Considering his first novel was a chronicle of gang life in the Bronx, it makes sense that the new book by Richard Price is a tale of the NYPD. In the latest issue of The New Yorker, Joyce Carol Oates reads the novel, remarking that it “retains a residue of Price’s absorption with his rough urban settings and with the phenomenon of a particular sort of masculinity.” Related: our own Garth Risk Hallberg on Price and his crime fiction contemporaries.
Rough Trade
Lilly Dancyger Is Rethinking the Ethics of Memoir
"I do think that we, as writers, owe things to the people in our lives that we care about."
●
●
●
●
●
●
Against ‘Latin American Literature’
The classification of “Latin American literature” puts both Anglophone and Hispanophone writers in a double-bind.
●
●
●
What Millions Readers Are Reading (Vol. 1)
We asked about the books you're currently reading. You answered.
●
●
●
●
●
●
Why Write Memoir? Two Debut Authors Weigh In
"It was hard on many levels, and I had to keep going back to why I was writing in the first place."
●
●
●
“You Can Almost Hear the Ghosts”:
Valeria Luiselli on Juan Rulfo
"Rulfo travels in time and space with an absolute freedom without us getting lost."
●
●
●