Stockbrokers and art gallery owners take off for half the summer. Maybe bloggers should too. Due to my impending wedding (T minus 4 days), and a busy schedule of traveling and moving (for the second time in three months), I will have to cut back on my blogging for the next month and a half or so, at least until we get settled in Chicago. In the meantime, expect approximately one post per week, and also a more relaxed attitude as befits the time of year. You should try it, too, and maybe we’ll run into each other among the gallery owners and stockbrokers in the Hamptons, on the Vineyard, or in the South of France.
A Summer Schedule
The Welcome Wagon
It’s Thanksgiving and we are expecting many guests, so don’t expect much blogging. There will be some more “best of the year” type posts as the lists are published in various places. I’m thinking about compiling a master list to see which books appear on the most lists as I did last year… we’ll see. In the meantime, some of you may recall my invitation a few weeks back to anyone who would like to contribute to The Millions. And now I am able to happily introduce our first regular guest contributor. Andrew Saikali is an editor in the Globe and Mail newsroom in Toronto and a long-time reader of The Millions. When not listening to Bob Dylan or The Walkmen, he can be found reading. Welcome, Andrew! Stay tuned for his first post, arriving shortly. There are a few other folks in the pipeline right now (you know who you are). And if anyone else would like to contribute to The Millions, drop me line.
Commenting at The Millions
Note: Irrelevant comments pitching books or other products will be deleted immediately. If you would like to promote your book, website, or other product, please consider advertising with us. You can do so through BlogAds at this link or you can email Max with questions.I like using Blogger as the platform for this blog, but I’ve found that the interface for commenting is frustratingly confusing for many commenters. Up until now, I was resigned to the fact that some of my potential commenters were giving up, but then I saw a helpful post at the Written Nerd where Jessica explains to her readers how to use Blogger’s clunky commenting system. Luckily, Jessica was nice enough to let me borrow the wording from her post.So, for anyone having trouble commenting, follow these steps:1. Click on the “Comments” link at the bottom of the post on which you wish to comment. From there you can read comments that other people have left and/or click on “Post a Comment” at the bottom to leave your own. A new window will pop up (disable your pop-up blocker if you need to.)2. In this new window, type in your comment in the box under “Leave your comment.”3a. If you have a Blogger or other supported user account, click on the “sign-in” bubble to use it. Type in your user name and password in the blanks that appear.3b. If you want to comment using your name (or any name) but don’t want to use, or don’t have, a Blogger account, click on the bubble next to “Nickname.” Type the name you wish to use in the blank marked “Nickname.” The “URL” blank is optional, but you can use it to include the address of any website you want people to link to when they click on your name in the comments.3c. If you want to post your comment anonymously, click on the bubble next to “Anonymous.” You will not be asked for any identification info.4. Click “Preview” if you want to see what your comment will look like. You can edit the writing in the “Leave your comment” box to modify your comment.5. Click the blue “Publish Your Comment” button.Congrats! You’ve left a comment at The Millions!Note: If you are not signed in with your Blogger account, you will likely also need to fill in the “word verification” field to make sure that you aren’t a robot or a spammer. Simply type in the characters you see in the picture above the pace.
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Now More Than Ever: Support The Millions Today
Millions Readers: Max here. When I last wrote in these pages, I was introducing our talented new editor, Lydia Kiesling. Since then, we have added a number of new staff writers (Marie Myung-Ok Lee, Zoë Ruiz, Il’ja Rákoš, Ismail Muhammad, Chigozie Obioma) and a new social media editor (Kirstin Butler). We also have exciting projects in the works that we hope will usher in a new era at The Millions.
As is likely not news to anyone reading this, it is very challenging to maintain an independent, culture-focused online magazine.
Today, we are asking our readers to support the site, not because we are in dire straits but because now, more than ever, we believe it is time for you and us to take our destiny into our own hands as much as is possible. Please visit our new Membership page and sign up now. It’s a very quick and simple process and we have a number of tiers that should be manageable for any budget. The three main tiers are annual recurring donations. There is also a monthly option.
The Millions is a unique place. Over the last nearly 14 years, we have helped launch many great writers, and we have improved the reading lives of many thousands. We have helped countless books, small and large, find their audiences.
The Millions is home to curious, thoughtful, sometimes long and untimely pieces that might not find a home elsewhere but that are important to our readers.
It is likely an accident or an anomaly that The Millions grew to occupy its current role and has survived as other independent sites have failed. One truism that has emerged over the last decade on line is that sites and services that are not supported by readers and users are destined to fail. The Millions has managed to avoid this fate thus far. We have never had a source of outside funding — no quiet benefactor or behind-the-scenes corporate sponsor — nor, before today, have we asked the readers to support the site monetarily in any meaningful way.
Instead, the site has survived on various forms of online advertising, options that seem to grow more constrained by the month, and we have increasingly relied upon Amazon’s affiliate program. And while Amazon’s program has been a good fit for The Millions, many an online business has failed when an online giant changed the rules. It is not inconceivable that Amazon could alter or even eliminate its program without warning. Such an event would effectively shut down The Millions overnight. The bottom line is that The Millions, under its current model, could one day need to shut down unexpectedly. A reader-supported Millions won’t ever have to worry about that.
What will we do with your money? First and foremost we’ll ensure that we can stick around for many years to come. But we’ll also use it to get better. One way to do that is to keep paying our staff writers and make The Millions an attractive place for them to write. Financial stability would also enable The Millions to take more risks and expand what we do.
Some final notes: We have been thinking of taking this step for quite a while, but, frankly, have been nervous about how best to present the idea and execute it. Jason Kottke’s recent decision to go this route helped us shake off some of these concerns and take this step (please read Jason and support him as well!). Also – to be clear – we are not putting the site behind a paywall, nor will we ever.
For those who subscribe, we’ll look at offering site-related updates and perhaps a more robust newsletter at some point down the line, though the plans on that are not firmed up at this time.
Finally, a small number of you have supported us in an ongoing fashion via Paypal. We are going to cancel those “subscriptions” and will email you with instructions for subscribing via this new system, should you be interested.
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Tonight on Fourth Avenue…
Tonight’s installment of the Pacific Standard Fiction Series here in Brooklyn features two top-flight novelists: Joseph O’Neill, author of Netherland, and Hari Kunzru, author of My Revolutions and The Impressionist. Books will be for sale on-site, and drink specials will be chosen by dartboard. The reading starts at 7 p.m. at Pacific Standard, between Bergen and St. Mark’s. Hope to see you there!Bonus links: James Wood reviews of O’Neill and Kunzru in The New Yorker.
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