Some of you may know that I’m a pretty big fan of comics, or to put it more broadly, stories told in a visual format. I’m not heavily into the superhero stuff, but I love newspaper comics and graphic novels as well as cartoons and animation of all kinds. So, naturally, I was pretty excited when I discovered Scott McCloud a couple of years back. McCloud is the author of two fascinating books, the first, Understanding Comics, is a study of visual storytelling. It is presented in a very clever comic format, and even if you never intend to create your own comic one day, it brings up a lot of interesting stuff about how we convey perceive narratives. A second book called Reinventing Comics addresses the many doors that have been opened to the medium by the advent of computers and the internet. Today I happened upon McCloud’s website. I’m not sure why I never thought to look for it before, but I’m glad I found it. There’s a blog, a daily improvisational comic, and tons of other comics by him and others. Check it out. It’ll keep you busy for a while.
Today at the bookstore I met a young writer named Julie Orringer. She talked about Dave Eggers and Heidi Julavits and 826 Valencia, an exciting bunch. She mentioned that her first book, a collection of short stories called How to Breathe Underwater, will come out this Fall. A quick look at the website of one of the big book distributors confirmed that Knopf is expecting a strong debut. After I got home I did a little Google and discovered that a few of her stories are on the web. She has won several awards and fellowships and looks to be a real rising star. My favorite of the three stories that I read today originally appeared in Ploughshares. It’s called Pilgrims. I most enjoyed the ease with which she tells a story full of the troubles of adults from the point of view of children. I also read Care from the Barcelona Review and Note to Sixth-Grade Self from the Paris Review. I enjoyed these stories as well, though I felt that Note to Sixth-Grade Self was unecessarily clever. Keep an eye out for her. She seems likely to do impressive things.
Miss Snark is the blogging pseudonym of a New York agent who has made herself available to all the aspiring writers out there who are befuddled and bewildered by the publishing process. When particularly perplexed, these writers turn to Miss Snark with their questions – despite the better than fair chance of being called a nitwit by Her Snarkiness. Aided only by her faithful poodle Killer Yapp (KY), Miss Snark has come to the rescue of hundreds of writers in the months she’s been online answering questions on protocol, procedure and not looking like a fool when trying to turn your manuscript into a published masterpiece. Her advice is refreshingly frank and entirely devoid of BS, and she has a loyal following. Why does she devote so much time to such a thankless endeavor? I can only assume she’s trying to make the world a better place (but then again she may be banking on the many pails full of gin she’s now owed by the many writers she has helped.)I had been under the assumption that all aspiring writers were avid readers of Miss Snark, but it has recently come to my attention that this is not the case. So, if you hope to have your book published one day, and you aren’t yet reading Miss Snark, I suggest you start now. And this is doubly true if you are agentless and looking. These conditions are not, however, prerequisites. I have no plans to write a book anytime soon, and I can’t help but read Miss Snark, if only for the fearful laughs she elicits.
Last week, online used book retailer Alibris announced a new program called Alibris Basic targeting “small and moderate booksellers,” i.e. non-professionals. The program appears to differ from Alibris’ main offering in terms of pricing:You can list up to 1,000 items for sale, and you only pay $1 plus a small commission for each one that you sell. If you don’t sell anything, you don’t pay anything except the annual subscription charge of $19.99.This compares to the flat monthly fee (plus commissions) that larger scale booksellers are required to pay. For folks who have a lot of collectible books, the Alibris program is probably worth checking out, as the site specializes in this sort of inventory. As much as Alibris would like people to list all of their books for sale, however, there are better options for readers who are looking to unload their old non-collectible books.Amazon lets you very easily list your books for sale in just a couple of steps through their “Sell Your Stuff” page. Amazon charges 99 cents plus a 15% commission on the books you sell. The main upside of going with Amazon, as I see it, is that it probably has the widest reach of all the bookselling programs out there.Still, creating and managing listings for dozens of different books can be time consuming, and one must also deal with shipping off books that get sold to various individual buyers. If this sounds like a pain, then Barnes & Noble’s book buying program might be a better bet. You need only enter the book’s ISBN to get started. B&N will tell you if it’s buying that title and how much it’ll pay. After you’ve entered your books into the system, you print out an invoice and shipping label that allows you to send the books off to B&N for free. A few weeks later you get a check in the mail. I’ve tried B&N’s program, and I found it remarkably simple. You may not be getting the best price for your books, but it’s a lot easier than the other options. The main drawback I found is that B&N is somewhat limited in the books it is willing to buy. Textbooks are the best bet, and it’s a good way to try to unload any older ones you might have lying around.Beyond the above programs, there’s always eBay, which in the realm of non-collectible books is more trouble than it’s worth (though I have had luck putting up a few dozen books at once, charging $1 a piece to start, and cross-promoting across all my other listings as a “$1 book sale.”) And then there’s the local used book shop. Buying policies at these stores vary greatly, but some pay well – and often much better if you’re willing to get paid in store credit. Of course, these “trade in” policies are how many of us ended up with such big collections of books in the first place.Feel free to share any basement bookselling tips in the comments.
