- Most folks have probably heard that Jack Kerouac wrote On the Road on a 120 foot long continuous roll of paper, but now you can seen it. “Beginning this week at the Orange County History Center in Orlando, Fla., and ending with a three-month stay at the New York Public Library in 2007, Kerouac’s “On the Road” scroll will make a 13-stop, four-year national tour of museums and libraries.“
- One great byproduct of the new translation of Don Quixote is that it has given way to many reconsiderations of the classic. Now the Atlantic Monthly weighs in.
- Also from the Atlantic, a great piece explaining how they choose which books to review and why their reviews may sometimes come across as atypical. It’s a great read for anyone who is tired of the prevalence of cookie-cutter picks and pans.
[Editor's note: This week we've invited Megan Hustad, author of How to Be Useful: A Beginner's Guide to Not Hating Work, to dissect our contributors' first-job follies.]Garth writes:My first job out of college was writing for what was essentially a dot-com. In ways I wasn't really aware of at the time, I thought I was pretty hot stuff. This delusion was encouraged by a mildly "fun" corporate culture and the fact that I could churn out a good chunk of the publication in about five hours of concentrated work, to general hosannas from my editors. I was working a lot faster than my predecessors. This left me with about three hours to kill every day; I didn't want to take on added duties for the same paycheck.This is a fairly common predicament in American office life, I'm pretty sure; we become victims of our own efficiency. The problem was, I wasn't into Solitaire or Minesweeper, blogs didn't really exist yet, and part of my job involved reading four newspapers first thing in the morning, so that wasn't an option for camouflaging my long periods of inactivity. I tried to read novels at my desk, but had a hard time concentrating with the computer screen right in front of me.Here's what I came up with (ah, the callow brilliance of the 23-year-old!): I would work like a mule from 8:30ish to 1:30ish, print up my work, and carry it off to the office cafeteria to edit. Around 2:15, after a quick sandwich (eating on the clock), I'd go to a nearby park and sit in the grass and read a book until 3:30 or so. At which point I'd come back to the office to publish.I think I thought of work as a fee-for-service model. I completed my duties, I got paid. And okay, maybe I was stretching lunch just a little bit. Of course, I was away from my desk for two solid hours, and to anyone who saw me lolling in the park, I'd look like a student or trustafarian. Then again, I did get some great reading done that year. I got paid to read War & Peace!Megan Hustad responds:You're weird. Minesweeper is a great game. Anyhow, the fee-for-service model works fine if superiors are oblivious and you aren't hoping for a future in the industry. Trouble is, it's hard to tell whether anyone is noticing. If your superiors are passive-aggressive or otherwise chickenhearted, they'll mumble about you behind your back for months but never say anything to you directly. If they did notice, your callow brilliance probably worked their nerves. This is just one reason why business success books written throughout the twentieth century advocated acting smart, sure, but never too smart. “Excess intelligence,” wrote Peter Engel in The Overachievers (1976), "is a very sly asset." Indeed.More importantly, people who take on added duties for the same paycheck tend to go on to have the most interesting careers. I was surprised -- but perhaps shouldn't have been -- to discover that Helen Gurley Brown (1962's Sex and the Single Girl and 1964's Sex and the Office) went on and on and on and on about this. She believed exploitation had its uses. Uselessness rating: 3For more information, please see these related posts:Welcome to the Working Week: Megan Hustad Analyzes Our On-the-Job FoiblesWelcome to the Working Week 1: MaxWelcome to the Working Week 2: EmreWelcome to the Working Week 4: Andrew
but I hope you don't mind if I post about a couple of things that pertain to, well, me. The first is a fantastic and fantastic looking publication called Two Letters, which contains some very worthwhile writing and art, and for which I was the literary editor. I worked on this when I lived in Los Angeles. The selection process for the art and writing ended just before I moved to Chicago, so I wasn't involved in the production of the book. I had no idea what it would look like until it showed up at my doorstep a couple of weeks ago. It looks terrific - great art and a very distinctive layout. All the writing is illustrated with subtle but expressive line drawings. I am also very happy with the writers I helped select (two of them, Cem and Alexa happen to be bloggers). If you want to pick up a copy visit the website, or, if you are in LA, please consider attending the release party at the venerable Book Soup in West Hollywood. It's on Wednesday, January 26th at 7pm. It will be fun, and I would attend if I could.In other news about me: You may have noticed from my bio on the right that I'm currently a graduate student in the Medill school of Journalism at Northwestern, and today I reached a milestone that I felt I should share (because what else is a blog for, if not for moments like this.) Today, I got my very first byline in a daily newspaper, the Daily Herald. It's a 100,000+ circulation paper that serves the suburbs of Chicago. The story isn't about books. Since I'm studying business writing this quarter, it's a business story. You'll be happy to hear that I was able, if only just barely, to keep myself from nudging the news stand guy and saying, "I'm in this," when I bought the paper today.
Here are some book reviews and book related stories that have caught my eye in recent days. In the New York Times Charles McGrath reviews a forward-thinking anthology, The Anchor Book of New American Short Stories. The review is tepid, but McGrath takes the opportunity to give us an interesting little summary of the state of the American short story. Also from the Times, Michiko Kakutani delivers a review of Arthur Phillips latest, The Egyptologist. She makes the book sound pretty exciting, but in the end quibbles that it is not sufficiently weighty. Despite her reservations, The Egyptologist seems worth a look. I would imagine that it's great airplane reading.
Here in Iowa City, the only town in America whose economy is fueled entirely by football, alcohol and literature, we get more than our share of readings to attend. While I don't make it to all of them, I did manage to hear Marilynne Robinson read a few weeks ago. Ms. Robinson is an enchanting reader, and her new book Gilead was atop many "best of" lists for 2004. As anyone who has read a review of Gilead knows, it is Robinson's first novel since Housekeeping was published 24 years ago, and the way many in the media talk about it, it might as well have been 224 years ago. While Robinson has written two non-fiction books about such varied topics as John Calvin and Great Britain's nuclear policy, Gilead is indeed her first new work of fiction in many years. But so what? I for one would like to see more authors take their time between novels. One of my favorite writers, J.F. Powers, wrote only two novels and wrote them nearly 30 years apart. They're both nearly perfect, and I don't find myself wishing he wrote more. In fact, the scarcity makes it that much more likely that I'll actually read one of his books a second or third time, something I rarely do. I don't think I'll find myself diving into Kingsley Amis' very fine Old Devils as I've been poisoned by the vast sea of mediocrity that separates that book from his masterpiece Lucky Jim. So hats off to the Marilynne Robinsons, the J.F. Powers, and the Donna Tarts of the world. I sometimes wish we had a few more of them and a few less mediocre novels.
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Brandon, who runs the blog antimodal, has created a little application that "handicaps" the great 20th century novels. It allows you to assign scores for different features, like "stream of consciousness," and themes, like the "Black experience." The scores enable you to promote or penalize a book based on these different characteristics. Note that you can add additional categories to the ones already listed by pressing the "Add New Category" button at the top of the page. In Brandon's words, "The book list is still a work in progress. I am not familiar with many of the books there, so if you have information that would help classify a book, let me know." Check it out.