Michael wrote in with this question:For some reason (an end of summer shortening of attention span, perhaps) I'm in the mood for poetry, so I was wondering if, in the interest of discussing that other form of literature, the crew at The Millions could suggest some favorite poems, poets or poetry collections (the latter would be especially helpful, its the easiest way to carry around a dozen great mind in your pocket). Anyway, thanks for any suggestions.A trio of Millions contibutors chimed in on this one:Andrew: Full disclosure: my experience with poetry has been minimal, and for the most part it is my obsession with song and music that has led me to certain poets. In this context, then, I have been stirred most by the poetic voice of Leonard Cohen. The very fact that I know his voice intimately from his songs means that I hear his poems, too, spoken in my ear in that same voice. And while he's often labeled as a darkly intense romantic, in fact some of his finest poems have a light, playful quality. The one that first caught my attention is a little thing called "I Wonder How Many People In This City", from The Spice-Box of Earth, his second collection of poems from 1961. Here it is in its entirety:I wonder how many people in this citylive in furnished rooms.Late at night when I look out at the buildingsI swear I see a face in every windowlooking back at meand when I turn awayI wonder how many go back to their desksand write this down.All his collections are great, and his first one Let Us Compare Mythologies, from 1956, has recently been reissued. Additionally, many of his poems (including the one cited) and song lyrics can be found within the pages of the massive Stranger Music.Garth: Inspired by Craig Finn of the Hold Steady, I've been working my way through John Berryman's Dream Songs this year. Even for someone like me, who enjoys the fragmentary and fractal poetry of, say, John Ashbery, the Dream Songs were an adjustment, in that point-of-view and syntax are ever-shifting. For the first ten poems, I found myself searching for a way in. But this seems to be one of those great books that teaches you how to read it; I latched on to the rhythm, started reading the poems aloud to myself, and was off and running. One of the pleasures of reading this book is that so many of my friends turn out to have read it, and everyone has different favorites. Dream Songs Week at The Millions, anyone?Emily: If you don't have a preexisting taste for a particular kind of poetry and you like browsing, there's really nothing like The Norton Anthology of Poetry - then you've got everything from Beowulf to Billy Collins (our former poet laureate, whom I loathe, but many people seem to like) in chronological order, along with brief bios of all the poets, and a bit of a reader's guide on versification (rhyme, meter, forms) and poetic syntax. But it's not cheap and with 1828 poems by 334 poets, it's not a pocket book either.For price and selection - oh, most beloved of American publishers! - you cannot beat Dover paperbacks for poetry collections (where, right now, you can also get Obama and McCain paperdolls). All of their books are between a dollar and $10 and they have both single author collections (Yeats, Rochester - one of my favorites - a dirty, disillusioned Restoration poet, Browning, most wonderful Keats, Blake, Christina Rosetti, Tennyson, Sandburg), and multi-author collections. Favorite American Poems and 101 Best Loved Poems both looked good, but they have historical collections as well, like English Romantic Poetry, if you want to be more methodical in your reading.I also highly recommend the Academy of American Poets. They have an extensive online collection of poetry by American and English poets - more poets than the Norton - and they also have recordings of many of the poets reading their work. I highly recommend listening to Gwendolyn Brooks reading "We Real Cool" or Langston Hughes reading "The Negro Speaks of Rivers." It's a very user-friendly site and in addition to better biographical sketches than the Norton, they have an index of occasional poems for those so inclined (wedding, funeral, etc).As for individual favorite poems: I love Christopher Smart's crazy "Jubilate Agno" - it's a long poem, but a small portion of it gets anthologized and excerpted a lot as "For I will consider my Cat Jeoffry" or just "My Cat Jeoffry." I also love Ogden Nash's "A Portrait of the Artist as a Prematurely Old Man" (also, if you can find the recording of this, it's delightful). Robert Herrick's short poems: "The Night Piece, to Julia," "Upon Julia's Clothes," "Upon Prue, His Maid," "Delight in Disorder," and also his pastoral poems like "The Hock Cart" and "Corinna's Going A-Maying." Milton is great but he's a workout - his syntax can be a bit like taking part in WWF Smackdown for some readers. And Marvell's "The Garden," his "Mower" poems, and "Bermudas." Others to try: Gerrard Manly Hopkins, Christina Rosetti's "Goblin Market," Dorothy Parker's "Resume," Robert Graves, W.H. Auden, Dylan Thomas, Ted Hughes' "The Thought Fox" ...There are so many more, but I think I've probably already said too much.As a final note: I recommend you begin by reading William Carlos Williams' "This is just to say" and then read Kenneth Koch's "Variations on a theme by William Carlos Williams."
