What is creepypasta, and what does it have to do with the future of literature? According to this blog post on the Twitter Fiction Festival, it’s a type of short horror fiction which, because it's posted exclusively on the Web, occupies a similar place to Twitter fiction in the ranks of new literary genres. If you want to learn more about Twitter fiction, you could read our own Elizabeth Minkel on the nascent art form.
Elizabeth Kostova's follow-up to The Historian is out today. The Swan Thieves was one of our "Most Anticipated" books. Also out today is Day out of Days, a collection of stories by Sam Shepard, and Game Change, an account of the 2008 presidential race from John Heilemann and Mark Halperin, a pair of big name political reporters.
Last night Derek and I went to a party at a squat on Western in a no-man's-land area of LA. Apparently, the kids who were squatting there are about to be kicked out, so this was one last bash. We went because the Sharp Ease were playing. Several other bands were playing as well, and throughout the show people were sporadically destroying the place, a set of abandoned apartments above a non-descript furniture store. The place was already very trashed from months of parties. The doors to many of the rooms had been ripped off the hinges and the graffiti-covered walls were pockmarked with holes and dents. The Sharp Ease played their usual, drunken, high-energy set, and the crowd got pretty rowdy. By the time they finished singing, people were tearing down the walls and launching things - cans of paint, small appliances, cinder blocks - through the windows and leaving a litter of glass and debris all over Western Ave. Derek and I, sensing that it would get worse before it got better, drunkenly headed back to our homes.
I don’t mean to be histrionic, but while reading the two versions side by side, I often felt that Lish’s treatment of Carver’s stories verged on the criminal. In a just world, Beginners would be published as a stand-alone volume to replace the shell that Lish made of it.
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Guardian literary editor Robert McCrum has compiled an odd and rather subjective book list, collecting what he describes as "books that still speak volumes about the time in which they were written." The list contains some obvious entries - we are taught in school that Nineteen Eighty-Four was not just a dystopian fantasy but a stark portrayal of the time's prevailing years as well as some less well known (to me at least) selections like 1967's The Naked Ape by Desmond Morris. But the list falls apart somewhat as it approaches the present day with McCrum anointing some of the last decade's blockbuster bestsellers - Bridget Jones's Diary, the first Harry Potter, and The Da Vinci Code - and falling prey to the notion that the deluge of press these books have received will amount to something in the eyes of future historians looking to view our time through the lens of literature.
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