Before I worked at a bookstore, books were just things to be read. I never gave much thought to the big glossy volumes that occupy a lot of shelf space in many book stores. But the world of so-called “coffee table books” is surprisingly varied, going way beyond books of art or photographs of faraway places. With impressive production values – and hefty price tags – these books are closer to works of art than literature. I was reminded of this after an article London Review of Books pointed me to a book called Disruptive Pattern Material: An Encyclopaedia Of Camoflage: Nature, Military, Culture. The heft and glossiness of such a volume, despite – or perhaps because of – its esoteric focus, somehow make it inordinately desirable to me. Taschen, the eccentric European publishing house known for its expensive and eclectic selections, also occasionally puts out books that have this affect on me, like the Cabinet of Natural Curiosities. And I’m a sucker for atlases, the bigger and glossier and more stuffed with maps and diagrams and charts the better, like the National Geographic Atlas of the World. I am especially intrigued by atlases devoted to a narrow topic like the Atlas of Contemporary Architecture.