Posting has been light because I’m nearing the end of the quarter at school, and I am in the final stages of a very big project. And posting will probably continue to be light because I’ll be heading off on vacation as soon as school is done. I’m thinking about taking my laptop with me, but even if I do, I’m not sure how close I’ll be to the Internet. I’m excited about this vacation (we’ll be joining my family at the beach in North Carolina) not just because it’ll be a much needed break from school, but also because there’s no place I’d rather read than on vacation. On a proper vacation there are seemingly endless hours to spend with your books. I also love the way certain reading experiences become associated with certain exotic locales – and by “exotic” I mean simply “not home.” For example, last summer Mrs. Millions both read Walker Percy’s classic The Moviegoer during our honey moon in St. Maarten. The unfamiliarity of that island paradise mingled with the humidity of New Orleans where Percy’s Binx Bolling is trying to keep “despair” at bay. The book and the place where I read it combined to form a peculiar sort of dreamy memory that I love. Though I haven’t even gotten the suitcase out of the closet, I already know which four books I’ll be taking with me. I plan to finish The Count of Monte Cristo on the plane ride there. I’ve been enjoying the book immensely, by the way. After that I’m going to read Belly, a debut novel by Lisa Selin Davis that will be coming out later this summer. The publisher’s publicity compares her writing to that of Jane Smiley and Richard Russo. I’m also bringing a couple of nonfiction books: David Lipsky’s account of following a class of cadets through West Point, Absolutely American. Lipsky was originally assigned to write an article for Rolling Stone about the military academy but ended up sticking with the story for four years. I’m also bringing The Wisdom of Crowds by James Surowiecki, the resident business writer at the New Yorker. The book’s premise, which is borrowed from the world of economics, is that the collective choices of large populations of people are often correct, and that it’s even possible, by setting up what amounts to a futures market for ideas, to use this effect to predict the future. A good example of this is a futures market where one can bet on who will be elected president. Such markets have been very good predictors of actual events over the years. None of these books particularly strike me as “summer reading,” but I’ll just be happy that it’s summer and that my only obligation is to read.
I usually listen to the BBC World Service when I listen to radio online, but Millions contributor Andrew recently told me about an excellent programme (as they say) on BBC4. "In Our Time" is hosted by Melvyn Bragg who, each week, is joined by three guests as he explores "the history of ideas." To give an idea of the varied topics the program touches upon, the most recent show was about Samuel Johnson, 18th century author of Lives of the Poets among many other books (here's his greatest hits), and "England 's most famous and well connected man of letters," while next week's show is on asteroids. All the old shows are archived and organized by subject.
I've got an affinity for diagrams. I find the books of Edward Tufte fascinating, and my interest in such things extends even to the "infographics" contained in most newspapers. I like the idea of distilling something complex down to a visual representation.And what is more complex than Finnegans Wake, which was the subject of a dense and mysterious-looking diagram from the book Vision in Motion by Laszlo Moholy-Nagy. Richard Kostelanetz highlights the diagram in an essay about Moholy-Nagy, about whom he writes "Need it be said that no other modern artist wrote as well about literature?"Kostelanetz goes on to write "What Moholy established in Vision in Motion was a model of writing about all the arts as a single entity, to be called art, whose branches (literature, painting, etc.) were merely false conveniences conducive to specialization and isolation." (via)This multi-discipline approach would seem to be of particular use in our multimedia world. It's brings to mind another creative attempt to parse a complex work of literature via non-traditional means: the Pynchon wiki.
Another weekend, another festival in Toronto.Millions readers in Toronto take note: Undaunted after a summer of festivals piled on top of festivals (Film, Fringe, Pride, Caribana, Jazz, NXNE, Luminato, and others that I'm sure I'm forgetting), Toronto grabs a few winks, splashes on some water, and bounces back with a few more festivals for the literary and art crowd.First of all, I would be remiss if I didn't throw out a shameless plug for one of my favourite events in Toronto: Nuit Blanche. Beginning at 7pm Saturday September 29th, downtown Toronto turns into an art lover's paradise with an all-night, all-free, art extravaganza. Meet friends at the nearest outdoor art installation as the clock strikes midnight, stroll through tiny galleries at three in the morning, or just marvel until the sun comes up at the latest crazy thing to burst from an artist's imagination.Then grab a nap and head over to Queen's Park for the Word on the Street festival. Sunday, September 30: Word on the Street is back, nestled in leafy Queen's Park, with readings and workshops spotlighting the best and most anticipated in Canadian literature.Finally, beginning Wednesday, October 17, and continuing until Saturday, October 27th, Toronto's Harbourfront hosts the International Festival of Authors with ten days of readings and round tables by a few dozen of the best and biggest authors in the world. This year, you can hear the likes of Margaret Atwood, Ian Rankin, M.G. Vassanji, Michael Ondaatje, Tracy Chevalier, Jasper Fforde, Will Self, and J. K. Rowling. I went to a few readings and round-tables last year, and was lucky enough to hear Deborah Eisenberg, Edward P. Jones, Alberto Manguel and Ralph Steadman. I even met Wallace Shawn!
