Last fall, a student at Academy of Art University in San Francisco was expelled for writing an extremely violent short story for a creative writing class. In the fallout, the instructor was dismissed after it was revealed that she had assigned the class to read a somewhat graphic story by David Foster Wallace prior to the incident. At the end of March the San Francisco Chronicle broke the story and incited a furor among a number of the country’s literary luminaries. I first heard about this at Scott McCloud’s blog (scroll down to 4/4). McCloud had heard about the scandal from Neil Gaiman (author of American Gods and many others), who had been the recipient of an email sent out by Daniel Handler AKA Lemony Snicket, the children’s author, after Handler was barred from speaking at the Art Academy. Handler’s forceful ejection was recounted here, where we also see that Dave Eggers and Michael Chabon are going on the attack. All of which brings us to today’s opinion piece in the New York Times, in which Pulitzer prizewinner (for The Amazing Adventures of Kavalier & Clay) Chabon muses in a pleasantly obscure way about being a teenager under a headline that, rather oddly, references Jonathan Lethem’s most recent novel. So, what does this all mean? Here’s my prediction: Team American Contemporary Writers will place enough pressure on the Academy of Art that it will be forced to issue a public apology. The fired instructor will get hired at another liberal-leaning university, and the expelled student will sign a lucrative book deal on his way to becoming the next Bret Easton Ellis. Most folks who are commenting on this believe that it is indicative the American fear of the teenager that lingers from Columbine. That is most definitely true, but it is also indicative of the fact that the Academy of Art University in San Francisco faculty and administration don’t seem to be very adept at handling a minor crisis, nor are they particularly well-read. Gaiman mentions this on his blog: “according to Daniel Handler they got a letter of remonstrance from Salman Rushdie, and didn’t recognize the name,” and according to the Chronicle story, “[the Academy of Art administration was] none too pleased that the instructor was teaching Wallace’s story. “Nobody had ever heard of him,” [the instructor] said. “In fact, they kept calling him George Foster Wallace.” (Thanks to my friend Brian for forwarding the Times op-ed to me this morning.)
This is my very first entry on my very first blog. I want to use this as a place to put my writing “out there” into the world. I’ll be writing about music, sports, art, politics, and my unremarkable (but deeply fascinating to me) daily life.
To begin: It is a strange time right now. After months of banter and argument we attacked Iraq. In the long period that led up to this most folks quickly formed an opinion one way or the other and then as the barage of information and insights and new developments came to light, they adjusted their views many times. Some stayed at the extremes while others, like myself, wavered uncomfortably in the middle. I want to believe that we are doing the right thing, and so far I’m pretty sure that I’m not deluding myself. Here in Los Angeles, most folks are either uninformed and uninterested or are badly misinformed and delight in disseminating incorrect information and adding their own personal, implausible spin to things. A good example of this was the anti-CNN rally that took place at Sunset and Cahuenga today. I find it amusing and more than a little bit frightening that so many folks derive so much satisfaction from from deriding something like CNN. To claim that CNN spouts propaganda and is a puppet of the government betrays a fundamental disconnect about the very country in which these people live. If they believe that the current government is the bad guy, then, thanks to the protections of the Constitution, the competition between the multitudes of news sources out there, and the ability of every citizen to seek out news from whatever source he or she please, CNN is one of the good guys. In fact, they have no choice but to be the good guy. The Constitution grants them the freedom to report what they please, and even if the government tried to stifle a major news story, CNN would have too mcuh to gain by being the first to break the story. They would do their best to report accurately because it pays off for them in increased viewership. And in the end, they have the force of law behind them anyway. All that this protest in LA really accomplished was the closing down for the day of many retail establishments along Sunset, which I’m guessing resulted in lost wages for the people working in the Staples, Jack in the Box, and Bank of America among others. Not to mention the traffic that they backed up. Does this accomplish anything aside from negatively affecting the lives of your fellow citizens. I don’t think so. I just hope that this is all over soon, and that we are doing the right thing.
