I have another gig besides my day job. Myself and my old friend, Derek Teslik, have started a record label, Realistic Records. Our first release will be a full length vinyl LP by The Recoys, the former band of currents members of The Walkmen and The French Kicks. It’s a great album with a great album cover. I can’t wait to own it. There’s word of a reunion show as well.
If you spend much time reading the various book blogs, you probably came across this National Book Award blind item at Beatrice. I did and I couldn’t stop wondering who this slighted author was. Speculation abounded at Tingle Alley, and I was stumped, too. But after stumbling upon a clue in the comments of a post at Mad Max Perkins, I did some snooping around, and I can now reveal that the slighted author is Jim Shepard. His books, Project X and Love and Hydrogen, were not submitted for consideration for the NBA because, according to Beatrice.com, his publisher did not follow the proper procedures. Now, I’m not so sure that either of Shepard’s books would have made the cut. But you never know. And you also have to wonder if everyone would be making such a big fuss if one of our women from New York were a man from Massachusetts.
I was rather astounded by this article in The Guardian today about publishers taking retailers on lavish trips to promote their latest books: to Pompeii for Robert Harris’ Pompeii, to New York for Hillary Clinton’s Living History, and to Madrid for David Beckham’s Beckham aka My Side. Before I get into how unsavory this practice is, can I first say that if such thing are going on, why was I never invited on an overseas publicity junket to promote a bestselling book? In fact, I must admit that before today I had never heard of this practice in the publishing world. In the film industry, pushover movie reviewers are routinely wined and dined in exchange for positive press, but I never noticed the general manager of my store jetting off on an all expenses paid trip to Pompeii. Of course, it’s possible that such perks are reserved for the folks who make the decisions at the big chains. A happy regional VP translates to prominent displays in 300 stores and a frontlist order of 30,000 copies. Then again, perhaps this is more of a British phenomenon than an American one. The odd thing, to me, is why bother spending all that money on a book that is already going to have prominent placement due to public interest. This is what those midlist authors are bemoaning when they say there’s not enough publicity money to go around.Back to VirginiaI was born in Albemarle County, I returned their for four years of college at the University of Virginia, and I’ll be heading back there again this summer for my wedding. But it’s more than all the history that I have there that makes it a special place for me. It’s beautiful country, peaceful, serene, and full of history. And for those who share my feelings on Albemarle County, there is now a lovely coffee table book about the place called Albemarle: A Story of Landscape and American Identity. Here are some sample pages.
I used part of my day off to sit around my house and listlessly attempt to get things done. I used the other, smaller, part of my day off to run some errands, and when I spotted a goodwill store in Glendale, I just had to run in and check out their book selection. I’m really glad I did.Find #1: A hardcover edition of J. F. Powers’ cult classic Wheat That Springeth Green. As you can see from the link, New York Review of Books Press has recently reissued this one, and it has been a favorite among my coworkers.Find #2: A hardcover edition of a book called Shah of Shahs by one of my all time favorite writers, Polish journalist Ryszard Kapuscinski. Kapuscinski has spent the last 50 years writing for the Polish equivalent of the Associated Press. During this time he has been on the scene for nearly every international conflict from front page news to the one paragraph comment buried in the International section. He wrote under the auspices of a state run news agency controlled by a Communist country and yet he spent nearly all of this time abroad, witnessing the wider world as few Communist citizens were able to. His writing betrays this interesting perspective in that he takes nothing for granted and never resorts to cliche to describe cultures that are utterly foreign. In this way, his journalism bears little resemblence to his Western counterparts, and instead he is just a man describing other men, exploring the universal nature of conflict, and occasionally pining for the cold winters of his homeland. Shah of Shahs is about the fall of the Shah of Iran and the rise of the Ayatollah as told by Kapuscinski who was, of course, in Tehran at the time. I already own this in paperback, but I couldn’t help buying the hardcover.Find #3: The two books about Russia that I read recently made frequent mention of two interesting points. First, that for a long time the West had no idea what sort of horrors went on in Stalin’s Russia, and for a long time after many downplayed these horrors. Second, that there was a large officially sanctioned community of writers, known as the “Writers’ Union,” that spewed out official literature, hailed as a great achievement but often little more than thinly disguised propaganda. At the store today I found a book called Short Stories of Russia Today, edited by Yvonne Kapp and published by Houghton Mifflin in 1959. This corresponds with the height of Khrushchev’s “thaw,” three years after he had denouced Stalin in his “Secret Speech” to a closed session of the General Assembly, which must somehow account for how this collection came to be. There is also inherent in this book the sort of thinly disguised awe and fear that Americans felt towards Russia at the time. The dust jacket copy can be read almost as a warning that there is no endeavor that Russians can not apply their might towards. Here’s one little snippet “Like Sputnik, this collection shows that there is more going on in Russia than is revealed by the facade of Communist propaganda.” Whatever the point of this collection, it certainly is a relic of a different time.Finds #4 & 5: When I go bookfinding, I like to pick up books that I’ve never heard of. This can be tricky because most books that end up where I’m scavenging are pretty bad. Usually I solve this problem by getting short story anthologies or literary journals when I see them. There’s usually a hidden gem or two contained within. Today, I snagged O. Henry Awards Prize Stories of 1992 featuring stories by Cynthia Ozick, Joyce Carol Oates, and Ann Packer among many others. I also came across an interesting-looking old hardcover (Knopf, 1969) of a book called The Coming of Rain by Richard Marius. I’d never heard of him, but after getting home and doing a little research I discovered that he’s fairly well-known Southern writer and that this book is the first of a series of four novels that, between the four of them, take place over the course of the last century in the South.
I’ve had gift cards for some chain stores lying around for months now – gifts from Christmas and my birthday – and yesterday I decided to use them. It was strange though, despite having quite a bit of free money at my disposal, I found it very difficult to buy myself books. Over the last several years I’ve grown so accustomed to buying books very cheaply that I couldn’t rationalize paying full price, even with the gift card. I felt pretty bad about it, too. I know that authors get their paychecks when we buy their books new, but they don’t see any of my money if I buy a book at a used bookstore or a yardsale. I also feel bad because most independent bookstores can’t afford to mark their books down, and even the chain stores only put a handful of titles on sale, but I know that Amazon will have the book I want at 30 percent off, or more. After thinking about it for a while, I decided to get mad at the publishers. Why does a book have to be a luxury good? I won’t pretend to know the economics of bookselling, though I know that it requires many people – all of whom need to be compensated – to put out a book, but does it really make sense to charge 25 bucks or more for a new book? There are probably a lot of people who occupy a grey area as book customers. They enjoy reading but not enough to spend 25 bucks on it or even the 15 they now want for a paperback. Instead they buy a magazine or see a movie or go out to lunch, all equally entertaining in their minds. I don’t know where the money gets squeezed out of the book creation and selling process, but if books get cheaper people will read more and I won’t stand with my nose pressed up to the window of the bookstore staring at new releases that are beyond my means.Nonetheless with all this cash in hand, I had to buy something, so instead of spending it all on handful of paperbacks or a smaller handful of hardcovers, I decided to buy a truly expensive book, this time for Mrs. Millions who deserves such things. I bought Modern House Three, a Phaidon architecture book of considerable heft filled with glossy pictures of space age homes (she’s an architect). I got a couple of books for myself, too, a couple of novels I’ve been curious about for a long time: Donald Antrim’s The Verificationist and English Passengers by Matthew Kneale. I actually still have some more left on these cards, so maybe I’ll take another stab at the whole chain bookstore thing soon.