I had such a good time reading the Count of Monte Cristo that it made me wonder why I don’t read more so-called “classics.” So many times I have wandered into a book store or browsed through Amazon fruitlessly, when I might have gone for the known quantity that is the classic. First, let me define what I’m talking about here. People shy away from classics for two reasons: because they are old. You worry that the book will seem moldy and out of touch. And a classic is the sort of book that is assigned in middle school and high school, and therefore it doesn’t seem like the sort of book you’d want to read for fun (it might bring back bad memories, after all). But again and again I find that this is the wrong way to look at it. I am almost never disappointed when I read a classic novel. So, for all you casual readers out there, consider the classic.But classics aren’t just great for us grown ups, they’re perfect for precocious young readers. When I worked at the book store, I would often encounter parents trying to find books for kids who had read all the kids books. These young readers had read all the Harry Potter, all the Lemony Snicket, and the parents were looking for more of the same. I realized that classic novels are the perfect way to graduate these young readers to the next level of reading. Sure they may get assigned some of these books in school, but I know that when I was young, I found reading books for fun to be far more gratifying than reading for school. Here’s a quick list of classics that I like to recommend to precocious young readers (I’m only recommending books that I have read, so if you’ve got any ideas please share – there are so many more!):The Adventures of Huckleberry Finn by Mark TwainThe Scarlet Letter by Nathaniel HawthornePride and Prejudice by Jane AustenGreat Expectations by Charles DickensGulliver’s Travels by Jonathan SwiftFrankenstein by Mary ShelleyOr you could just get ALL of themUpdate: From the comments:Awakening by Kate Chopin (suggested by edan)Madame Bovary by Gustave Flaubert (suggested by edan)Wuthering Heights by Emily Bronte (suggested by erin)The Brothers Karamazov by Fyodor Dostoevsky (suggested by The Happy Booker)Related: Ask a Book Question: The 27th in a Series (Classifying Classics)Related: Giving Kids the Classics
The weather is nice, and we’ve got all the windows open in the apartment. We ran some errands earlier today – although the task of going to Whole Foods to buy cheese and olives deserves a term with better connotations than “errand.” Now I’m flipping through a stack of catalogs from Penguin while I listen to baseball on the radio. This is why I look forward to weekends.I think I’ll start with the Plume, Portfolio, Overlook, etc. catalog. These imprints do both paperback editions of books that have already come out in hardcover, and paperback originals, which are initially published as a paperback without a prior hardcover release.There’s a nifty little collection coming out in August as a paperback original. The Subway Chronicles “offers a kaleidoscope of perspectives on this most public of spaces,” New York’s legendary subway system. Jonathan Lethem, Colson Whitehead, Francine Prose and Calvin Trillin are among 27 contributors whose essays look at New York’s subterranean city from every angle. The anthology’s editor, Jacquelin Cangro, runs thesubwaychronicles.com.I’ve heard sections of Dan Savage’s book The Commitment read on This American Life. Savage writes in the David Sedaris, David Rackoff, public radio funny man vein. Like those two Davids, Savage is gay and his sharp comic timing and casual mastery of the memoir style transcend any label. In The Commitment, Savage recasts the gay marriage “debate” as his own family drama, injecting some much-needed humor and personality into a controversy that is so often portrayed as faceless. The hardcover is already out and the Plume paperback comes out in October.Under the Portfolio imprint is the paperback of John Battelle’s book The Search. The book tells the story of how a goofy little search engine called Google grew into a $120 billion company that enjoys global ubiquity and is seemingly able to reinvent any industry it touches (publishing for example). Aside from my general fascination with Google, I’m also interested in this book because I read and enjoy Battelle’s blog. As the creator of FM Publishing and the “band manager” of Boing Boing, Battelle is someone to watch in the world of new media. The paperback edition comes out in September.Extras: Andy Riley’s morbidly hilarious The Book of Bunny Suicides and The Return of the Bunny Suicides are being collected in a box set called A Box of Bunny Suicides due in September. Haven’t seen the bunny suicides? Go here and click excerpt. Also, Plume is putting out great-looking new editions of Fences, The Piano Lesson, Seven Guitars and Joe Turner’s Come and Gone, by the late Pulitzer Prize-winning playwright August Wilson. (The snazzy new covers aren’t showing up at Amazon yet, but I’m assuming they’ll switch out the old ones soon.)
