You may have heard about this. In October an 8 DVD set containing digital images of every page of the 4,109 issues of the New Yorker from February 1925 to February 2005 will hit stores (retailing for $100 – but cheaper at Amazon and other discounters). As a huge fan of the New Yorker, my eyeballs nearly popped out of my head when I first saw the NY Times story about this, but I’m trying to restrain myself. As some of you know, I’m extremely compulsive about the New Yorker, in fact it may be the only compulsion I have. I read he magazine cover to cover every week, and if my issue is late in arriving I’ve been known to panic. My fear is that once I got my hands on this set, I would be compelled to consume every word of it at the expense of school and work and everything else, possibly even eating and sleeping. I’m may have to put myself into forced hibernation starting in October in order to keep those DVDs from falling in to my hands. Also, normally I would find the subtitle of this collection – “Eighty Years of the Nation’s Greatest Magazine” – to be somewhat presumptuous, but I happen to agree with it.
Here are some book reviews and book related stories that have caught my eye in recent days. In the New York Times Charles McGrath reviews a forward-thinking anthology, The Anchor Book of New American Short Stories. The review is tepid, but McGrath takes the opportunity to give us an interesting little summary of the state of the American short story. Also from the Times, Michiko Kakutani delivers a review of Arthur Phillips latest, The Egyptologist. She makes the book sound pretty exciting, but in the end quibbles that it is not sufficiently weighty. Despite her reservations, The Egyptologist seems worth a look. I would imagine that it's great airplane reading.
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[Ed. Note: Emre is back with another multi-part reading journal. Here's the first installment. Enjoy.]Hello everyone, it has been a long time since I sent a post, but I go in spurts, so here it is. When I last left off, I had just finished reading Walker Percy's The Moviegoer, after which I was thirsty for a piece of non-fiction. What better, then, to turn to Ryzsard Kapuscinski's The Soccer War, which I had knowingly put off in an effort to not finish all his works at once. Upon reading The Soccer War, I understood better why Cem Ozturk, ambassador to Japan, refused to lend me his copy. The Soccer War is Kapuscinski's most romantic work, especially with regards to the unbelievable stories he narrates and the naked truth and language with which it is related to the reader. The straightforward and brief history of the actual Soccer War is so interesting that I ended up going online and researching the event further out of sheer curiosity. Despite the title, Kapuscinski's main focus is, again, Africa, but he also touches on life in Poland and there is a brief chapter on Cyprus after the Turkish invasion. The stories are, as usual, very humane and Kapuscinski's tone and approach to his subjects is awe inspiring. I got the usual urge to go forth with the rest of Kapuscinski's works, but am - probably for the last time - putting that urge aside for later pleasures.Next I turned to Karen Heuler's Journey to Bom Goody. Forbes, the main character, is an ordinary man living in peace and harmony until one day he loses his family. As a result, he takes on a project long contemplated but never dared. When the reader meets Forbes, he is already in Latin America, traveling up the Amazon River to perform his tests. Forbes, however, is an aspiring scientist who lacks the training, and therefore makes rather ignorant and arrogant moves in the name of bold experimenting. Switching to a guide, Ping, who believes to be the love child of his mother and a dolphin and does not speak a word of English, is the first big move Forbes makes. Along the way, Forbes loses his guide and meets a white woman, supposedly doing medicinal research. While the Tina abhors the chummy, helpless white man, Forbes is both loving, and contemptuous of Tina for being comfortable and fluent in such foreign lands. One day, Forbes realizes that his experiments have long been out of control and starts observing the outcomes which weave together him, Tina, local tribes, Ping and the Amazons. Journey to Bom Goody takes a rather trite idea (what if Latin American natives examined us, instead of the opposite) and creates an interesting story around it. The novel is a mix of ordinary characters in unusual circumstances, usual ego wars in unlikely settings, and fresh viewpoints of the society that we live in.See also: Part 2, 3, 4
