How do I occupy myself during the hours upon hours that I must spend in my car each week? My boredom with the music offered on commercial radio stations and (sadly) LA’s current array of noncommercial radio stations has led me more and more to listen to the various talk radio outlets, both public and commercial. The fact that my car doesn’t have a cd player exacerbates this situation, and the selection of tapes scattered around my car, under seats and wedged in pockets, is a sad bunch, indeed. And too often, in fact there are several blocks of time during the day when this occurs, there is nothing the least bit compelling on the talk outlets. In this situation I am resigned to listening to either music I don’t like or talk I’m not interested in, which is why listening to the audio version of James McManus‘s Positively Fifth Street last year was such a revelation. Having a good book to switch over to when radio went bad was a lifesaver. And you must understand, driving in Los Angeles is a life and death situation, and often your sanity is the first thing to go. Many people I know here have complicated arrangements which keep them entertained. Some have industrial-sized binders of cds that they rotate in and out of their cars, always fearing that a criminal might wipe out their entire music collection by breaking just a single pane of glass. Others resign themselves to staying on top of every trend in car and/or portable audio and month after month discmen give way to mp3 players followed by cd/mp3 players followed by iPods and the inevitable satellite radio, the current savior of all who must spend hours in transit. I fit in to neither category, and books on tape and cd are both costly and bulky, so I am always searching for my own solution to the mobile entertainment dilemma… Here, maybe, is a solution: an interesting article a while back in the New York Times about the digital revolution in audiobooks caught my eye. It’s already in the pay-to-read archives at nytimes.com , but I found a mirror of it here. Of course, in order to take advantage of this I would have to purchase some sort of digital audio device (an iPod would be pretty sweet), but the fact that I could use it to listen to books as well as music makes the idea much more appealing. Digital audiobooks are much more convenient and much cheaper than their cd and tape counterparts, and with the proliferation of portable digital audio devices, I suspect that this will be big trend in books this year.
Pulitzer winner Junot Díaz talks with his fellow "Year in Reading" contributor Meghan O'Rourke in the debut episode of the online video series Open Book, co-sponsored by Slate and my alma mater. I'm thrilled that the producers elected to keep the same zany voice-over guy who reads Slate's audio podcasts. Future interviews, we're told, will include John Ashbery, Charles Simic, and Jonathan Safran Foer.
Kurt Vonnegut fans will be interested to know that a collection of previously unpublished non-fiction is set to be published by Penguin in April, a year after his death. From the catalog:Armageddon in Retrospect is a collection of twelve new and unpublished writings on war and peace. Written with Vonnegut's trademark rueful humor, the pieces range from a visceral nonfiction recollection of the destruction of Dresden during World War II - a piece that is as timely today as it was then - to a painfully funny story about three privates and their fantasies of the perfect first meal upon returning home from war; to a darker and more poignant story about the impossibility of shielding our children from the temptations of violence. This is a volume that says as much about the times in which we live as it does about the genius of the man who wrote it. Also included here is Vonnegut's last speech, as well as an assortment of his drawings, and an introduction by the author's son, Mark Vonnegut.I'm also told that Mark Vonnegut's introduction, "sheds some light on their family life and Kurt's writing habits."
There are two types of people in this world: (Segment One) people who adhere, as a point of pride, to every last comma and period of the laws of punctuation, and then there the people who just don't have the time (Segment Two) and, frankly, are a little tired of hearing about these numerous and arcane rules that are supposedly all that separates us from the animals. Bearing in mind that Segment One would be offended that anyone might suggest that punctuation rules are not self-evident and that Segment Two will tell you to blow it out your ear, a book aimed at teaching the populace the in and outs of punctuation doesn't seem likely to be a blockbuster. Yet just such a book was a huge seller in England last year. Are the Brits crazy or are we Americans missing out on the pleasurable nuances of punctuation? We're about to find out. Next week, Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss comes out, and its current sales ranking of 6 at Amazon indicates that it will indeed be a success on this side of the Atlantic. And the New York Times seems to like it, which can't hurt. The success of this book will cement the notion that Americans appreciate this British brand of book that delivers dull subject matter contained in a humorous package and prove that the big sales of last year's most delightfully useless British book, Schott's Original Miscellany, was not a fluke. (I hope that I punctuated everything correctly in that post.)
On the eve of the release of the final Harry Potter, I offer Millions readers a few brief intuitions - alas, grounded more in literary convention than in second sight - about the events to come in The Deathly Hallows.My chief intuition, based largely on the over-determined association of Dumbledore with the phoenix throughout the series, is that everyone's favorite headmaster is not dead (X-Men, anyone?). Recall that Harry "thinks he sees" a phoenix emerge from the smoke of Dumbledore's funeral pyre. Based on this intuition, I also maintain that Snape is not, in fact, a Death Eater, and that he and Dumbledore staged a fake murder with Harry as witness. This will allow Snape to become more deeply embedded in Voldemort's ranks. Dumbledore's wisdom would be too seriously undermined if Snape really and truly betrayed him. Regardless of the rightness or wrongness of this particular tea-leaf vision, more must emerge about how Snape gained Dumbledore's trust. This will be one of the central revelations of the new book.Of lesser intuitions:R.A.B., the initials on the note found in the locket that was supposed to be a horcrux, belong to Sirius' brother, Regulus Black, whom we have heard vaguely was a follower of Voldemort and then attempted to leave the ranks of the Death Eaters, only to be killed by them for his betrayal. This may mean that Slytherin's locket is concealed somewhere in the Black family house that Sirius left to Harry.As to whether Hogwarts will remain open during this seventh year with Harry, I suspect that it will remain open in some capacity - if only as a larger and better fortified headquarters for the Order of the Phoenix and their allies.I hope that, in the less than illustrious cooking-sherry-drinking tradition of Professor Trelawney, I am wrong about all of these things. I think The Deathly Hallows would be a better book for it.
● ● ●
The New York Times' Michiko Kakutani shows her extreme distaste for E. L. Doctorow's new collection, Sweet Land Stories, as well as movies based on Doctorow's books. (LINK) "Several of E. L. Doctorow's novels - Ragtime, Welcome to Hard Times, The Book of Daniel and Billy Bathgate - have been turned into plodding, overproduced movies. Here, in his latest collection of short fiction, "Sweet Land Stories," he seems to be trying to turn old movie ideas into stories with equally little success at recycling," Kakutani says. I personally enjoyed both of the stories from this collection that originally appeared in the New Yorker, "A House on the Plains" and "Jolene: A Life," so I will probably get some more opinions on this one before I declare it a dud.A New LunchI noticed that Kevin over at LA Observed occasionally reports on publishing industry deals listed in something called "Publisher's Lunch." Intrigued, I used my book industry credentials to sign up for these weekly newsletters, and so now, from time to time, I will pass along to you publishing industry news that may be of interest to you. For example, Dave Eggers' new collection of stories, entitled Visitants, will be published by McSweeney's (of course) this fall, and J. Robert Lennon's next book will be called Happyland and will be put out by Norton.