People are reading non-fiction, too. The big debut this week is Joan Didion’s new book Where I Was from. It’s part family history, part historical exploration of “where she was from,” the perplexing state of California, a fertile subject for analysis if ever there was one. People are already waving this book above their heads and extolling its virtues much in the same way as they did with her earlier book, Political Fictions. Another politically minded author garnering a wide readership is New York Times columnist Paul Krugman, whose op-ed pieces from the last three years have been collected in a single volume entitled, The Great Unraveling: Losing Our Way in the New Century. As the title indicates, his columns chronicle the collapse of the prosperity of the previous decade, and the former economist from Princeton feels that the current administration deserves much of the blame. If that’s too heavy, there are some less serious books that are or will soon be best sellers. Among them is a peculiar book that comes to us by way of England. Schott’s Original Miscellany by Ben Schott is an astoundingly clever and thorough little collection of trivia that manages to strike the perfect balance between being informative and being fun. For example, go to the official miscellanies website and get the official scoop on how palmistry works, and then feel free to troll around for other odd info at your leisure. Meanwhile, the more musically minded may have caught Martin Scorsese’s seven-part documentary about the blues which is currently airing on PBS. Elvis biographer Peter Guralnick helped compile the companion volume to the documentary entitled, Martin Scorsese Presents The Blues: A Musical Journey, an attractive book that features new essays by David Halberstam, Hilton Als, Suzan-Lori Parks, Elmore Leonard, and others. And finally, all this talk of books about music reminds me of Chuck Klosterman. I may have mentioned a few weeks ago that I was reading Klosterman’s first book, Fargo Rock City, a terribly clever book that seeks to make a case for heavy metal in the annals of music history. The book started strong, and I found myself laughing out loud once every couple of pages; however, by the end, Klosterman’s personality, which is as much on display as the subjects about which he writes and which is an odd mix of self-effacement and shameless arrogance, began to grate on me. To make things worse, right after I finished the book, I read a couple of horrendous reviews of his new book which brought into even clearer focus what had bugged me so much about Klosterman. Nonetheless, the ranks of readers devoted to Klosterman’s absurd and witty social commentary seems to be growing, because his new book, Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto seems to be selling at an ever quickening clip. Stayed tuned for the next installment… Paperbacks!
