- Most folks have probably heard that Jack Kerouac wrote On the Road on a 120 foot long continuous roll of paper, but now you can seen it. “Beginning this week at the Orange County History Center in Orlando, Fla., and ending with a three-month stay at the New York Public Library in 2007, Kerouac’s “On the Road” scroll will make a 13-stop, four-year national tour of museums and libraries.“
- One great byproduct of the new translation of Don Quixote is that it has given way to many reconsiderations of the classic. Now the Atlantic Monthly weighs in.
- Also from the Atlantic, a great piece explaining how they choose which books to review and why their reviews may sometimes come across as atypical. It’s a great read for anyone who is tired of the prevalence of cookie-cutter picks and pans.
The screws are tightening as the holiday season draws near, and though all I want to do is post on this blog, there is just so much to get done before I head back home for the holidays. Luckily, head Millions correspondent, Brian, has supplied me with a wealth of material over the past couple of days, from which I will borrow liberally and/or quote verbatim.I was at the book store yesterday, and I saw that Brian had placed this book on display with a little card reading. "Has a book ever become so obsolete, so quickly," which, along with this news story about bearded Saddam dolls, is proof that the American news-based satire business is as fast-paced as the news itself... I'll just have to add those items to my cache of "most wanted" decks of cards (which come in original [Iraqis], retaliatory [Republicans], and counter-retaliatory [Democrats]), Enron spoofs, and hilarious um... other Enron humor. Seriously, though, there are literally hundreds of books like these: super-topical, amusing books that are rushed to market while the story is still hot in the hope that it will drag on long enough to bring in a nice profit before the books become obsolete, relics of the churning news cycle.Brian also sent me links to a couple of interesting book-related news stories: "This link is to Harold Bloom's review of the new Don Quixote - Bloom considers it the greatest novel ever written. Note: the review is an edited extract from Bloom's introduction, so those that have the book... skip it -- Bloom does mention that he believes [Edith] Grossman's translation to be amongst the finest of the past 500 years." Another story from across the pond: "An interesting article using Vernon God Little (this year's Booker Prize winner) as the jumping off point to explain why the Booker Prize is irrelevant crap!"
It's been a moment since my last post, and I am here to apologize and explain. Ever since the fifth grade, when I took my birthday party to see the movie Outbreak and then read The Hot Zone thrice a row, I have been terrified of epidemics. Two weeks ago, my beloved and I returned from a week's holiday in Mexico and immediately commenced moving our household to the other side of the country, in an automobile. We had spent the holiday in points around the state of Oaxaca, and then the last day we were in Mexico City, larking around the metro and holding hands with everybody.I know that currently public opinion finds the Swine Flu to be very passe, and we've all been reminded several times that regular flu kills a third of Americans every year, but three days after we returned from Mexico it was very scary to receive a phone call informing us of the new flu that was killing all these young people in the place from whence we came, and it was more scary when my beloved shortly thereafter developed a sniffle. What with my intense paranoia and the terrifying reportage on every website, I insisted we spend two days sitting in a seedy motel, taking our temperatures with a Hello Kitty thermometer which cost ten goddamned dollars yet recorded our temperatures at a steady ninety-six degrees. It was truly a long, dark teatime of the soul (for me, that is. The invalid was remarkably cheery about the whole thing), but it was only a cold that he had, and we are fine. However, all the furor, and the move and all, has limited my brain function; furthermore, most of my books are still packed away. So, friends, excuse this post, for it is budget, as budget, perhaps, as the motel in which we awaited our deaths. Here is my holiday/cross-country move reading list:1. The Magus. I have read and really enjoyed this book about four times. This time it sort of soured on me (or did I sour on it? I can never remember how that expression goes). The narrator Nicholas is, in the crude parlance of our times, a "douche." This never bothered me before, but this time I found him sort of boring. Maybe it's the fact that the novel, which is about a big elaborate game perpetrated on the narrator by some crazed rich people, is very mysterious and fast-paced and racy when you don't know what's going on, and once you are familiar with the plot you have more gray matter available to ponder how annoying the narrator is. Maybe it's just not holiday reading. I do find it bizarre that it is on the Modern Library List (#93), while The French Lieutenant's Woman is recognized only on the Modern Library Reader's List (#30). The French Lieutenant's Woman