Check out an excerpt of the Art of Fiction with Haruki Murakami from The Paris Review. If you are a Murakami fan like me, you should buy the issue and read the complete interview. If you do, you will find a discussion of Murakami’s upcoming novel Kafka on the Shore, which is due out in January. And from the British Library: “On this site you will find the British Library’s 93 copies of the 21 plays by Shakespeare printed in quarto before the theatres were closed in 1642.” (LINK)
Brian, one of my more well read and more ebullient friends, sent me this email emoting about one of the more underappreciated writers of the 20th century, Joseph Roth. Roth’s reputation and body of work were recently addressed in a New Yorker piece by Joan Acocella. Here’s Brian’s reaction:took the advice of the New Yorker and started reading Joseph Roth’s collection of short stories and am totally overwhelmed. read “Stationmaster Fallermayer” from the collection on your next break. amazing. i just ordered Radetzsky March from amazon (along with seamus heaney’s translation of Beowulf) –j. roth is one of those writers that was meant to write as we are all meant to breathe and move and sleep — his prose is beautiful: perfect constructions and his sentences convey much human truth — one of those guys who writes a line and immediately we ‘know’ it as we have felt it a million times but have never been able to articulate it the way he does… i look forward to pillaging his oeuvre…. He makes it sound pretty great. Unfortunately I didn’t get to read “Stationmaster Fallermayer” during my break at work yesterday, but I certainly intend to soon.
USA Today rounds up media coverage of the 75th anniversary of the publication of Dashiell Hammett’s The Maltese Falcon. They share this tidbit, too:The Maltese Falcon was first published serially in five parts in Black Mask magazine from September 1929 to January 1930; Knopf published it as a book in 1930. “There are about 2,000 differences between the two published texts – sometimes a comma or a paragraph placed (differently), but often it’s Hammett fooling with the prose to get it just right,” says Richard Layman, author of six Hammett books, including Shadow Man, a biography, and a trustee of Hammett’s literary property trust.USA Today also put the book’s first chapter up. Check it out.
One of the nice things about working at a bookstore is that after constant exposure to thousands of books I tend to have a sizable stash of titles and authors that I know are worth reading stored in the back of my head. Lately, during my day-off wanderings around LA, I make sure to duck into any good will/Salvation Army type places I come across, in order to make good use of this extra information that I lug around involuntarily. Luckily, in my neighborhood there seems to be an inexhaustable supply of such stores. Almost all of these places have a ramshackle shelf of books against the back wall. The standard pricing is fifty cents for a paperback and an even dollar for a hardcover, so it’s worth it to wade through the broken appliances and dusty clothing racks in order to do a little treasure hunting. I invariably am able to walk away with a gem or two. A couple of weeks ago I came across hardcovers of The Corrections by Jonathan Franzen and White Teeth by Zadie Smith. I swiftly decided to rescue them from an extremely seedy second hand store a few blocks from MacArthur Park, but before I left a third book caught my eye. A hardcover copy of Prize Stories of the Seventies from the O. Henry Awards was tucked away among some lesser books, so I grabbed that too. I was especially pleased to find this book for two reasons. First, in my opinion the O. Henry short story collections are the best out there, far superior to the Best American Short Story series, which, while always filled with excellent stories, never does anything to surprise you. Second, my contemporary liturature classes and creative writing workshops in college taught me that the ’70s were an especially fertile time for the short story. The editor of this collection, Willie Abrahams, rightly states that the collection of stories he has assembled “repudiate altogether the notion — widely held in the previous decade — of the story as an endagered or outmoded species.” This collection, in fact, represents the last time that the form was commercially viable, a time when there were many more publications devoted to the form, the heyday of Raymond Carver, Donald Barthelme, John Cheever, John Updike, and Tim O’Brien, all of whom are represented here. While it is always a joy to read stories by these luminaries, the beauty of the short story collection is that it will almost always yield a writer or two whom I have never encountered. This