First, fiction. It almost goes without saying that people are still reading The Fortress of Solitude by Jonathan Lethem, but last week I noticed some other new fiction making inroads among the reading public. Mailman the fourth novel by J. Robert Lennon takes its title from the occupation of the main character, Albert Lippencott, “a loner who reads the mail before delivering it.” Ever since I read Thomas Pynchon’s paranoiac masterpiece, The Crying of Lot 49, I’ve thought that there is a wealth of material that might be mined from the machinations of the Postal Service. When you look at it in a certain way, mail is a pretty crazy thing; billions of pieces of paper crisscrossing one another invisibly from one end of the world to the other and so many stories in those letters. Also proving popular, due at least in part to impeccable reviews, is The Known World by Edward P. Jones. And lastly, lots of people are looking to read Charles Baxter’s latest, Saul and Patsy. Like his previous novels, Baxter’s latest is thoughtful, reflective and “quietly triumphant.” Several of my trusted fellow readers have singled out Saul and Patsy as a book they are dying to read.
Time’s book critic Lev Grossman made a splash on this week’s NYT bestseller list, debuting at number nine in the hardcover fiction category with his second novel, The Magicians. The book has gotten a healthy publicity push, but strong sales numbers also suggest that readers are responding to its hook: “a kind of Harry Potter for grown-ups.” I haven’t read The Magicians yet, but its premise – the academic and extracurricular adventures of a contemporary East Coast Wizard – puts me in mind of an unjustly neglected fictional opus: John Crowley‘s Aegypt Cycle.
After Matt Ruff chose Aegypt for our 2007 Year in Reading, I picked up the first novel in Crowley’s tetralogy and was hooked. Wands and fairies – er, faeries – were never my thing, but I probably learned more about magic, myth, and historiography than I would have from any work of nonfiction this side of Joseph Campbell. Moreover, Crowley is a beguiling stylist, a constructor of Joycean intertextual games, and (ultimately) a passionate humanist. For several years, The Solitudes, Love & Sleep, and Daemonomania were out of print, but now Overlook Press has brought them back into print, and Small Beer Press has published the concluding volume, Endless Things.
The Times points to an interview where Grossman muses about “all the things that were missing from J. K. Rowling’s Y.A. series, from sex and booze to . . . fantasy novels”; those are the very sorts of inclusions that make Aegypt so rewarding. This is not to undermine the originality of Grossman’s approach; rather, it is to demonstrate one of Crowley’s big ideas: that we make new stories, and new magic, out of the old.
Bonus Link: Michael Dirda on Aegypt in The American Scholar.
In September, I posted that Michael Chabon’s next book, The Yiddish Policemen’s Union, his first full-length adult novel since The Amazing Adventures of Kavalier and Clay, was to be released on April 11, 2006. Alas, the book has been delayed. Chabon’s done with the manuscript, but there were scheduling problems with his publisher, HarperCollins. Chabon announced the delay on his Web site:HarperCollins had been sort of rushing the thing along, over a steady but polite murmur from the author that perhaps they were moving too quickly. The manuscript was complete. It was not impossible to make the April 11 pub date. But we didn’t even have a finished jacket. Many people who were selling and marketing the book hadn’t had the opportunity to read it. Everything just felt too rushed and when that sense of undue haste finally caught on at the publishing house, I was able to persuade them to see reason, and wait.The new date is now “Winter 2007.”
The reviews are beginning to come in for Bill Clinton’s My Life, and Michiko Kakutani, at least, wasn’t very impressed. Read the review here.In other book news, I happened to catch a reading of a very interesting book on the radio last night. Here in DC we have C-SPAN radio, and they occasionally air the audio from their “Book TV” broadcasts (Yes, radio in DC is pretty bad, and that’s why I end up listening to C-SPAN radio). The book was The Outlaw Sea: A World of Freedom, Chaos, and Crime by William Langewiesche and his account of the sinking of the ferry Estonia in the Baltic Sea was riveting. Also in the book: modern day pirates in Indonesia and the Department of Homeland Security’s attempts to secure 95,000 miles of American coastline.
The weather is nice, and we’ve got all the windows open in the apartment. We ran some errands earlier today – although the task of going to Whole Foods to buy cheese and olives deserves a term with better connotations than “errand.” Now I’m flipping through a stack of catalogs from Penguin while I listen to baseball on the radio. This is why I look forward to weekends.I think I’ll start with the Plume, Portfolio, Overlook, etc. catalog. These imprints do both paperback editions of books that have already come out in hardcover, and paperback originals, which are initially published as a paperback without a prior hardcover release.There’s a nifty little collection coming out in August as a paperback original. The Subway Chronicles “offers a kaleidoscope of perspectives on this most public of spaces,” New York’s legendary subway system. Jonathan Lethem, Colson Whitehead, Francine Prose and Calvin Trillin are among 27 contributors whose essays look at New York’s subterranean city from every angle. The anthology’s editor, Jacquelin Cangro, runs thesubwaychronicles.com.I’ve heard sections of Dan Savage’s book The Commitment read on This American Life. Savage writes in the David Sedaris, David Rackoff, public radio funny man vein. Like those two Davids, Savage is gay and his sharp comic timing and casual mastery of the memoir style transcend any label. In The Commitment, Savage recasts the gay marriage “debate” as his own family drama, injecting some much-needed humor and personality into a controversy that is so often portrayed as faceless. The hardcover is already out and the Plume paperback comes out in October.Under the Portfolio imprint is the paperback of John Battelle’s book The Search. The book tells the story of how a goofy little search engine called Google grew into a $120 billion company that enjoys global ubiquity and is seemingly able to reinvent any industry it touches (publishing for example). Aside from my general fascination with Google, I’m also interested in this book because I read and enjoy Battelle’s blog. As the creator of FM Publishing and the “band manager” of Boing Boing, Battelle is someone to watch in the world of new media. The paperback edition comes out in September.Extras: Andy Riley’s morbidly hilarious The Book of Bunny Suicides and The Return of the Bunny Suicides are being collected in a box set called A Box of Bunny Suicides due in September. Haven’t seen the bunny suicides? Go here and click excerpt. Also, Plume is putting out great-looking new editions of Fences, The Piano Lesson, Seven Guitars and Joe Turner’s Come and Gone, by the late Pulitzer Prize-winning playwright August Wilson. (The snazzy new covers aren’t showing up at Amazon yet, but I’m assuming they’ll switch out the old ones soon.)