I got a lot of responses to my call for people to share the best books they read this year. Here are some of the shorter entries and lists that I received.Stephen Schenkenberg (who pens an engaging blog) said:Cormac McCarthy's novel The Road -- the best book I read all year -- gutted me. William H. Gass' essay collection A Temple of Texts -- the second best -- has been the balm. Steve Clackson also wrote in:My favorite book this year.Three Day Road by Joseph Boyden - commentsSome others I've enjoyed.Painkiller by Will Staeger - commentsDe Niro's Game by Rawi Hage - commentsBooks by Victor O'Reilly - commentsHeather Huggins named her top three:Extremely Loud and Incredibly Close by Jonathan Safran Foer and The Ox-Bow Incident by Walter Van Tilburg Clark. Ishiguro's Remains of the Day is a close third.And finally, Sandra Scoppettone's list: Utterly Monkey by Nick LairdCitizen Vince by Jess WalterThe Night Watch by Sarah WatersThe Girls by Lori LansensWater for Elephants by Sara GruenWinter's Bone by Daniel WoodrellTriangle by Katherine WeberA Spot of Bother by Mark HaddonEat The Document by Dana SpiottaNo Country for Old Men by Cormac McCarthyThanks everyone!
Susan is taking it all in. The stories are more than she had hoped for. She was discovering the tales that I had hidden from her, but disturbingly they were changing my own memories of those events. Uncle was changing what I remembered. In The Cousin, the latest novella from John Calabro, our narrator is a reluctant explorer, bringing his Canadian wife Susan with him to a Sicily shifted in his memories from his childhood. He's detached, reluctant, full of loathing for his Sicilian uncle, and haunted by past events. His wife is more enthusiastic, more engaged, connecting the reader with the setting, while our narrator goes from harboring some hang-ups to dealing with his demons. In the last act, The Cousin turns twisted and surreal, as the narrator takes the astonished reader on a mind-bending journey unlike anything I've read. The Cousin is one of a series of novellas released last fall by Quattro Books, a Toronto outfit which counts Calabro himself as a founding publisher, and which mandated itself to champion the Canadian literary novella. They've even come out with a manifesto outlining six rules that must apply to any novella that they publish. Some of the rules are structural: the qualifying novella must be between 15,000 and 42,000 words long and between 60 and 150 pages. Other rules deal with the time-frame covered within the story, the number of characters, locations, and as Quattro is championing Canadian literary novellas, the author must be Canadian and Canada must factor in the plot or setting or character. The most interesting rule is that there must be either a reversal of fortune or some kind of realization or revelation. From Quattro’s manifesto: It is a narrative that draws heavily on a geographical and cultural landscape, real or imagined, or on the concept of a journey, physical or metaphysical, to carry it. It must be of a form and content that excites and surprises while exploring the underbelly or fringe of civilization where savage instincts and/or extreme otherness lie hidden. These rules are reflected in other novellas released by Quattro last year. In A Pleasant Vertigo, Egidio Coccimiglio tells the story of Gerard, a New York-based artist longing to make a comeback, and suddenly being wooed by rival dealers. The writing style is fast and free-floating, culminating, in the second half, in a dark and comic set-piece along the shores of the Mississippi. Brenda Niskala's Of All The Ways To Die is an inventive ensemble ghost story. A missing girl is the catalyst for Urma to summon (actually invite to dinner) an eccentric group of departed souls, to help shed some light on the whereabouts of the girl, and on life itself. Throughout the dinner, we learn not only their stories, but their connections to Urma. The dinner, by the way, is pot-luck, and each guest shares with the reader a special recipe. Harbour View is Binnie Brennan's lovely and amusing story of a Halifax nursing home. Characters - the residents and workers of the home - bounce off each other, their stories revealed as we briefly see and hear the world through each of them. There's warmth to the wit. Here are Buddy's thoughts on assorted nursing home staff: Sam speaks softly, unlike Muriel and the others who are trained to speak so that the deaf may hear them. Sam's quiet is a relief, like the silence when an aircraft cuts out: you don't really notice the racket until it's over. The novella has always been a favorite literary form, and while writers have never stopped writing short forms of fiction, Quattro is to be commended for giving this literary form some formal shape and focus. And there's plenty of room within the structure for all sorts of tales to be told, and voices to be heard.
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The film adaptation of Macbeth being helmed by Snowtown Murders director Justin Kurzel will star Michael Fassbender and Marion Cotillard, reports Vulture. The movie will feature “Shakespeare’s original linguistic stylings” as well as “a visceral approach to the story including significant battle scenes,” and it is set to begin production this year.