Starbird are among the beneficiaries.Advanced Book Exchange is a giant online marketplace for used books. I happened to notice that they recently posted a list of their "top 50 bestselling used, rare and out-of-print books on Abebooks in 2003." It's an interesting list that includes current bestsellers (Harry Potter and the Order of the Phoenix), classics (East of Eden), collectible magazines (National Geographic Magazine), and scholarly texts and reference books (Black's Law Dictionary).And while we're talking bestsellers, here's Barnes & Nobles' 100 bestselling books of 2003, including one of my favorite books of recent years, Ian McEwan's Atonement coming in at number 46.
Along with the New Yorker, the only magazine that I read regularly is Colors. Since it comes out every two months or so, spotting a new one on the newsstand is a real treat. Each issue is devoted to a specific theme, from the very broad like Water, to the very narrow; at one point an entire issue was devoted to a South American wood chopper named Rolando Trujillo. The new issue that I read today is all about the city of Birmingham, Engand. In typical Colors fashion, this issue combines the testimony of individuals with statistics and striking photography to give a surprisingly insightful picture of its subject. Colors is one of the few examples of putting the magazine medium to good use.Heard on the RadioThere was a quick review of The Kalahari Typing School for Men by Alexander McCall Smith on All Things Considered this afternoon. I've heard from several people that his series of books (this new one is the fourth) is worth reading. They are detective novels. The hero is a woman named Precious Ramotswe. The setting is Botswana. I'm told that this exotic locale sets these already charming stories apart. And since I have always loved stories set in faraway places, I hope to get around to this set sooner rather than later.
The BBC is offering limited online access to the OED as part of a BBC miniseries on the famous (and famously huge) dictionary. Unfortunately, it's only available until February 13, and according to Boing Boing they are trying to limit access to Brits only. However, you may want to try to get in, because I managed to access it from here in Chicago. (I emailed Cory at Boing Boing to suggest that perhaps the restrictions had been lifted, but he chalked it up to the fact that "IP-based filters genuinely suck.") At any rate, considering the astronomical cost of the OED, it's worth a try to check it out while it's free.Update: More details at Language Hat.
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On January 19th, while many of us held our collective breath over the results of one national contest, the American Society of Magazine Editors released their list of finalists for the 2017 National Magazine Awards for Print and Digital Media. Curiously absent from the announcement were nominees in fiction, which ASME chose not to promote for the first time in nearly 50 years. The announcement made no mention of the category’s sudden disappearance. For Michael Ray, editor of Zoetrope: All-Story, the distinction was particularly significant. Writing last Thursday via email, he said the award “breached the ostensibly isolated atmosphere of literature and recognized the fiction writer among a broader peer group of writers and before a more diverse and populous audience of potential new readers.” Anthony Marra, whose 2016 NMA winning story, “The Grozny Tourist Bureau,” Ray edited, expressed his disappointment in ASME’s omission. “Writing, editing, and publishing short stories in literary magazines is a labor of love for all involved,” he said. “They aren't clickbait. They don’t make much noise or much money. And yet the best of them long outlast the paper on which they were first printed.” While ASME has retained the category of “General Excellence in Literature, Science, and Politics,” such broad scope leaves little room for individual recognition, instead favoring the total yearly production of a magazine over excellence in a single piece. This year, Poetry is the only literary magazine nominated in that category. Last September, Women’s Wear Daily released an email circulated to editors around the magazine industry from ASME Chief Executive Sid Holt. In what amounts to the closest document to a public announcement, the message cites declining fiction entries and, most surprisingly, concern that “few ASME members say they are competent to judge the category.” ASME’s website describes its members as “senior editors, art directors, and photography editors employed by qualified publications.” Susan Russ, senior vice president of communications at ASME, said that with the diminished numbers of submissions, fiction entries had “less than a fifth the number of entries [than] comparable categories.” While the decision to “suspend” the category, she said, “was not a judgment on the value of fiction or [ASME’s] ability to judge entries,” it is unclear -- outside of an attendant fall in submissions fees, perhaps -- how the small pool affected the organization. The arts face an almost certainly precarious future. As a genre, short fiction has long struggled with recognition, and is too often minimized as a stepping-stone to more serious literary enterprises. According to Russ, “ASME is considering alternative ways of honoring fiction,” leaving open the possibility of a new award outside the existent NMA format. But such a move could further isolate fiction from the rest of print culture. It’s entirely possible, however, that fiction may be back for next year’s contest. Losing touch with the power of writing is not something we can now afford to risk. And National Magazine Award or not, over the coming years, we’ll be needing all the good stories we can get. Image Credit: Flickr/Phil Roeder/Ken Hawkins.
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