I’m hearing from reliable sources that Bunker 13 by Aniruddha Bahal is a wild thriller with an ending that is not to be believed. It takes place at the India / Pakistan border in the disputed region of Kahmir, so it also includes a good dose of the wider world for folks who are into that sort of thing. Also, Gary Shteyngart, author of The Russian Debutante’s Handbook, stopped in today and as he was signing his book, he mentioned that he will spend the next few months writing his sophomore effort in Italy. It is tentatively titled Absurdistan. Sounds interesting…. First took notice of Shteyngart in the New Yorker (he has contributed fiction and essays), and his book was very well recieved. He also has a great author photo, which I unfortunately can’t find on the web anywhere.
Another comprehensive collection by a short story master is hitting shelves this week. Bradbury Stories is a collection of 100 stories by, who else, Ray Bradbury. Aside from being delightful reading, this collection displays his mastery of the form, providing whatever “proof” might be necessary that Bradbury diserves to be considered one of our best writers. Here’s a good interview with Bradbury from The Onion.A Letter to ThailandHere’s a letter to my friend Cem. He’s world travelling and I thought I might recommend him some books.Cem…Checking in. Southern Turkish still in Northern Thailand I presume. From my little hammock of paradise, it’s hard to imagine your jungle roamings. I don’t know if you have the time to read or the ability to acquire these books, but I’ve got two more for you: War Is a Force That Gives Us Meaning by Chris Hedges. He talks about the effect of national conflict on individuals, and, more specifically, he explores his own addiction to war, which has led him around the world. Also, I’m reading a surreal mystery novel called Bangkok 8 by John Burdett. As the title suggests, it’s set in the country where you hang your hat.It’s all picnics and baseball here in the states. I hope you’re enjoying an appropriate Thai substitute.Dreaming of Ships,Max[Note: These books are great for the general populace, too. Not just world travelers]
A row (as they say over there) has erupted over the filming of a movie based on Monica Ali’s novel Brick Lane, spurring protests and threats of a book burning. The anger has arisen from the portrayal of Bangladeshis in the book. So far a number of notable authors have come out in support of Ali, including Salman Rushdie, Hari Kunzru and Lisa Appignanesi, as discussed in the Guardian. Now a few weeks old, the dispute is sparking secondary disputes amongst the British literati, who are taking sides. The Independent goes into detail about how “Rushdie has launched an outspoken attack on fellow literary heavyweight Germaine Greer.”
Dan Wickett is putting together the first (that I know of) blog-hosted short story contest. Dan will collect the entries and pass on the finalists to guest judge Charles D’Ambrosio. The winner will be published on Dan’s blog and in the Spring 2007 issue of Frostproof Review. What are you waiting for? Send something in.
On January 19th, while many of us held our collective breath over the results of one national contest, the American Society of Magazine Editors released their list of finalists for the 2017 National Magazine Awards for Print and Digital Media. Curiously absent from the announcement were nominees in fiction, which ASME chose not to promote for the first time in nearly 50 years. The announcement made no mention of the category’s sudden disappearance.
For Michael Ray, editor of Zoetrope: All-Story, the distinction was particularly significant. Writing last Thursday via email, he said the award “breached the ostensibly isolated atmosphere of literature and recognized the fiction writer among a broader peer group of writers and before a more diverse and populous audience of potential new readers.”
Anthony Marra, whose 2016 NMA winning story, “The Grozny Tourist Bureau,” Ray edited, expressed his disappointment in ASME’s omission. “Writing, editing, and publishing short stories in literary magazines is a labor of love for all involved,” he said. “They aren’t clickbait. They don’t make much noise or much money. And yet the best of them long outlast the paper on which they were first printed.”
While ASME has retained the category of “General Excellence in Literature, Science, and Politics,” such broad scope leaves little room for individual recognition, instead favoring the total yearly production of a magazine over excellence in a single piece. This year, Poetry is the only literary magazine nominated in that category.
Last September, Women’s Wear Daily released an email circulated to editors around the magazine industry from ASME Chief Executive Sid Holt. In what amounts to the closest document to a public announcement, the message cites declining fiction entries and, most surprisingly, concern that “few ASME members say they are competent to judge the category.” ASME’s website describes its members as “senior editors, art directors, and photography editors employed by qualified publications.”
Susan Russ, senior vice president of communications at ASME, said that with the diminished numbers of submissions, fiction entries had “less than a fifth the number of entries [than] comparable categories.” While the decision to “suspend” the category, she said, “was not a judgment on the value of fiction or [ASME’s] ability to judge entries,” it is unclear — outside of an attendant fall in submissions fees, perhaps — how the small pool affected the organization.
The arts face an almost certainly precarious future. As a genre, short fiction has long struggled with recognition, and is too often minimized as a stepping-stone to more serious literary enterprises. According to Russ, “ASME is considering alternative ways of honoring fiction,” leaving open the possibility of a new award outside the existent NMA format. But such a move could further isolate fiction from the rest of print culture.
It’s entirely possible, however, that fiction may be back for next year’s contest. Losing touch with the power of writing is not something we can now afford to risk. And National Magazine Award or not, over the coming years, we’ll be needing all the good stories we can get.