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In case you haven't been to your local drugstore and noticed that they removed all of the useful items to make way for Christmas decorations, the holidays are here. Here at The Millions headquarters we've got our turkey pan ready for a Thanksgiving feast. In fact, I see a lot of good food in my future... and of course the cruel flipside to all that eating is the horror of holiday shopping. There are articles coming out everywhere saying that this year's holiday season will be big, which must make retailers happy, but there probably won't be any rejoicing until they have the cash in hand. From my own limited observations, people already seem to be shopping for books this year, and with no clear "hot book gift" out there folks seem to be spreading the joy around, at least so far. So here's what I've spotted lately in the hands of eager book buyers:In fiction Dan Brown's The Da Vinci Code continues to sell at an ever-increasing rate. This sort of thing happens every couple of years, and it is pretty interesting to watch a new super-seller burst onto the scene backed by savvy marketing and a steamroller of word of mouth. Brown has now assuredly joined the ranks of John Grisham, Tom Clancy and the rest, and true to form his once forgotten backlist (Angels & Demons, for example, originally released in 2000 to no acclaim) has now hit bestseller lists. Almost like hitting the lottery. People also continue to buy some of the more bookish titles out there. I've already mentioned DBC Pierre's Vernon God Little which continues to sell well on the strength of its Booker Prize win, and Train an LA noir novel by Pete Dexter (which I really dug) is doing quite well also. The big newcomer, to my eyes, is Tobias Wolff whose first novel Old School (no relation) has hit shelves. There was an excerpt of this in the New Yorker way back a few months ago which I enjoyed, and people who have read a lot of his other work (the memoir and short stories) seem excited to read this new book. What is astonishing to me, though, is how big a literary name Wolff has become without, until now, having written a novel (in a day and age when readers supposedly only care about novels). I suppose this is a testament to the quality of his PEN/Faulkner Award-winning memoir This Boy's Life and his various short story collections (Back in the World for example).Fiction is all well and good, but when people buy books as gifts, four times out of five they buy non-fiction. The reason: you don't have to have read the book to know what you're getting; Madeleine Albright's memoir is Madeleine Albright's memoir, but who knows what sordid scenes lurk in the middle of The World According to Garp. Of course one of the current big sellers, The Unexpurgated Beaton: The Cecil Beaton Diaries as He Wrote Them, 1970-1980, is full of sordid middle parts, but I think the folks giving and receiving that one know what they're getting into. Meanwhile, in less sordid waters, the ranting Left continues to redouble its efforts against the ranting Right with Michael Moore's sure-fire bestseller Dude, Where's My Country?. Another big seller right now is a book that I can't wait to read, Living to Tell the Tale the first volume of Gabriel Garcia Marquez' memoirs. Once I get to it, I'm sure I'll talk about it a lot here. Artist David Hockney's new book Hockney's People is also selling well. It's a collection of his portraits, both of himself and of his various friends and lovers. I'm not a huge fan of Hockney, but I like his portraits; they tend to be warm and interesting.Paperbacks, meanwhile, are not big sellers during the holidays, which is why I don't have much to report on this front. The only serious paperback that has been selling really well of late is Joan Didion's Play It As It Lays, which is probably piggy-backing the success of her recent memoir/family history Where I Was From. The other big selling paperbacks are destined for stocking stuffer status, which I'm sure is just what their authors hoped for. Try Russ Kick's 50 Things You're Not Supposed to Know for your paranoid relatives and Michael Flocker's The Metrosexual Guide to Style for the trendy, sexually ambiguous ones.Extravagant Gift Alert: Have you seen this!?!?! How can something so silly be so expensive and.... huge (it weighs 20 lbs.!). Now if that isn't nearly expensive or heavy enough, try this one... Still not enough? Try the "Champion's Edition". These heavyweights weigh in at 75lbs, by the way.