collection included several. Judith Rascoe’s story “Small Sounds and Tilting Shadows” is remarkable; it is the tale of an addled woman who insinuates herself into taking care of a mysterious man’s vacant apartment. As time passes the apartment becomes both her prison and her haven, and the presence of apartment’s missing owner looms ever larger. After just a handful of stories it’s hard not to see that many are inhabited by addled women “The Dead” by Joyce Carol Oates (a breathtakingly masterful story), “Last Courtesies” by Ella Leffland, and “My Father’s Jokes” by Patricia Zelver. These struggling women are neatly countervailed by stories about creaking, crumbling families: Updike’s “Separating” and “Alternatives” by Alice Adams, to name just two. The remaining stories, with a couple of notable exceptions, fall neatly into a third catagory, the experimental, post-modern story, betraying the mirthless, helpless rage of the author toward the frustrations that the decade presented. These were both dated and barely readable, but their themes were consistent with rest of the stories in the collection.In the movie “Dazed and Confused” set in 1976, the middle of this forsaken decade, Cynthia, the red headed dreamer who’s too smart for her backward Texas town says “The fifties were boring, the sixties rocked. The seventies, oh my God they obviously suck. Maybe the eighties will be radical.” As I recall, the eighties comment got a big laugh in the theatre, but, in terms of the general well-being of the populace, she wasn’t very far off. The seventies really did suck. Americans were disillusioned, over-medicated, and terrified of cities that had turned into war zones. This level of disgust is so palpable that it is both the surface and the subtext of nearly every story in the collection. The characters are irreconcilably distraught by the failures of the previous decade. A startling proportion of the characters are addicted to pills, and not a few commit suicide if they aren’t killed first, whether by neighbors or the Vietcong. It is a painful collection to read, and it is remarkable to see how bleak a picture of the decade is painted. At the same time, the pain produces beautiful emotional prose. Most of the stories, though imbued with sorrow, were a joy to read. And my favorite “A Silver Dish” by Saul Bellow was perhaps the most sorrowful of all.Why Dontcha Take a Picture, It’ll Last LongerTwo very cool photography books came in today. One was called The Innocents, a collection by the photographer Taryn Simon. The book is a chronicle of former death row inmates who have been exonerated. The book combines faces with stories to powerful effect. The second photo book of note today is no less political, though it is far more colorful. Photographer Jamel Shabazz was responsible for one of the coolest books of the last few years, Back In The Days, a collection of street photgraphy from the early hip hop era, before the look was commodified, back when it was real. His new book The Last Sunday in June chronicles New York city’s yearly gay pride parade. Days brims with solemn authenticity while Last Sunday explodes with audacious color. Both are worth more than a look.
If you are like me, you are probably getting tired of politics. Politicians, political news, television ads from concerned citizens for this or that, conventions finally almost past, and debates still to come, I’m tired of all of it. Thank god someone decided that it was ok for people to make up big, long stories (or collect little, short ones) and for other people to read those stories. A diversion, if you like. So, what will divert us this month? T. C. Boyle, who has over the years become a bigger and bigger name in American fiction, has a new novel coming out called The Inner Circle. Set in 1940, the book is about a young man who works as an assistant for the sex researcher, Alfred Kinsey (a real historical figure), and quickly becomes embroiled in the sort of bizarreness one might expect from a novel by T. C. Boyle. I hope to read that one soon. If you’re the type of person who likes to know about the next big thing, have a look at Jonathan Strange & Mr. Norrel. You’ll be hearing about this book a lot for the next few months, so you might as well read it. Touted as, what else, Harry Potter for grown ups, this debut novel by Susanna Clarke is set to release simultaneously in the US, Britain, and Germany with a first run of 250,000 copies (astronomical for a debut by an unknown writer). Part of the buzz stems from the subject matter; it’s about magic, magicians, and mysticism, and with the success of Potter and Da Vinci Code these topics seem like a sure bet. But, according to many accounts, the book is not just timely, it’s a great