- Most folks have probably heard that Jack Kerouac wrote On the Road on a 120 foot long continuous roll of paper, but now you can seen it. “Beginning this week at the Orange County History Center in Orlando, Fla., and ending with a three-month stay at the New York Public Library in 2007, Kerouac’s “On the Road” scroll will make a 13-stop, four-year national tour of museums and libraries.“
- One great byproduct of the new translation of Don Quixote is that it has given way to many reconsiderations of the classic. Now the Atlantic Monthly weighs in.
- Also from the Atlantic, a great piece explaining how they choose which books to review and why their reviews may sometimes come across as atypical. It’s a great read for anyone who is tired of the prevalence of cookie-cutter picks and pans.
Last night myself and my friend Edan were the facilitators for the first installment of a new book club at the book store where I work. It was the first time either of us had ever been in a book club, and I think we both had a good time. Last night we discussed The Fortress of Solitude by Jonathan Lethem. After a few minutes of polite discussion, it came out that half the people in attendance strongly disliked the book, which made for some excellent debate. As best as I could tell, the dislike for the book is a part of the backlash against the “virtuoso perfomances” of young writers of late, who, according to certain readers, are over-writing in order to produce a novel that is “big” and masterful. The Amazing Adventures of Kavalier & Clay by Michael Chabon and The Corrections by Jonathan Franzen are two examples of this trend that came up during our discussion. I, on the other hand, am relatively lenient in my feelings about this book at least in part because I have always rather enjoyed the over-written modern novel, John Irving (see The World According to Garp, The Hotel New Hampshire, The Cider House Rules, and A Prayer for Owen Meany) and T. C. Boyle (see The Tortilla Curtain, World’s End, and Water Music) being among my favorite practitioners. The question now is: what do we read for next month?
I’d have thought that the whole concept of summer reading lists for high schoolers would have fallen by the wayside, as it would seem to lack usefulness in our testing- and extracurriculars-obsessed education system, but a CS Monitor article shows that it’s alive and well (and just in time for that last-two-weeks-of-summer cram).The article includes some interesting insights on the makeup of such lists and how they’ve changed over the years.For the most part, reading lists are still heavy on classics. But consider the differences between reading lists from the 1960s and those in the 1980s. Of the nine most commonly taught books in public high schools in 1963, only one (the 1938 play Our Town) was written in the 20th century. By 1988, the 10 most commonly taught novels in public schools included four books from the 20th century: The Great Gatsby (1925), Of Mice and Men (1937), Lord of the Flies (1954), and To Kill a Mockingbird (1960).But not all novels take a generation to catapult to required summer reading lists. Some new staples in summer reading lists: Life of Pi by Yann Martel, The Kite Runner by Khaled Hosseini, Curious Incident of the Dog in the Night-Time, by Mark Haddon, Monster by Walter Dean Myers, and The Lovely Bones by Alice Sebold.Ten years ago, these reading lists didn’t have new books like that,” says Alleen Nilsen, Arizona State University English professor and co-author of the textbook Literature for Today’s Young Adult. “These are really popular new books.”So what catapults Life of Pi and The Lovely Bones to the elusive reading list club? Both are bildungsromans, or stories of young people coming of age. Ms. Nilsen says this theme is crucial for reading list inclusion, as youth need to feel a connection to the literature.
Strolling around the bookstore the other day, a book with a startling cover and a wacky title caught my eye. At the Tomb of the Inflatable Pig is a humorous travelogue about one of South America’s more obscure countries, Paraguay. Pig is the first book by John Gimlett who has written articles for a number of travel magazines over the years. This excerpt is definitely worth a peek.
Still in the throes of controversy surrounding James Frey’s A Million Little Pieces, Oprah has selected Elie Wiesel’s memoir Night as the next selection for her book club. While this selection was no doubt in the works long before the Frey controversy, the juxtaposition is still remarkable. Frey’s confessional, sensationalized addiction memoir, the credibility of which seems to crumble further with every passing day, looks awfully silly next to the beloved memoir of a Nobel Peace Prize winner and Holocaust survivor whose character is unassailable as far as I know. In the New York Times, Wiesel says he hasn’t read Frey’s book (big surprise), but then goes on to make some comments that seem to me to be directed at Frey’s fast and loose treatment of the truth (emphasis mine):He acknowledged that some people and institutions, including on occasion The New York Times, have referred to Night as a novel, “mainly because of its literary style.””But it is not a novel at all,” he said. “I know the difference,” he added, noting that Night is the first of his 47 books, several of which are novels. “I make a distinction between what I lived through and what I imagined others to have lived through.”As it is a memoir, he said, “my experiences in the book – A to Z – must be true.” He continued: “All the people I describe were with me there. I object angrily if someone mentions it as a novel.”Meanwhile, the Seattle Post-Intelligencer reports that Amazon is changing the classification of Night from fiction to memoir. As of this writing, Night is number one on Amazon, bumping Pieces to number two.
The Prophet of Zongo Street is the debut collection by the Ghanian writer Mohammed Naseehu Ali. The collection of ten stories has garnered a number of high-profile reviews, including in the NY Times, the SF Chronicle and the LA Times, in which Merle Rubin wrote, “Although many in these stories are misled by philosophies, faiths and ideas that promise to provide all the answers, Ali shows time after time how ordinary human kindness is the one quality capable of redeeming it all.” You can read an excerpt from the book here, and Ali’s story “Mallam Sile” was in the New Yorker a few months back.Christian Bauman’s new novel features a prominent blurb on the front cover from Robert Stone – a good sign if you put stock in such things. Bauman’s first novel, The Ice Beneath You, was “a war story for the new millennium,” according to PW, about the US effort in Somalia. Bauman’s new book, Voodoo Lounge takes on similar themes, set this time in Haiti. From the review in Booklist: “The term ‘voodoo lounge’ refers to the machine-gun nest on the port bow of a ship. Reading this startling novel is the literary equivalent of standing watch on that perch.” Bauman’s Web site is here. The book comes out around Sept. 1.T.C. Boyle, an old favorite of mine, has a new collection of stories coming out shortly called Tooth and Claw. All of these stories have been previously published in various periodicals, including several in the New Yorker – here, for example, is the collection’s title story. Boyle also has an excerpt up at his Web site. And, by the way, if you are a fan of Boyle at all and haven’t visited his site, I suggest you check it out. It features a very active message board that includes frequent appearances from the author himself.John Irving isn’t the only one who’s written a novel about tattoos lately. Jill Ciment’s latest, The Tattoo Artist, is about an artist couple – Sara and Philip, enmeshed in Manhattan’s avant garde scene in the 1920s, who travel to the South Pacific in search of inspiration. Once there, they are forcibly tattooed by the natives and then trapped by WWII – a castaway story. The book has recently been reviewed in the NY Times and somewhat more favorably in the SF Chronicle.