Just found out that John Keegan is Defense Editor at the Brit newspaper, The Telegraph. He has written about most of the military conflicts of this century. I read and was much edified by his book, The Second World War. His Telegraph articles can be found here
I got a free cd through work the other day. It’s called Stars and it’s by Kazufumi Kodama. I’ve been trying to track down more info on this guy, but so far I haven’t uncovered much. The music, though, is wonderful. It has a dub base to it, but it’s skeletal with computerized beats and the spare plinking of steel drums and xylophones. Over top of all that is a soaring layer of trumpet. At times it reminds me of the background music to video games back before they had their own soundtracks full of real songs. It is a very interesting listen though. I haven’t heard much else like it.
I have another gig besides my day job. Myself and my old friend, Derek Teslik, have started a record label, Realistic Records. Our first release will be a full length vinyl LP by The Recoys, the former band of currents members of The Walkmen and The French Kicks. It’s a great album with a great album cover. I can’t wait to own it. There’s word of a reunion show as well.
I am almost done reading a very remarkable book. Actually, it’s not really a book, it’s seven novellas about one man, a mysterious character by the name of Maqroll the Gaviero. He is too complex to really describe, but I suppose I might try: he is an adventurer first and formost, preferably by sea, but he is not in it for the excitment. His travels are constant because it is his compulsion. He is a lover of the world and ships and beautiful women. He is an excellent judge of character, though he is often drawn into disregarding his own judgements. He encounters many fascinating characters, and we follow as well the Gaviero’s companions and trusted friends, Abdul Bashur (Dreamer of Ships) and Ilona Rubenstein (the Nymph of Trieste).The Adventures and Misadventures of Maqroll by Alvaro Mutis is, dare I say it, on par with and even surpasses the work of Borges and Garcia Marquez. These novellas span the globe like no book ever has. Maqroll visits every continent and sniffs out schemes and companions in every port. This Maqroll, he is no vain adventurer, no hero. He is tortured by his restlessness. He is at the same time a most exceptional man, well-read and loyal, courteous and brave when bravery is required. And yet he is so fragile. I worry about Maqroll as he is blown about the globe by the whims of a strange fate. I am almost done with the 7th and final novella. I have almost reached the last of the 700 pages, but I am not ready to say good bye. This Maqroll, he can really get ahold of you. I have read some books, and though I am by no means an expert, I can say that this book will have to be a classic. It is just so good.
Cholodenko, Cholodenko…. Cholodenko. It really rolls off the tongue. I saw a movie directed by Ms. Cholodenko this evening. She didn’t direct it this evening, I saw it this evening, at the Vista in Los Feliz. I had enjoyed her previous movie, High Art. In Laurel Canyon she continues her riffs on sexual predators, sexual innocents, and the curiosity of all those folks thrown together at once. It was light and entertaining, but also pretty invigorating. Frances McDormand plays a “seen it all” record producer. Her life is fun and free of the usual drudgery, and those around her don’t know whether to fear or envy the life she leads while surrounded by rapscallion British rocker types. Like High Art, Laurel Canyon is a coming of age story, but without so much psychological trauma and none of the admonishments about the scary drugs.
Last night Derek and I went to a party at a squat on Western in a no-man’s-land area of LA. Apparently, the kids who were squatting there are about to be kicked out, so this was one last bash. We went because the Sharp Ease were playing. Several other bands were playing as well, and throughout the show people were sporadically destroying the place, a set of abandoned apartments above a non-descript furniture store. The place was already very trashed from months of parties. The doors to many of the rooms had been ripped off the hinges and the graffiti-covered walls were pockmarked with holes and dents. The Sharp Ease played their usual, drunken, high-energy set, and the crowd got pretty rowdy. By the time they finished singing, people were tearing down the walls and launching things – cans of paint, small appliances, cinder blocks – through the windows and leaving a litter of glass and debris all over Western Ave. Derek and I, sensing that it would get worse before it got better, drunkenly headed back to our homes.