Miguel de Cervantes’ Don Quixote has been on my reading list for a long time. Upon Max Magee’s suggestion I picked up the recent translation by Edith Grossman sometime in January 2004. It took me a good 11 months to work up the appetite, desire and guts to indulge in this phenomenal piece of writing. Described by many as the beginning of modern novel, Don Quixote relates a crazed Alonso Quixano’s sallies from his native La Mancha to various provinces of Spain. Beyond the usual adventures of the windmills, freeing of the slaves, and fair Dulcinea – all of which are a part of every child’s introduction to fairy tales and literature – lies the second part of the novel. Cervantes published two Don Quixote novels, and whereas the first one colors our imaginations as children, the Part II – published ten years after Part I, in 1615 – brings forth Cervantes as a witty author who employs Don Quixote’s insanity to illustrate the genius of his loyal servant Sanco Panza; the trivial entertainments of the Duke and the Duchess, whose cunning knowledge of the first novel, which is referred to numerous times in Part II, provide for the creative and chivalric plots that the nobles employ to ridicule Don Quixote; and a grand finale of sobriety that settles for once and all the history of Don Quixote. Cervantes ends the illustrious misadventures of Don Quixote to prevent new issues of fake Don Quixote novels from appearing. Cervantes’ answer to authors who attempted to profit on the first Don Quixote’s success, one Alonso Fernandez de Avellaneda in particular, is derisive and rash – bordering on self flattery through his diatribe on other authors. Don Quixote opened a new window in my mind with its accessible language – thanks mostly to Grossman’s spectacular translation – and cunning use of word plays, romantic approach to the bygone days of knight errantry, mockery of social dogmas, integration of tangent plots – oh yes, you read at least 3 unrelated short stories in the novel – and eternally modern style. The novel’s mix of fantasy and reflections on society definitely place it in the pile of books the are must re-reads, albeit not in the short term – it will certainly take me a while to put aside another chunk of time for the second serving.I was distracted at times from reading Don Quixote by Oscar Wilde’s The Picture of Dorian Gray and Other Writings. Matt Clare, a close friend and literary fiend, was kind enough to present me with this magnificent work that captures a unique time period in British society. Clare’s inscription on the cover reads “no Baron [on the Trees, by Italo Calvino, which I had presented to him earlier] to be sure, [but] the Lord may still have something to teach us.” Indeed, Lord Henry Wotton quickly became a new idol of mine, decadent and lost, with no particular interest in anything that the London high society of the 1880s held dear, nor any high aspirations that provided for the chatter at tea parties. The Jekyll and Hyde nature of The Picture of Dorian Gray presents vain struggles and trivial issues in an intentionally serious tone, which mocks the core of British culture at the time. There is much to be said about the twists and turns of The Picture of Dorian Gray, which keep the reader on his toes and makes the story an amazing, insightful and philosophical page turner. What follows in the 4 plays and final ballad also collected under the same volume (Lady Windermere’s Fan, Salome, An Ideal Husband, The Importance of Being Ernest, and The Ballad of Reading Gaol) is not as intense as the opener, but nevertheless very entertaining and universal. Oscar Wilde’s only drawback is the limited nature of his subjects, but he does a phenomenal job in conveying the stuck up nature of the crowd that he once was a part of.Related: Max’s thoughts on Don Quixote