This series was first conceived in 2004 as a way to get a fledgling website about books through a busy holiday season. Realizing I had spent much of that year with my nose in books that were two, 20 or 200 years old, I was wary of attempting to compile a list of the year's best books that could have any hope of feeling legitimate. It also occurred to me that a "best of" list would not have been true to the reading I did that year. Instead, I asked some friends to write about the best books they read that year and was struck when each one seemed to offer up not just an accounting of books read, but glimpses into transporting and revelatory experiences. For the reader, being caught in the sweep of a book may be one of a year's best memories. It always feels like we've hit the jackpot when we can offer up dozens of these great memories and experiences, one after another, to close out the year. And so now, as we kick off another Year in Reading, please enjoy these riches from some of our favorite writers and thinkers. For our esteemed guests, the charge was to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these ruminations, cheers, squibs, and essays will be a chronicle of reading and good books from every era. We hope you find in them seeds that will help make your year in reading in 2015 a fruitful one. As in prior years, the names of our 2014 “Year in Reading” contributors will be unveiled one at a time throughout the month as we publish their contributions. You can bookmark this post and follow the series from here, or load up the main page for more new Year in Reading posts appearing at the top every day, or you can subscribe to our RSS feed or follow us on Facebook or Twitter and read the series that way. Stephen Dodson, co-author of Uglier Than a Monkey’s Armpit, proprietor of Languagehat. Anthony Doerr, author of All the Light We Cannot See. Haley Mlotek,editor of The Hairpin. Jess Walter, author of We Live in Water. Karen Joy Fowler, author of We Are All Completely Beside Ourselves. Isaac Fitzgerald, editor of BuzzFeed Books and co-founder of Pen & Ink. Emily Gould, co-owner of Emily Books, author of Friendship. Blake Butler, author of 300,000,000. Janet Fitch, author of White Oleander. John Darnielle, vocalist for the band the Mountain Goats and author of Wolf in White Van. Leslie Jamison, author of The Empathy Exams. Matthew Thomas, author of We Are Not Ourselves. Eula Biss, author of On Immunity. Garth Risk Hallberg, contributing editor for The Millions and author of A Field Guide to the North American Family. Laura van den Berg, author of the story collections What the World Will Look Like When All The Water Leaves Us and The Isle of Youth. Hamilton Leithauser, frontman for The Walkmen. Celeste Ng, author of Everything I Never Told You. Mark O'Connell, staff writer for The Millions, author of Epic Fail. Janet Potter, staff writer for The Millions. Lydia Kiesling, staff writer for The Millions. Nick Ripatrazone, staff writer for The Millions, author of Good People. Michael Bourne, staff writer for The Millions. Ben Lerner, author of 10:04. Jane Smiley, author of A Thousand Acres. Phil Klay, author of Redeployment. Emily St. John Mandel, staff writer for The Millions, author of Station Eleven. Tana French, author of Broken Harbor. Yelena Akhtiorskaya, author of Panic in a Suitcase. Philipp Meyer, author of The Son. Edan Lepucki, staff writer for The Millions, author of California. Jayne Anne Phillips, author of Lark and Termite. Maureen Corrigan, author of So We Read On. Porochista Khakpour, author of Sons and Other Flammable Objects. Tiphanie Yanique, author of Land of Love and Drowning. David Bezmozgis, author of Natasha: And Other Stories. Lindsay Hunter, author of Ugly Girls. Dinaw Mengestu, author of All Our Names. Eimear McBride, author of A Girl is a Half-Formed Thing. Caitlin Moran, author of How to Be a Woman. Rabih Alameddine, author of An Unnecessary Woman. Walter Kirn, author of Blood Will Out. Michael Schaub, staff writer for The Millions. Nick Moran, social media editor for The Millions. Hannah Gersen, staff writer for The Millions. Kaulie Lewis, intern for The Millions. Rachel Fershleiser, co-creator of Six-Word Memoirs and co-editor of Not Quite What I Was Planning. Rebecca Makkai, author of The Hundred-Year House. Gina Frangello, author of A Life in Men. Hannah Pittard, author of Reunion. Michelle Huneven, author of Blame Lydia Millet, author of Mermaids in Paradise. Michele Filgate, essayist, critic, and freelance writer. Carolyn Kellogg writes about books and publishing for the Los Angeles Times. Emma Straub, author of The Vacationers. Ron Rash, author of Serena. Darcey