I’ve got a lot of stuff going on right now. So I’ll be taking a break from the blog for a few days. See you soon.
Our ambivalence about the Kindle has been on full display of late. Still, when Amazon recently opened up its Kindle blog subscription program to all blogs it seemed worth trying, if only to satiate our curiosity about what it entails.With The Millions freely available for all readers, its hard to imagine why someone might be compelled to pay $1.99 to subscribe just to be able to read it on the Kindle, but now you have the option. (We only get 30%, which, as TechCrunch points out, is rather paltry.) If anyone tries subscribing, let us know. We’d be interested to hear how the experience is.Update: TechCrunch discovers a huge, embarrassing flaw in Amazon’s Kindle Publishing for Blogs Beta, that allows you to steal other people’s blogs and charge readers for them. Wow, that’s bad.
I’ve added some fiction writing classes to the Writing Workshops Los Angeles fall roster. If you live in the LA area, and you’re interested in participating in any of these, please email me at [email protected] to reserve a spot. All classes will be held in my Los Feliz home, where refreshments (and the occasional gourmet cheese) will be served.I’m especially excited about the Novel Writing Workshop I’m teaching, a course I’ve been devising since the day I began my own beast of a book…Introduction to Fiction Writing: Weekend SeminarSaturday, September 6, 2008 and Sunday, September 7, 200810 am to 3 pm (includes one hour lunch break)In this seminar we will explore the major tenets of fiction writing, including characterization, narrative voice, prose style, point of view, scene and summary, dialogue, and structure. Over the course of the seminar, we will continually return to certain questions: How can we use language to capture the uncapturable? How can a bunch of words on the page move us, make us understand what it means to be human? How can form and technique help us to improve as writers? In an attempt to answer these questions, we will look to published fiction for guidance, and dive into various writing exercises. Students will leave the seminar with the beginnings of several promising projects, as well as the skills to follow through with them.No prior fiction writing experience is required for this course, although more experienced writers will also find the course useful.New student rate: $125/studentEnrollment Limit: 8 StudentsNovel Writing WorkshopMondays, September 8, 2008 to November 17, 2008 (11 weeks)7:30 pm to 9:30 pmBecause the novelist faces different struggles and joys than the writer of short fiction, I’ve created an 11-week course specifically designed for those students working on longer projects.We will begin this class by discussing The Great Gatsby from a writer’s perspective, analyzing how Fitzgerald constructed (or failed to construct?) his masterpiece. From there, we will alternate weeks between critiquing students’ novels-in-progress, and discussing craft as it pertains to novel writing – in particular, structure, voice, character, and pacing. We will workshop one manuscript (up to 100 pages) every other week, devoting an entire class to each student’s work-in-progress. In our craft discussions, the writings of Aristotle, John Gardner, E.M. Forster, and James Wood will be explored; we’ll also do a few in-class exercises. On these craft weeks, there will be no outside reading or writing assignments so that students can give attention to their own novels, and to the upcoming workshop manuscript.To qualify for this class, you must have at least 80 pages of a novel manuscript written before the class begins.New Student Rate: $385/studentEnrollment Limit: 5 StudentsAdvanced Short Fiction Workshop IThursdays, September 4, 2008 to October 16, 2008 (6 weeks—no class on 9/11/08)7:30 to 9:30 pmThis 6 week workshop will be a deeper exploration of various fiction techniques such as voice, character, structure and point of view. We will spend the first two weeks doing in-class writing exercises and reading published short fiction from a writer’s perspective. The remaining 4 weeks of the course will be devoted to workshopping student work in an intense yet respectful environment designed to challenge and inspire every member of the class. Each student will have the opportunity to workshop one short story manuscript.New student rate: $325/studentEnrollment limit: 8 studentsAdvanced Short Fiction Workshop II (Same class as above, just a second section)Thursdays, October 23, 2008 to December 4, 2008 (6 weeks—no class 11/27/08)7:30 to 9:30 pmThis 6-week workshop will be a deeper exploration of various fiction techniques such as voice, character, structure and point of view. We will spend the first two weeks doing in-class writing exercises and reading published short fiction from a writer’s perspective. The remaining 4 weeks of the course will be devoted to workshopping student work in an intense yet respectful environment designed to challenge and inspire every member of the class. Each student will have the opportunity to workshop one short story manuscript.New student rate: $325/studentEnrollment limit: 8 students
As previously discussed, I’m moving to Philadelphia this week, and then Mrs. Millions and I are heading to a wedding in LA, so don’t expect to hear much from me until about a week from now. However, I will be putting up any posts I get from contributors, so stay tuned.Also, recommendations on fun Philly stuff are still welcomed in the comments of the post linked above.
