“So I illustrated Gravity’s Rainbow – nobody asked me to, but I did it anyway.” — Zak Smith
File under odd marketing ploy: Penguin UK is offering up 30 audio samples from their catalog of books for intrepid djs to incorporate into their mashups. (I think of got the lingo straight here, no?) Spoken word snippets are available from classic titles like The Great Gatsby, Moby Dick, and Nick Hornby’s How to be Good. So, as all media continue to converge toward a single point do not be surprised to find some “Call me Ishmael” in your hip hop.
The “Best Books of 2003” lists are coming fast and furious now. I’ve grabbed the links to a handful of them for your reading pleasure. The New York Times selected just nine books to be dubbed “Editors’ Choice,” a prestigious honor. The Seattle Times put together slightly a quirkier list of best books, while SFGate does a more all-inclusive notable books list. I also dug up some lists from a couple of papers that are not known for being literary trendsetters, but whose lists are rather refreshing, and perhaps more in tune with the tastes of the broader reading public when looked at next to the heavyweights: here are the “best books” lists of The Star Telegram in Dallas and the Sun Herald out of Biloxi, Mississippi. There isn’t a book that appears on all five of those lists, nor even on four out of five. There are four books which appear on three out of five lists, and together they make an eclectic bunch. The best of the year? Perhaps not, but a good little quartet:Living to Tell the Tale by Gabriel Garcia MarquezDrop City by T.C. BoyleHow to Breathe Underwater by Julie OrringerThe Master Butchers Singing Club by Louise ErdrichAnd now, weighing in at 133lbs. is the BIGGEST book of the year… (and according to Guinness, it’s actually the biggest of all time)
Some news stories that caught my this morning:People come into the bookstore all the time to make lists of books that they want to read. Then they head over to the library to try to find them. Every once in a while a doleful customer will remark that the book that he or she wants to read has an interminable waiting list. From these folks and from personal experience I know that it can be next to impossible to borrow a bestseller from the library. What I didn’t know is that adding your name to those waiting lists inspires libraries to buy more books. As this article describes, a waiting list of 296 people prompted the Ann Arbor and Ypsilanti, Michigan library system to buy 96 copies of The Da Vinci Code. So, signing up for library waiting lists is a way to give a boost to the book industry, even if you never spend a buck.Amazon’s UK site has launched an interesting venue called the Authors’ Lounge. The Authors’ Lounge features video clips of authors talking about their books. Right now they’ve got John Le Carre talking about his new book Absolute Friends as well as several other folks.
With the announcement of a title and street date (July 21st) for the seventh and final Harry Potter book, the final chapter of a publishing industry fairy tale has begun.I witnessed the phenomenon of the boy wizard firsthand when I worked at a bookstore in Los Angeles. Even on the decidedly not family friendly Sunset Strip (we were a few doors down from the Hustler flagship store), we sold more copies of book five, Harry Potter and the Order of the Phoenix, than all of our other books combined in the first few days it was out, and our book buyer had to make emergency runs to Costco (where he could get the book wholesale) to keep it in stock. (You can see my thoughts at the time in this post.)Book six, of course, was even bigger, and judging by the numbers, Harry Potter and the Deathly Hallows will be the biggest of all. According to an Amazon press release, in just the first seven hours of availability, the online bookseller sold “over 200% more books than it did the entire first day of Harry Potter and the Half-Blood Prince the sixth book in the series. In fact, sales on Amazon.com in the first seven hours today have eclipsed total sales for the entire first two days of the sixth book.” Once all the first-day numbers were tallied, Amazon put out another release saying that orders for Deathly Hallows “were 547% higher than first-day pre-orders for Half-Blood Prince” and that the seventh and final book sold more copies on the first day than in the first two weeks of the pre-order period for book six.Amazon isn’t alone of course, Barnes & Noble reported selling Half-Blood Prince at a rate of 105 copies a second when that book came out, and I’m guessing the numbers will be even more astonishing for book seven. The books are such outliers that overall sales for the chain spike in years when Harry Potter books come out, creating lumpy year over year sales comparisons that the company’s management must explain to Wall Street.Of course, nowhere else is the series a bigger deal than Scholastic, the publisher behind the books, and the company can only hope that dozens of other projects in the pipeline will make up for the revenue lost once Harry Potter is history. At the same time, I’d imagine that the series will be repackaged again and again to entice die-hard fans and newcomers to shell out cash for the books years after book seven comes out. Already there are multiple editions of the Harry Potter books, and the “deluxe” version of book seven – retailing for $65 – is #2 at Amazon right now.While it’s unclear if the book industry will ever experience a phenomenon quite like Harry Potter again – the first six books have sold more than 325 million copies in 64 languages, dwarfing even The Da Vinci Code’s 60+ million copies in print – we can be sure that the press will spill many gallons of ink on the end of the series over the next six months or so. And to be honest, it’s probably deserved. There’s never been anything else quite like it.