Bookfinding is a science of sorts. Ostensibly, it is a money issue: the goal is to find books for two dollars or less a piece. But there is another element to this exercise. When you walk into a Salvation Army store, or any non-bookstore that has a few shelves full of books at the back, you never know what you’ll find. It’s a real treasure hunt. Sometimes you walk out the door with arms full of books, other times you walk out with one or none. Some of the highest yield bookfinding spots that I have found so far are the Out of the Closet thrift stores that are ubiquitous in some parts of Los Angeles. Out of the Closet is a charity that raises money for AIDS, and like any charity-based thrift store it does not discriminate. Along with a vast selection of clothing, each store has a ton of housewares and furniture and a mindboggling array of random junk. Still, there’s something slightly more hip about Out of the Closet. The staff is young, helpful, and fashionable. They’ve always got good tunes on the radio, and they put together clever displays and windows. It’s only a half step away from the church basement, but that half step makes a difference. I always go straight for the shelf or two of books tucked away at the back of the store, in the dimly-lit corner behind the broken exer-cycle. Though it requires the same amount of digging, the treasures that can be found are incrementally better. At the Salvation Army, I’m pleased to find old paperback editions of classics, but at Out of the Closet, you might just as easily come upon a cult-favorite and books that are more obscurely charming. Which brings me to Monday, when I made a quick run to an Out of the Closet that I hadn’t yet raided, spent ten bucks, and walked out with eight books. Good ones, too. I’m most excited about finding a hardcover edition (though it lacks its dust jacket) of Woody Allen’s print masterpiece Without Feathers. You really can’t go wrong with a book that in its first three pages has about two dozen gems like this one: “Play idea: a character based on my father, but without quite so prominent a big toe. He is sent to the Sorbonne to study the harmonica. In the end he dies, never realizing his one dream — to sit up to his waist in gravy. (I see a brilliant second-act curtain, where two midgets come upon a severed head in a shipment of volleyballs.)” Genius! I also picked up Fraud by David Rackoff, the frequent contributor to This American Life. I usually recommend this one to fans of David Sedaris who have read all of Sedaris’ books. I also somehow remembered that Michael Lewis is the name of the author of Moneyball, and when I saw a copy of Liar’s Poker: Rising Through the Wreckage on Wall Street, his 1989 memoir about working in the cut-throat, 1980s Wall Street world, I snagged it. I also found another first book by an author I like: Michelle Huneven’s debut Round Rock. And I picked up a slick little paperback edition of a somewhat forgotten 20th century American classic, Walker Percy’s The Moviegoer. I rounded out my purchases with three classics of the Calvin & Hobbes oevre which I gleefully found sitting neatly in a row: The Calvin and Hobbes Lazy Sunday Book, Weirdos From Another Planet!, and Yukon Ho!… not a bad take for 10 bucks!
Last week I posted about the Gather.com contest to get into Amazon Shorts, and yesterday I got a note about another opportunity for writers that sounds interesting. This one is from the very cool online literary magazine Narrative:For any of you who may have overlooked the Editors’ Note in our most recent issue, we’re writing to let you know that we are looking for short short stories. In conjunction with Robert Shapard and James Thomas, who edit the popular anthologies Sudden Fiction and Flash Fiction, we’re planning a feature in Narrative to coincide with the publication of New Sudden Fiction, which will be forthcoming from Norton in January 2007. Our feature will present a collection of short short stories by both well-known and newer writers, and we’re inviting submissions of stories that run between seven hundred and fifty and two thousand words, or no less than three and no more than five pages in manuscript length.Concurrently, Narrative is also seeking book-length manuscripts for serialization in the magazine. The details are available on their Submission Guidelines page (You’ll need to register before you can see this page).There’s also a catch – isn’t there always? – Narrative charges a reading fee: $5 for the short shorts and $30 for book-length works. Not being particularly well-versed in the world of literary magazines, I don’t know how prevalent such fees are (feel free to enlighten me on this one), but for what it’s worth, my understanding is that Narrative uses such fees to pay contributors, fund a prize, and make the magazine free for all.
I get a fair amount of catalogs from publishers these days, and since they’re always chock full of new and interesting books that I’m guessing people will want to know about, I’m thinking about instituting a semi-regular feature called Covering the Catalogs wherein I pick out a handful of items that I deem interesting from the most recent catalog to cross my desk. And since I received the newest Grove Press/Atlantic Monthly Press/Black Cat/Canongate catalog yesterday, this one’ll be the first.Recently, Maud was expressing her discomfort with the impending media coverage of the upcoming Samuel Beckett centenary: “I await commemorative events like this centenary with excitement that tends to mutate, as the press coverage appears, into dread, then lamentation, and finally, resigned disgust.” The “news” that arises from the anniversary of the birth of a dead writer isn’t always scintillating, but, on the upside, such occasions give publishers – wanting to cash in on said press coverage – an opportunity to reissue and repackage the work of the great writer. As such, Grove is putting out two different items to mark Beckett’s centenary. The first is a bilingual edition of Waiting for Godot. The play was originally written in French by Beckett, and he translated it into English himself. This edition provides both texts, side-by-side. Grove is also putting out a four volume set of Beckett’s collected works with introductions by well-known writers. The first volume of novels is introduced by Colm Toibin and the second volume of novels is introduced by Salman Rushdie. The volume of collected dramatic works is introduced by Edward Albee, and the volume of collected poems, short fiction and criticism is introduced by J.M. Coetzee.Coming in April from the author of Black Hawk Down, Mark Bowden is Guests of the Ayatollah. Bowden is well-known for his immersive coverage of armed conflict, and in this book he is setting out to provide an account of, as the book’s subtitle calls it, “the first battle in America’s war with militant Islam,” the Iran hostage crisis.Coming in July from Atlantic Monthly Press is Tom Drury’s first new novel in six years, The Driftless Area. Drury was among the “Best of Young American Novelists” named by Granta, and his stories regularly appear in the New Yorker, including “Path Lights” from last fall in which a bottle falls from the sky.I plan on continuing to cherry pick items that interest me from other catalogs as I receive them, so stay tuned. If you are a publisher and would like to send me your catalog, please email me.
