Somehow I waited two months to take a look at the “best of 2003” column from my favorite book critic Jonathan Yardley. For him 17 rather interesting books make the cut, and his two picks for best of the year are The Known World by Edward P. Jones and Gabriel Garcia Marquez’s memoir Living to Tell the Tale. Both of these are on the reading queue, and I’m very much looking forward to reading them. Here is Yardley’s column.
but I hope you don’t mind if I post about a couple of things that pertain to, well, me. The first is a fantastic and fantastic looking publication called Two Letters, which contains some very worthwhile writing and art, and for which I was the literary editor. I worked on this when I lived in Los Angeles. The selection process for the art and writing ended just before I moved to Chicago, so I wasn’t involved in the production of the book. I had no idea what it would look like until it showed up at my doorstep a couple of weeks ago. It looks terrific – great art and a very distinctive layout. All the writing is illustrated with subtle but expressive line drawings. I am also very happy with the writers I helped select (two of them, Cem and Alexa happen to be bloggers). If you want to pick up a copy visit the website, or, if you are in LA, please consider attending the release party at the venerable Book Soup in West Hollywood. It’s on Wednesday, January 26th at 7pm. It will be fun, and I would attend if I could.In other news about me: You may have noticed from my bio on the right that I’m currently a graduate student in the Medill school of Journalism at Northwestern, and today I reached a milestone that I felt I should share (because what else is a blog for, if not for moments like this.) Today, I got my very first byline in a daily newspaper, the Daily Herald. It’s a 100,000+ circulation paper that serves the suburbs of Chicago. The story isn’t about books. Since I’m studying business writing this quarter, it’s a business story. You’ll be happy to hear that I was able, if only just barely, to keep myself from nudging the news stand guy and saying, “I’m in this,” when I bought the paper today.
Following up on our recent post about the new Woody Allen books now in stores, The Independent has an excerpt from Mere Anarchy, Allen’s collection of new work. It begins:”What evil lurks in the hearts of men? The Shadow knows.” And with that came a fiendish cackle projecting shivers up my spine every Sunday when as a mesmerised youth I sat curled around our Stromberg Carlsen in the crepuscular winter light of my progenitors’ gloomy digs. The truth is, I never had the slightest idea what dark mischief gadded about even in my own pair of ventricles, until weeks back when I received a phone call from the better half at my office at Burke and Hare on Wall Street. The woman’s usual steady timbre jiggled like quantum particles, and I could tell she had gone back on smokes.
I’ve got an affinity for diagrams. I find the books of Edward Tufte fascinating, and my interest in such things extends even to the “infographics” contained in most newspapers. I like the idea of distilling something complex down to a visual representation.And what is more complex than Finnegans Wake, which was the subject of a dense and mysterious-looking diagram from the book Vision in Motion by Laszlo Moholy-Nagy. Richard Kostelanetz highlights the diagram in an essay about Moholy-Nagy, about whom he writes “Need it be said that no other modern artist wrote as well about literature?”Kostelanetz goes on to write “What Moholy established in Vision in Motion was a model of writing about all the arts as a single entity, to be called art, whose branches (literature, painting, etc.) were merely false conveniences conducive to specialization and isolation.” (via)This multi-discipline approach would seem to be of particular use in our multimedia world. It’s brings to mind another creative attempt to parse a complex work of literature via non-traditional means: the Pynchon wiki.