On Wednesday, the Aloud Series at the Central Library in Downtown Los Angeles hosted writers Antonya Nelson and Marisa Silver in conversation with Bernadette Murphy. The topic was "The Domestic Drama: Novel Form or Formula?" and, after short readings by Nelson and Silver, the conversation began. Why are we, as American writers, so preoccupied with familial dysfunction?Antonya Nelson called our fascination with stories about family a quintessentially American preoccupation. Family, she said, "is where a lot of our personal battles are lodged," but that those battles, no matter how small and personal, are also political. Marisa Silver agreed. Silver also argued that stories about family provide a "dramatic rubric"; that is, narratives of family are imbued with desire, conflict, and even, say, an enemy. Later on in the talk, Bernadette Murphy mentioned a lecture at Antioch University given by Dorothy Allison, where Allison argued that all good literature has home at its center. Nelson agreed, saying that family is our most powerful institution, and that the home is the most powerful setting for it. She discussed her most recent novel, Living to Tell, in which her main character, after paying his dues to society (in prison), must return to his family to pay an entirely different penance - and perhaps a more meaningful one. (This discussion of home reminded me of Alice Munro, who has described her short fiction - and I'm paraphrasing my former teacher and friend Dan Chaon - as a house with many rooms one can wander in and out of, and not in any particular order. I've always loved that.)Although the conversation was enjoyable, the three writers also bandied about the usual platitudes about how reading allows us to see the world better, that it expands our capacity for empathy, and helps us to understand our own lives. I agree, but we've heard such slogans before. Instead, since all three guests were women, I hoped they might discuss the role of the female writer in depicting the home and family. Not that male writers haven't taken up these topics - they certainly have - but, I wondered, are our perspectives on "the domestic" gendered ones? I'm reminded of a Virginia Woolf quote from A Room of One's Own, wherein she says, "...the values of women differ very often from the values which have been made by the other sex; naturally, this is so." (Really, Virginia, naturally?) Traditionally, women writers have gone indoors, so to speak, to tell their stories, and to explore what matters to them. What about now? How are women writers redefining (or maintaining) notions of family, home, motherhood, and so on? (I know, I know: I should have raised my hand during the q&a.)Other highlights of the night included Silver's discussion of the mythologies our families create for us, those roles we are given to play and/or reject. I also liked her description of writing as a "limbo between waking and dreaming." Antonya Nelson's reading impressed me deeply; I love her work. She read from the first pages of "Nothing Right," the title story in her new collection. Check out this passage:He was her second son, and he'd never been the one she understood best. Recently, she'd found herself disgusted by him: She didn't want to share a bathroom or kitchen, bar soap or utensils with her own boy. His brother, who'd passed through adolescence sobbing instead of shouting, had not prepared her for Leo. The pure ugliness of a more traditonal male's tranformation to manhood - the inflamed skin and foul odor, the black scowl, the malice in every move - might eventually convince a parent to dispair, to say to that child, "You are dead to me." Because it would be easier--more decorous, acceptable - to mourn the loss than to keep waging a hopeless battle.Nelson also told an amazing story about a baby-thieving nurse, and described her impulse to write as the desire to "investigate a situation," and to get at "what the police blotter can only allude to." She said, near the end of the talk, that, for her, writing is "a way of getting to the bottom of mystery."The discussion meandered naturally, from references to Marilynne Robinson to Peter Taylor to the world famous Octomom. It wasn't a bad way to spend a Wednesday evening...
Most folks have probably heard that Jack Kerouac wrote On the Road on a 120 foot long continuous roll of paper, but now you can seen it. "Beginning this week at the Orange County History Center in Orlando, Fla., and ending with a three-month stay at the New York Public Library in 2007, Kerouac's "On the Road'' scroll will make a 13-stop, four-year national tour of museums and libraries."One great byproduct of the new translation of Don Quixote is that it has given way to many reconsiderations of the classic. Now the Atlantic Monthly weighs in.Also from the Atlantic, a great piece explaining how they choose which books to review and why their reviews may sometimes come across as atypical. It's a great read for anyone who is tired of the prevalence of cookie-cutter picks and pans.