Some of you may know that I’m a pretty big fan of comics, or to put it more broadly, stories told in a visual format. I’m not heavily into the superhero stuff, but I love newspaper comics and graphic novels as well as cartoons and animation of all kinds. So, naturally, I was pretty excited when I discovered Scott McCloud a couple of years back. McCloud is the author of two fascinating books, the first, Understanding Comics, is a study of visual storytelling. It is presented in a very clever comic format, and even if you never intend to create your own comic one day, it brings up a lot of interesting stuff about how we convey perceive narratives. A second book called Reinventing Comics addresses the many doors that have been opened to the medium by the advent of computers and the internet. Today I happened upon McCloud’s website. I’m not sure why I never thought to look for it before, but I’m glad I found it. There’s a blog, a daily improvisational comic, and tons of other comics by him and others. Check it out. It’ll keep you busy for a while.
Every time the stock market crashes, someone gets famous for having predicted it. Though some will argue that there’s always somebody arguing that armageddon is right around the corner (and that even a stopped clock is right twice a day), one of the voices who predicted our current economic crisis – banker and economic historian Charles R. Morris – is getting quite a bit of praise on Wall Street and his recently released book, The Trillion Dollar Meltdown: Easy Money, High Rollers, and the Great Credit Crash, is selling like hotcakes.Thanks to our 24-hour news cycle, newsworthy events (9/11, Katrina, elections, the Red Sox winning the World Series, etc.) often spawn books that are rushed into print so that they can be in front of readers before the next headline has taken the spotlight. Morris’ book is unique in that it’s not a rush job, he began formulating the ideas behind it back in 2005, basing his pessimistic view on the activities of hedge funds and other Wall Street firms. As a recent NPR interview put it, “He ran a company that created the software investment banks and hedge funds use to build these new, exotic credit instruments. And he saw how they used his software, and thought, ‘This is crazy,’ he says. ‘I was sure that people weren’t keeping track of the trends so they had proper margins and collateral and so forth.'”For those interested in the topic, the NPR interview linked above is good, as is The Economist’s review, which explains just how far back the roots of the crisis go, in Morris’ estimation, “Mr Morris deftly joins the dots between the Keynesian liberalism of the 1960s, the crippling stagflation of the 1970s and the free-market experimentation of the 1980s and 1990s, before entering the world of ultra-cheap money and financial innovation gone mad.”At Foreign Policy Morris has offered up an 8-step explanation for what exactly went wrong and gives some insight into what happens next. Despite some technical terminology, this article should prove quite illuminating for those bewildered by our current economic crisis.
Perhaps all crystal balls are cloudy, at least where literary fiction is concerned. In 2006, as publishers seemed inclined to keep the heavy artillery under wraps until the lucrative holiday season, our January “Most Anticipated” round-up could not help but overlook Pynchon, Edward P. Jones, Richard Powers, or Claire Messud, as well as a number of eminently worthy books from independent publishers.That said, the “Most Anticipated” post can help register some of the early buzz that later gets drowned out by other books’ more formidable marketing campaigns. Readers who tend to keep their own private lists of titles to check out may have remembered to pick up Brief Encounters with Che Guevara in August, when the talk of the town (at least my town) was Special Topics in Calamity Physics. And so, in the spirit of getting the word out early, I offer an otherwise completely silly alert about a couple of books slated for publication in 2008.Jonathan Littell’s Les Bienveillantes, winner of last year’s Prix Goncourt, has sold over a quarter of a million copies in France. This novel presents the first-person confession of a homosexual SS officer. I first heard about it on NPR, where a number of francophone readers praised the power of the story and of Littell’s prose – remarkable, given that Littell is actually an American. And if these raves are accurate, readers have a lot to look forward to: in French, Les Bienveillantes (The Furies or The Kindly Ones) runs over 900 pages. HarperCollins has purchased the American rights, and is waiting for the translation to be finished, according to the December/January issue of Bookforum. I’m tempted to just buy the damn thing in en francais, but fear that it would take me all winter to read… and I’m already committed to Against the Day.Another huge novel discussed in Bookforum’s “The Insider” column is the Chilean author Roberto Bolano. FSG is bringing out a Bolano novel this year, but fans of monumentality might wish to wait for 2066, an 1100-pager about a series of slayings in Ciudad Juarez.Maybe it’s just the frisson of delayed gratification, or my big-book fetish, but these two – a cumulative 2,000 pages – are my Most Anticipated novels. Now let’s see if, a year and a half from now, when they actually hit the market, they will have been worth the wait.