strikes me as an incredibly elegant and complex jewel in the crown of twentieth century literature, while The Magus is just kind of thrilling and has sexy twins in it. Am I being unfair here?2. The Things They Carried. Kind of contemporary for me. During my phase of reading about sad things I read a lot of novels about Vietnam, but it has been a long time since I revisited that period of American history. I thought these stories by Tim O'Brien were wonderful, but I don't have a lot to say about them. I wept. War is awful. I don't understand why anybody would want to send a young person off to kill people and die. We should stop having wars. Full stop.3. Garden of the Gods. The sequel to My Family and Other Animals and Birds, Beasts and Relatives. It pains to say this, but this third in the trilogy was kind of rubbish. The writing was careless and I got the distinct impression that Durrell needed to raise money quickly and decided to dash out something along the lines of the earlier successes. Although, in his defense, he probably needed the money to save a rare pink-footed equatorial mongoose, or some such. So, while disappointed with this third effort, I do not hold it against him.4. The Rise of Salas Lapham. I always wanted to read something by William Dean Howells, and now I have.5. The Bonfire of the Vanities. We stayed in a hotel in Oaxaca that had a classic example of the hotel/hostel library of books left behind by guests. Most of the books are in Dutch or German, the ones in English either have something to do with the Dalai Lama, or are by James Michener, or are a Tom Wolfe novel with the first sixty-three pages ripped out. I've read this before so I wasn't worried about the first sixty-three pages, but I did miss them once I had gotten underway. I really get a kick out of Tom Wolfe. Everyone is reprehensible and there is no justice, but he doesn't make me feel sad. Possibly contributing to the downfall of civilization, but super holiday reading.
Last fall, a student at Academy of Art University in San Francisco was expelled for writing an extremely violent short story for a creative writing class. In the fallout, the instructor was dismissed after it was revealed that she had assigned the class to read a somewhat graphic story by David Foster Wallace prior to the incident. At the end of March the San Francisco Chronicle broke the story and incited a furor among a number of the country's literary luminaries. I first heard about this at Scott McCloud's blog (scroll down to 4/4). McCloud had heard about the scandal from Neil Gaiman (author of American Gods and many others), who had been the recipient of an email sent out by Daniel Handler AKA Lemony Snicket, the children's author, after Handler was barred from speaking at the Art Academy. Handler's forceful ejection was recounted here, where we also see that Dave Eggers and Michael Chabon are going on the attack. All of which brings us to today's opinion piece in the New York Times, in which Pulitzer prizewinner (for The Amazing Adventures of Kavalier & Clay) Chabon muses in a pleasantly obscure way about being a teenager under a headline that, rather oddly, references Jonathan Lethem's most recent novel. So, what does this all mean? Here's my prediction: Team American Contemporary Writers will place enough pressure on the Academy of Art that it will be forced to issue a public apology. The fired instructor will get hired at another liberal-leaning university, and the expelled student will sign a lucrative book deal on his way to becoming the next Bret Easton Ellis. Most folks who are commenting on this believe that it is indicative the American fear of the teenager that lingers from Columbine. That is most definitely true, but it is also indicative of the fact that the Academy of Art University in San Francisco faculty and administration don't seem to be very adept at handling a minor crisis, nor are they particularly well-read. Gaiman mentions this on his blog: "according to Daniel Handler they got a letter of remonstrance from Salman Rushdie, and didn't recognize the name," and according to the Chronicle story, "[the Academy of Art administration was] none too pleased that the instructor was teaching Wallace's story. "Nobody had ever heard of him," [the instructor] said. "In fact, they kept calling him George Foster Wallace.'' (Thanks to my friend Brian for forwarding the Times op-ed to me this morning.)
Ed hones in on a favorite excuse that wannabe writers use to explain why they don't have an agent or aren't getting published:The point of all this is that if you're a writer clinging to the stubborn notion that someone is out there to "steal" your work, and if you are letting this get in the way of writing, submitting, or pitching, then I ask you for the good of humanity to step out of the way.Like Ed, I have encountered a number of writers (and a couple of musicians) who insist that they would be published and even famous were it not for concerns that the moment they let anyone see or hear their work it would be snapped up by a greedy opportunist. As Ed rightfully illuminates, this is almost always a stock excuse to cover up a lack of motivation, confidence, or even the fact that their work doesn't yet exist.