read. Those looking to avoid the buzz may want to try another debut novel, The Second Life of Samuel Tyne by Esi Edugyan. Tyne is an African immigrant who has raised his family in Canada. Circumstances and yearning for a better life lead him to relocate to Aster, a small town with a utopic history. He finds there a different set of struggles. For readers in the mood for something a little lighter and with a quicker pulse try The Little White Car a speedy little novel from Britain that sounds as energetic as Run, Lola, Run. The book was supposedly written by a new French talent, a young woman named Danuta de Rhodes, but skeptical British critics were quick to announce that de Rhodes is merely the alter ego of Dan Rhodes, known trickster and acclaimed author of Timoleon Vieta Come Home. Finally, those with a hankering for short stories might consider When The Nines Roll Over And Other Stories by David Benioff who previously wrote the novel The 25th Hour (which later was made into a movie by Spike Lee), and also The Secret Goldfish by David Means. Sounds a lot better than politics to me.The Inner Circle by T.C. Boyle — Boyle’s blogJonathan Strange & Mr. Norrel by Susanna Clarke — previewThe Second Life of Samuel Tyne by Edi Edugyan — excerptThe Little White Car by Danuta de Rhodes — the scoop, reviewWhen The Nines Roll Over And Other Stories by David Benioff — excerptThe Secret Goldfish by David Means — excerpt, review
In an effort to keep up with my Turkish reading, I reverted to one of my favorite authors Atilla Ilhan for the fifth book in a series of 6 titled Dersaadet’de Sabah Ezanlari (Morning Calls to Prayer in Istanbul). This novel too, unfortunately, is not translated into English. Frankly, I could have used a good translation myself as the language of the novel was embroidered in early 1900s “high” Istanbul Turkish, hence employing a lot of Persian and Arabic words, and therefore extremely difficult to follow. Nevertheless, Atilla Ilhan is a master whose historic novels reflect the power struggles among the politically significant personalities of Istanbul – as well as their indecisive nature and pitiful lack of influence – during the occupation of the city in the aftermath of World War I. I strongly recommend Dersaadet’de Sabah Ezanlari to any Turkish readers that follow the Millions. Surely, you must read the prequels first, which are Kurtlar Sofrasi volumes I and II, Sirtlan Payi and Bicagin Ucu.Next I turned to The Moviegoer by Walker Percy upon my good brother John D. Davis’ recommendation. Indeed, the novel was everything that he described to me: struggles of an elite Southern gentleman about to turn thirty and seeking a meaning, goal, and career in life. The subject is deeply intriguing since I, save for the Southern part and minus a couple of years in age, battle with similar issues. What is most intriguing is Binx Bolling’s ambivalence to his family’s legacy. This particular quality enables Binx (Jack) to analyze everyone surrounding his life with utmost precision. There is his ever criticizing Aunt Emily, his successful, catholic and acquiescent Uncle Jules, his manic-depressive cousin Kate, his hot secretaries, a bunch of relatives that Binx cares little for, and his fraternity brothers from Tulane who are all full of advice and ideas as to the proper way of going about life, getting settled, and marrying the right woman. Binx, for his part, could care less for advice. The internal struggles of this Korean War veteran push him to resist his customary temptation to tease life and instead to take matters into his own hands. The events that subsequently shape Binx’s life unfold on the eve of Mardi Gras in New Orleans in the mid-1950s, much to the self-reflective amusement of the reader. The Moviegoer is a very witty and entertaining read, with a great language and good hold on Southern culture. I look forward to reading other works of Walker Percy and have rather high hopes.You can see Max’s thoughts on The Moviegoer here.
The New Yorker pays tribute to Leonard Michaels this week by printing a story of his… a terriffic story called “Cryptology.” The weird timing of all this Michaels stuff has got me thinking that I really ought to read some more of his work. I will have to look around for some of his books. Scroll down a few entries to see more on Michaels. Also in the New Yorker James Wood reviews God’s Secretaries by Adam Nicholson. This is a book about the creation of the King James Bible. It is not the sort of subject matter that I am necessarily drawn to, but it has been incredibly well reviewed by some rather prestegious publications and reviewers: Jonathan Yardley and Christopher Hitchens to name a couple. If any of that looks interesting check out the first chapter.