Pulitzer Prize winner Rick Atkinson stopped by yesterday to sign copies of An Army at Dawn. This book is intended to be the first installment of a trilogy that will describe the liberation of Europe in World War II. This first book is about the liberation of North Africa, and the next two will cover Italy and France. Naturally, I asked him how the books were coming along, and he told me that he had put them on hold while he was embedded with the 101st Airborne in Iraq, and now he is writing a book about that experience. It will be exciting to see the many quality books that are being written by journalists and writers who spent time over there. We also discussed John Keegan, who seems to be the authority when it comes to popular histories of war. Atkinson professed to loving both The Mask of Command, which studies generals and commanders in wars from Ancient Greece to the present, and The Face of Battle, which gives similar treatment to the common soldier. Later on, while I was reading about those two Keegan books, I was pleased to discover that he has a new book that is a mere two weeks from hitting the shelves. It is enticingly titled, Intelligence in Warfare: From Nelson to Hitler.
When: Late Afternoon 10/2/03Where: Walking down my street in a leisurely sort of way.Who: On older gentleman wearing a really sharp fedoraWhat: The Hot Zone by Richard PrestonDescription: "The true story of how a deadly virus from the central African rain forest suddenly appears in a Washington, D.C., animal test lab. In a matter of days, 90% of the primates exposed to the virus are dead, and secret government forces are mobilized to stop the spread of this exotic 'hot' virus."Anyone else like to go bookspotting?
I've never been shy about my love for long form journalism - my love for the New Yorker is based on it - so I was intrigued to hear about a pair of books that collect some recent stand-out examples of the work from two other venerable magazines: New York and Harper's. The former is represented in New York Stories and the latter in Submersion Journalism Both were reviewed a few weeks back in the LA Times. I was particularly intrigued by Submersion Journalism which includes work by Wells Tower, an excellent but not terribly well-known journalist who contributes to Harper's, The Believer, Washington Post Magazine and others. We wrote about him a while back in an "Ask a Book Question" post. Unfortunately, a bunch of comments from readers listing several of Tower's pieces were lost in the Great Comments Purge of 2006, but the post nonetheless provides some background.Tower is best known for the remarkable Harper's piece "Bird-Dogging the Bush Vote," for which he, as the LA Times puts it "embeds himself with some Bush boosters in Florida during the 2004 campaign in order to know thine enemy." The article is, unfortunately, not available online for free, but it is included in Submersion Journalism. I've read it, and I think it rates up there with Hunter S. Thompson's Fear and Loathing on the Campaign Trail as a piece of tragicomic political journalism.Stepping back, it's always exciting to see collections like these come out, if only for the fact that they highlight some of the best, most entertaining journalism ever written. I concur with reviewer Marc Weingarten in the LA Times who writes, "The Web is clearly where the media is headed. But long, well-informed literary journalism like the stories found in these books is still the province of print. If readers forsake this stuff, well, shame on all of us."See Also: The New New Journalists
Reuters is reporting that several prominent publishers, currently tethered to larger companies and media conglomerates, could be the target of bids from private equity firms looking for the steady cashflow that their backlists would provide. At the top of the list is Penguin, currently owned by Pearson, but News Corp's HarperCollins and CBS's Simon & Schuster could be separated from their parents as well. So far Houghton Mifflin is the only major publisher to have been extracted from its parent (Vivendi in this case) by private equity firms.Is this good news for publishers? Since they're not very profitable, publishers are often forgotten alongside the other holdings of these large media companies. At the same time, however, private equity firms' primary motive would likely be getting a return on their investment, so cost cutting could probably be expected.
If you haven't seen the action in the comments of Garth's reply to n+1's column on litblogs, it's worth a look, as the discussion has, shall we say, flowed onward. Mark, meanwhile, has begun posting "an irregular featurette" called "The n+1 Letters" in which he revisits the correspondence he has had with the magazine in question. Here at The Millions we tend to take a more dispassionate view the literary scuffles that crop up from time to time, but being in the middle of this one hasn't been entirely unpleasant. It's entertaining at the very least.Update: Scott has expressed his queasiness with the tack Mark is taking, and I'll admit to sharing that discomfort. (I would not republish private correspondence without permission.) Also, n+1 editor Keith Gessen has now left a comment at the original post.
The Village Voice has a profile of a Web site called Silence of the City, where stories rejected from the The New Yorker's Talk of the Town section are posted by Mac Montandon, whose own work has been rejected by the section more than once. There's only seven pieces posted right now, but its a fun idea. Among them is an article by Lisa Selin Davis (whose novel Belly I read a while back). Of another NYer reject, M.M. De Voe, the Voice writes that she "finds the experience of submitting her stories to The New Yorker oddly exhilarating in itself. Perhaps it's like that feeling you get when you buy a lottery ticket." I wonder if how many notable folks have been rejected by the NYer. I'd guess quite a few.(via)