I’m teaching another eight-week Short Fiction Workshop, which will begin March 12, 2009. This course differs from previous ones in that, aside from our examinations of published short fiction, we will also be reading nonfiction writing about writing (so far I’ve got Annie Dillard, Italo Calvino and Lewis Hyde on the list – with possible inclusion of Lynda Barry, Rick Bass, and Gary Lutz). These won’t be how-to discussions, but, rather, meditations on, among other things, what writing is like, both when it’s going well and when it’s going poorly (Dillard), and what it means to be an artist in this contemporary world (Hyde). I’m curious where discussions of these texts will take us. What you might suggest for this kind of syllabus?Here’s the official course description and my nifty bio.If you’re interested in the class, email me at [email protected]And…check out the new website!Short Fiction Workshop Spring 20098 Thursdays, 03/12/2009 to 05/07/2009 (no class 04/02/2009) 7:30-9:30 pm$340 for new students; $310 for returning studentsEnrollment limit: 8 StudentsFor the first four weeks of this eight week course, we will do in-class writing exercises and discuss published short fiction from a craft perspective. We will also read and discuss essays about writing and the writing life by such authors as Annie Dillard, Italo Calvino, and Lewis Hyde. For the final four weeks of the course we will workshop student work in a serious environment meant to challenge and inspire every member of the class. Each student will have the opportunity to workshop one short story manuscript.For more information, go here.About the Instructor:Edan Lepucki has an M.F.A from the University of Iowa Writers’ Workshop. Her short fiction has been published in Meridian, the Los Angeles Times, CutBank, Narrative Magazine, Avery, and the Los Angeles Review. She has taught creative writing at the University of Iowa, Oberlin College, the Gotham Writers’ Workshop, and for Vroman’s Bookstore’s Education Program. She is currently at work on a novel.
Note: Irrelevant comments pitching books or other products will be deleted immediately. If you would like to promote your book, website, or other product, please consider advertising with us. You can do so through BlogAds at this link or you can email Max with questions.I like using Blogger as the platform for this blog, but I’ve found that the interface for commenting is frustratingly confusing for many commenters. Up until now, I was resigned to the fact that some of my potential commenters were giving up, but then I saw a helpful post at the Written Nerd where Jessica explains to her readers how to use Blogger’s clunky commenting system. Luckily, Jessica was nice enough to let me borrow the wording from her post.So, for anyone having trouble commenting, follow these steps:1. Click on the “Comments” link at the bottom of the post on which you wish to comment. From there you can read comments that other people have left and/or click on “Post a Comment” at the bottom to leave your own. A new window will pop up (disable your pop-up blocker if you need to.)2. In this new window, type in your comment in the box under “Leave your comment.”3a. If you have a Blogger or other supported user account, click on the “sign-in” bubble to use it. Type in your user name and password in the blanks that appear.3b. If you want to comment using your name (or any name) but don’t want to use, or don’t have, a Blogger account, click on the bubble next to “Nickname.” Type the name you wish to use in the blank marked “Nickname.” The “URL” blank is optional, but you can use it to include the address of any website you want people to link to when they click on your name in the comments.3c. If you want to post your comment anonymously, click on the bubble next to “Anonymous.” You will not be asked for any identification info.4. Click “Preview” if you want to see what your comment will look like. You can edit the writing in the “Leave your comment” box to modify your comment.5. Click the blue “Publish Your Comment” button.Congrats! You’ve left a comment at The Millions!Note: If you are not signed in with your Blogger account, you will likely also need to fill in the “word verification” field to make sure that you aren’t a robot or a spammer. Simply type in the characters you see in the picture above the pace.
In case you haven’t noticed, we have successfully moved. As always the whole experience was rather disconcerting – a several weeks-long build of activity leading into a seriously draining 48 hours, and then, suddenly, it was over.The move itself involved no major disasters, but couldn’t be described as pleasant either. Our first setback occurred when we realized that Penske had rented us a truck with a nail in the tire. Luckily, they sent somebody out to fix it, but we lost a few hours of last-minute packing. Perhaps worse was that the guys I hired to load the truck the next day decided to take their sweet time, so much so that Mrs. Millions and I were forced to jump in and lend a hand. They also ripped the couch.Everything had to come down the rickety back staircase of our third floor walk-up; not fun. After five hours of heavy lifting, we set off on our 13-hour drive, sore, bruised, and sleep-deprived. Thanks to traffic on the way out of Chicago (the Windy City wouldn’t let us go without a fight), we lost some more time and we had to stop for the night rather than drive the whole way through, as we had hoped to do. We we’re somewhat constrained since we were traveling with our dog, and we ended up at an Econolodge in Youngstown, Ohio.Nothing against Youngstown, but I don’t think we’ll be back any time soon. The motel was situated next to the largest strip club I’ve ever seen. The place, which would have covered an entire city block, was called “Club 76,” named after the highway to which it was adjacent. Our motel was close enough that it could almost be mistaken for an annex of sorts.The guy manning the motel’s front desk was friendly enough, but was regretfully forced to inform us that the only room left had a leaky roof. We took it and kept our fingers crossed, and, thankfully were not awoken by a deluge. Of course, we probably weren’t there for more than five hours anyway. The next day we finished up the trip and the truck that it had taken the movers five hours to load was unloaded in half an hour with help from my family. So now we are settled into a temporary home, while we look for a more permanent spot – and hopefully that will be the last time we move for a long while.