Erin Morgenstern‘s debut novel The Night Circus went from National Novel Writing Month project to 6-figure book advance after being rejected by more than 30 agents.
Today would be author Stanley Elkin's 80th. On this occasion, one fan posts an excerpt from The Franchiser and suggests "Read it out loud three times: the first to hear the sounds, the second to feel your mouth and tongue and throat make the sounds, the third time to listen to what Elkin is saying."
Writing Workshops LA – which was founded by our own Edan Lepucki – is hosting “The Conference” on June 28 of this year, and the day-long event will consist of “educational and thoughtful panel discussions as well as smaller, in-depth presentations and workshops aimed at informing and inspiring every attendee.” Presenters will include award-winning literary agents, editors, and writers including Joanna Rakoff, Adam Wilson, David L. Ulin, Counterpoint’s Dan Smetanka, and Daniel Gumbiner of McSweeney’s. Don’t miss your chance to sign up for the early bird special before April 15th – the first 40 attendees will also get an invitation to a literary pub quiz event the night before.
“The findings revealed that across the board, nearly 80 percent of those surveyed who worked in publishing self-identified as white. In Marketing and Publicity, 77 percent were white. These are people who make decisions on how to position books to the press and to consumers, and if and where to send authors on tour — critical considerations in the successful launching of any publication. For writers of color, the lack of diversity in book publicity departments can feel like a death knell.” On the lack of representation in book publishing and publicity campaigns.
David Fincher had Gillian Flynn rewrite the ending of Gone Girl for his film. Flynn herself relished the changes. “There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its 8 million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie,” she said. What would Amy think?
Jeff Vandermeer writes for the Los Angeles Times about autobiographical influence in fantasy and sci-fi and argues that "there's little or no difference in process or results compared to "normal" fiction, except that sometimes you end up with a dragon in your story and sometimes you don't." Pair with Alex Trivilino's account of "binge-reading" Vandermeer's Southern Reach trilogy.