Some of you may know that I’m a pretty big fan of comics, or to put it more broadly, stories told in a visual format. I’m not heavily into the superhero stuff, but I love newspaper comics and graphic novels as well as cartoons and animation of all kinds. So, naturally, I was pretty excited when I discovered Scott McCloud a couple of years back. McCloud is the author of two fascinating books, the first, Understanding Comics, is a study of visual storytelling. It is presented in a very clever comic format, and even if you never intend to create your own comic one day, it brings up a lot of interesting stuff about how we convey perceive narratives. A second book called Reinventing Comics addresses the many doors that have been opened to the medium by the advent of computers and the internet. Today I happened upon McCloud’s website. I’m not sure why I never thought to look for it before, but I’m glad I found it. There’s a blog, a daily improvisational comic, and tons of other comics by him and others. Check it out. It’ll keep you busy for a while.
This must be some sign of the times: our friends at The New Yorker are currently offering the DVD-ROM set of "every page of every issue" at the fire sale price of $19.99 (and Amazon has it for as cheap as $16.72 as of this writing, though the sets for sale there may only be through 2005). It would seem that, during the time-intensive process of digitizing the New Yorker archive, technology outran itself. Shortly after the release of the boxed set, as we pointed out last year, "Every page of every issue" became available to subscribers at newyorker.com. That is to say, the DVD-ROM version is already obsolete. Still, there's something amazing - even scandalous - about having the collected labor of White, Addams, Trow, Frazier et al. sitting in a svelte case on your desk. And heaven knows Condé Nast needs the revenue: The New Yorker was apparently its biggest ad-page loser last year, and we took note of a decidedly slimmer Winter Fiction Issue in September.
Twitter had its big moment last week, but unlike so many other technology start-ups in the seeming parade of millionaire-makers over the last two decades (with the obvious exception of Amazon.com), Twitter has developed a special following in the literary community, from high-brow to low. Perhaps that's not surprising. Writers revel in words, and Twitter, nearly alone among hot technology start-ups, is mostly about words, crafting them to meet the medium's peculiar restraints and sending them out into the world to be engaged with or ignored. Twitter is like some atomized version of the writer's process. With Twitter, ideas go out piecemeal, the whole process taking a millionth the amount of time it would if you were to glom all those ideas together into one big whole and turn it into something as unlikely-seeming by comparison as a book. This speed, then, may be deeply satisfying -- even addictive -- as writers bypass so much of the toil of getting a book out of their brains and off to readers (New York's Kathryn Schulz elaborated smartly on this idea last week.) There is no uniform stance on Twitter in the literary community, of course. Some, like Teju Cole and Colson Whitehead, find it vital; many others -- led by a certain one-time Time coverboy from the Midwest, do not. Some writers have more prosaic feelings about Twitter. Novelist Peter Orner wrote, "Some are talented at it; others, less so." Zadie Smith is not on Twitter. Nor are Jeffrey Eugenides (though his vest once was), Michael Chabon (not really, though his writer wife Ayelet Waldman is), George Saunders, or David Mitchell. Jennifer Egan is, but just a little bit. Nonetheless, Twitter appears to be here to stay, for a while anyway. And it will remain a pastime for writers looking for book news, inspiration, distraction, literary puns, and every other thing they might want. But it wasn't always that way. In the not too distant past, the literary lights of Twitter pecked out their first 140 characters and waited to see what Twitter would bring. Curious, I dug back into the Twitter archive to see how these writers took their first steps into Twitter. What follows are the very first tweets of some of Twitter's well-known practitioners from the literary world. Finishing the website entries for my fall novel The Year of the Flood. — Margaret E. Atwood (@MargaretAtwood) July 8, 2009 How does a petty trader come by N30 million worth of cars? Police hope Israel Ubatuegwu, of Ajah, has a good explanation. — Teju Cole (@tejucole) June 7, 2011 @R_Nash proud to be a part of ennui 2.0 — colson whitehead (@colsonwhitehead) March 15, 2009 Preparing for Book Expo America in the office in Dumbo. The last time we've to schlap boxes ourselves. Next year we pay the Teamsters... — Richard Nash (@R_Nash) May 30, 2007 Last night at the Norman Mailer Award Ceremony in NYC, Oliver Stone said beautifully: "A serious writer is a rebel." — Joyce Carol Oates (@JoyceCarolOates) October 5, 2012 trying to figure out if someone does a decent MP3 workout, which will magically transform my iphone and my body at the same time. — Ayelet Waldman (@ayeletw) January 27, 