Steinke, author of Sister Golden Hair. Tom Nissley, author of A Reader's Book of Days and owner of Phinney Books in Seattle. Molly Antopol, author of The UnAmericans. Scott Cheshire, author of High as the Horses' Bridles. Caitlin Doughty, author of Smoke Gets in Your Eyes. Julia Fierro, author of Cutting Teeth. Bill Morris, author of Motor City Burning. William Giraldi, author of Busy Monsters. Rachel Cantor, author of A Highly Unlikely Scenario. Jean Hanff Korelitz, author of You Should Have Known. Tess Malone, associate editor for The Millions. Thomas Beckwith, writer and project assistant for The Millions. Matt Seidel, staff writer for The Millions. Elizabeth Minkel, staff writer for The Millions. Michael Robbins, author of The Second Sex. Charles Finch, author of The Last Enchantments. A Year in Reading: 2014 Wrap-Up Don't miss: A Year in Reading 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005 The good stuff: The Millions' Notable articles The motherlode: The Millions' Books and Reviews Like what you see? Learn about 5 insanely easy ways to Support The Millions, and follow The Millions on Twitter, Facebook, Tumblr.
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The best book I read this year was Paul Slack's The Invention of Improvement. This work of history is a culmination of Slack's distinguished career as professor of early modern English history at Oxford. I took the book through the bush in Africa and read it under the stars, among the moths, and its density, intelligence, and magical atemporality was nourishing, almost physically so. The word "improvement" was introduced in early-17th-century England. Slack argues that the word is common only to English and that the peculiarly solid and incremental nature of "improvement," as opposed to "development," turbo-charged the English-speaking world. Seventeenth-century England saw the first moments of science, arising from Baconian pursuit of knowledge, and the beginning of economics, with attempts to quantify harvests, income, and population. Data began to matter. By 1690, ideas beat through the journals and coffee houses of England, Scotland, Ireland, and America like "blood nourishing the body politic." "Improvement" led to the Royal Society, the Navigation Act, the planning of cities, and systems of welfare. In London and the Home counties appeared carpets, upholstery, curtains, tea, coffee; not luxury for display only, but "new luxury obtained from the purchase of cheaper items, quickly consumed or worn out, but nevertheless offering rarity, comfort, and pleasure." In other words, the beginning of a modern individual dressed by material possessions. The failure of Parliamentary revolution and disappointment of millenarian expectation in England "left improvement -- gradual, piecemeal and cumulative progress -- in command of the intellectual field." If England had possessed Peru and canyons of gold it might have been different. But England only had the gains afforded by the muddy plantations of Ulster and Virginia. The mighty implication of Slack's scholarship is to identify that "improvement" made to a sugar estate in Barbados, transported from there to the Carolinas, held the kernel of the American Dream, set the course of Western Civilization, and defined progress as the act of taking anything and making it better, bit by bit, forever. That in turn leads to the entwining of pragmatism and utopianism that even now conditions Elon Musk's thrust of our species out of this world to Mars. You can look at such a book as Slack's in two ways: grateful that it exists, that our knowledge is so increased; sad that such lucidity is not compulsory reading in Silicon Valley. For in reading Slack with one eye on the near future, you see the narrowness of the ambit of small screens, and you better understand that blockchain began long ago with minds like Sir William Petty scratching away by candlelight. More from A Year in Reading 2015 Don't miss: A Year in Reading 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005 The good stuff: The Millions' Notable articles The motherlode: The Millions' Books and Reviews Like what you see? Learn about 5 insanely easy ways to Support The Millions, and follow The Millions on Twitter, Facebook, Tumblr.
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You may have heard that Jess Row has a new book on shelves. The plot follows a man who undergoes a surgical procedure to change his race. In an interview at Guernica, the author talks to Grace Bello about writing and race, teaching in Hong Kong and what it means to grow up in Baltimore. You could also read the author’s Year in Reading entry.