“If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest [Hemingway] walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead.” Adam Haslett takes on Stanley Fish, Strunk & White, and the art of writing a sentence.
Ujala Sehgal
is an associate editor for The Millions. She works for the New York Civil Liberties Union, the NY Chapter of the ACLU. She was formerly a writer for The Atlantic's news website The Wire, and a co-editor of NY media blog FishbowlNY. Her writing has appeared in The Millions, TheAtlantic.com, Newsday, National Journal, The Rumpus, and elsewhere, and is partly collected at her website, TheCivilWriter.com. Follow @ujalasehgal.