2009 @JaneGreen I talked to Rufus just this morning...ok, I interviewed him for T+L — Dani Shapiro (@danijshapiro) April 24, 2009 Slaughtered by Sam A. and Jefffery Y. at post-diner breakfast ping-pong. Licking wounds. — Dwight Garner (@DwightGarner) February 13, 2009 Here's a video of my speech at the NBCC in NYC last week: http://tinyurl.com/dfe8rt — Ron Charles (@RonCharles) March 17, 2009 Testing... — Sarah Weinman (@sarahw) April 24, 2007 reading — Susan Orlean (@susanorlean) December 23, 2007 doesn't want to be an editor. oops, too late. — Emma Straub (@emmastraub) December 3, 2008 I just opened my present from Dave McKean, The Big Fat Duck Cookbook. Heavy as a stone and beautiful. "See?" he said. "I do read your blog." — Neil Gaiman (@neilhimself) December 26, 2008 @ShitHomemaker - this is my first tweet and it's your fault. — Salman Rushdie (@SalmanRushdie) September 15, 2011 Fine, then. I'll twitter. — John Green (@realjohngreen) December 11, 2008 No matter what I do there are always 5 emails in my inbox that I am avoiding. — Doug Coupland (@DougCoupland) April 1, 2009 I've reached the limit on how many Facebook friends I can add. So here is a new page. — Amy Tan (@AmyTan) August 12, 2010 http://www.thewriterscoffeeshop.com/publishinghouse/books/detail/23 — E L James (@E_L_James) April 12, 2011 First Tweet ever, prompted by Jeff Howe's essay in Sunday's NYTBR. Velly interesting. Helloooooo? — Erik Larson (@exlarson) May 22, 2012 Does anyone know who @BretEastonEllis is? — Bret Easton Ellis (@BretEastonEllis) April 10, 2009 @erlson You just got me to join Twitter. — William Gibson (@GreatDismal) April 1, 2009 coveting Susan Lewis' hair. — Jennifer Weiner (@jenniferweiner) April 3, 2009 @chuckpalahniuk This is Dennis, webmaster at ChuckPalahniuk.net. Please contact me via my site email address. Thanks! — Chuck Palahniuk (@chuckpalahniuk) January 28, 2009 Becoming far more wired than I probably really need to be. — Joe Hill (@joe_hill) January 4, 2009 hi, i'm gary shteyngart, a furry 39-year-old immigrant man trapped in a young dachshund's body. LOVE ME!!!!!!!!!!! pic.twitter.com/RgLBxjYO — Gary Shteyngart (@Shteyngart) December 1, 2011 I'm going to do it right this time. — Emily Gould (@EmilyGould) May 21, 2009 today felt like the unabomber but i wasn't plotting anything or planning anything or trying to bomb anything and i was wearing 4-inch heels — Kate Zambreno (@daughteroffury) June 29, 2012 Wessex Man http://tinyurl.com/yw93xb — New York Times Books (@nytimesbooks) March 18, 2007 News: Netherland wins PEN/Faulkner award: It was overlooked for the Booker prize and the prestigious US Nat.. http://bit.ly/AufPL — Guardian Books (@GuardianBooks) February 26, 2009 Podcasting: http://tinyurl.com/6hc9z4 — NY Review of Books (@nybooks) July 2, 2008 Check out our feature on the best audiobooks coming this spring. — Publishers Weekly (@PublishersWkly) January 31, 2009 Mario Bros. meets Macbeth: What do a pixelated plumber and a murderous king have in common? Nintendo DS -- in En.. http://tinyurl.com/5gr5m4 — L.A. Times Books (@latimesbooks) December 10, 2008 Hello, world! Official Library of Congress Twitter feed here. So nice to see 215 followers before so much as a single tweet! — Library of Congress (@librarycongress) January 27, 2009 Welcome to the new GalleyCat Twitter feed, regularly collecting tweets from Senior Editor Ron Hogan, Editor Jason Boog, and Jeff Rivera. — GalleyCat (@GalleyCat) August 26, 2009 Welcome to @nprbooks! We'll use to to share our book coverage and hopefully talk about some good books, too. / @acarvin — NPR Books (@nprbooks) January 8, 2010 We noticed lots of sites use Twitter for feedback. We created this account as a placeholder, but please visit our Feedback Group anytime! — goodreads (@goodreads) August 19, 2008 56 years after William Styron warned us about chasing the zeitgeist, The Paris Review is now on twitter. From issue 1: http://bit.ly/BCnnE — The Paris Review (@parisreview) September 4, 2009 Culling together work for Electric Literature no.2, planning events for October, spinning splendidly through another day at the office. — Electric Literature (@ElectricLit) August 31, 2009 Rick Moody on running out of luck: http://tinyurl.com/ckno8d — The Rumpus (@The_Rumpus) January 29, 2009 What will be named top book of the decade? http://bit.ly/AMgq8 What's your pick? — The Millions (@The_Millions) September 21, 2009 What's the best part of B.G.'s "Bling Bling" video? Pre-tattoo'd Wayne, zooming red VW Beetles, or the crew's outdoor fine china picnic? — Nick Moran (@nemoran3) February 2, 2011
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I happened upon The American Heritage Book of English Usage Pronunciation Challenges page the other day. On the Pronunciation Challenges page, one can find a list of 191 commonly mispronounced words (or word types.) The page starts with a sentence that - though it doesn't make any sense - is made up of words that can be pronounced in "at least two distinctly different ways": The affluent and choleric comptroller heinously inveigled herbs from the impious valet who often harasses the dour governor with aplomb.