The holidays are nearly upon us, and longtime Millions reader Laurie wrote in to share a number of ways to give back with books this year.Room to Read works in developing countries with low literacy rates to create kids books in local languages using local writers and artists.A Peace Corps rep asks for books in Honduras.Laurie also adds: "Our local B&N is conducting a book drive to put new books into the hands of local kids who would otherwise not have any to call their own. B&N will only accept books bought in the store, though (or, one clerk told me, 'possibly books that look new if you can show a receipt for them'). I understand the need to provide a poor kid something new, not a 'hand-me-down,' but this approach is so self-serving it detracts from the charitable aspect. Then again, it puts more new books in the hands of kids who have none in their homes, so maybe turning charity into a for-profit business tactic isn't totally evil? Or maybe donating to a nonprofit like First Book is a better choice."Here are more links to nonprofit book charities:Directory of Book Donation ProgramsBring Me a BookEthiopia Reads
It is of passing interest to me when a site like Gawker gets bookish. So they did on Saturday in a typically hard -to-peg post about Ben Kunkel's piece in this weekend's NY Times Book Review in which the "it-novelist" discussed the new Nirvana biography, Nirvana: The Biography, by Everett True. I often have no idea what is being said on Gawker. Are their writers simply sarcastic, or are they being cleverly sarcastic about their use of sarcasm?My best guess is that the gawkers generally dug the review. To the extent that this assessment is accurate, I concur. The new Nirvana book sounds a little lackluster. How many biographies of Nirvana can we as a culture absorb? I myself have read two, Michael Azerrad's Come As You Are, and Christopher Sandford's Kurt Cobain. What I have taken away from these books, and what Kunkel articulates in his review, is that Nirvana is a tough nut to crack: "What does 'Smells Like Teen Spirit' sound like when you're in your 30s, as Kurt Cobain, dead at 27, of course will never be?" It sounds to me like the epitome of artistic-commercial conflict, but I'm only 29. To wit, Nirvana, the ferocious guitar-pulverizing punk band, sounded best on an unplugged album. Not surprisingly Ben Kunkel, who cut his literary teeth chewing on twenty-something angst, sounds pretty good discussing the band.
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Most of you have probably read it, or at least heard about it: Sasha Frere-Jones in the New Yorker posits that the cultural inter-borrowing that long underpinned the vibrancy of American music has fallen by the wayside in the current era of mopey indie rock (I mostly agree). The essay is good - though-provoking - but what has really rounded it out has been his series of responses, on his blog, to the various letters he received - 1, 2, 3, 4 - which have turned his effort into the sort of bull session that regularly happens among music fans.In a similar vein, in this case in the world a film, One-Way Street posits that we have a problem we never expected: "an American cinema that's too good." The argument is fairly convincing. But I can't help but think that some arguments to the contrary might turn the post into a bull session as intriguing as the one Frere-Jones has curated at the New Yorker.
I'm a map person. There are random maps all over the walls of my house, mostly freebies that my coworkers at the book store, knowing my interest, have passed along to me. Looking around right now I can see a "Rail Map of Europe," "World Terrorism: a Reference Map," and this odd, black and white, line drawing map of Illinois, among several others. When I live somewhere with enough room, I intend to have several atlases. Thus, I was excited to find today a book called You Are Here by Katharine Harmon. It's sort of a popular history of maps with heavy focus on amateur maps, folk art maps, and maps that are related to popular culture. She is especially interested in what maps can tell us about the way we see the world. I'm looking forward to getting this one.
The recent debate between Malcolm Gladwell and Adam Gopnik has come and gone, and by all accounts, it was an engaging afternoon. In attendance were such Canadian luminaries as Douglas Coupland, former Governor General Adrienne Clarkson, her husband - the writer John Ralston Saul, and my friend Morry.Held at the University of Toronto's Convocation Hall, the two New Yorker staff writers (and expat Canadians) wittily deconstructed "Canada", reducing it to its fundamentals as they debated the question: Canada: Nation or Notion?CBC Radio recorded the hour-long debate for its Ideas program. Listen here (mp3).Macleans magazine, which organized the event, also has video footage of the debate.