Though Link’s stories often keep closer bedfellows with Karen Russell and Aimee Bender, her novel is pulpier and more bathetic, in some ways a piece of straight fantasy.
In someone else’s hands, these stories might be little more than typeset urban legends, the stuff of 2000s-era AOL email chains, but Sims renders them as something both terrifying and mesmerizing.
'The MANIAC' is a kind of triptych, presenting us with the conception, painful birth, and exponential growth of the digital computer and its own disquieting offspring, artificial intelligence.
'Shimmering Details' is a delicate fusion, supplementing the high-modernist realism of Proust and Musil with an expressionist’s commitment to the distortions generated by strong feeling.
For Hall, the trouble is not that writers can’t find the words to describe their reproductive experiences but that their stories will always be inadequate.
As its polyvalent title suggests, Mobility is both a classically-proportioned novel of social climbing and a harsh interrogation of the logic of our petroleum society.
We are to understand that a story with such disclosures could not be published in its time, but we might also feel it could not have been written then.
'Wifedom' is less a biography of Eileen—or even a portrait of two halves of a marriage—than an indictment of a writer that Funder has ceased to venerate.