The Wife: A Novel

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From the Backlist: Meg Wolitzer Chronicles Women, Family, and Ambition

With the publication of her 11th novel, Meg Wolitzer is poised to garner a level of critical attention most novelists only dream of. It feels like a long time coming, too (“Finally,” reads the parenthetical headline of her New York Times author profile). The Female Persuasion is hefty, and its subjects—which range from on-campus sexual harassment to the feminist movement to female mentorship—feel so of-the-moment that it’s easy to forget Wolitzer has been writing sprawling, ambitious books for her entire career.

In 2013, the critic Britt Peterson noted how Wolitzer, along with novelist Claire Messud, tackles novels of female ambition without shying away from ugly truths. “[Their] heroines fail and have to figure out how they feel about that—with some new, and slightly uncomfortable twists,” Peterson writes in The New Republic. It’s this tendency that makes Meg Wolitzer one of America’s great realist chroniclers of upwardly mobile Jewish women, whether they’re struggling in unfulfilling office day jobs, like Jules Jacobson in The Interestings, or trying to break through the comedy glass ceiling, like Dottie Engels in This Is My Life (brought to screen by the late, great Nora Ephron in 1997). New readers might see The Female Persuasion and think, “At last!” But Wolitzer has been there all along, and her backlist is worth another look.

So grab your beach blanket and promotional publisher’s tote—I know you have one—and get ready to spend the summer with Meg Wolitzer’s angry, hilarious, wry, and wily women.

Belzhar (2014): Written for teens, Belzhar is an interesting departure for Wolitzer. The low-key depression that can settle on her world-weary adult characters takes on sharper relief in Jam Gallahue, a teenager struggling with grief after losing her boyfriend, Reeve. Concerned for her safety, Jam’s parents send her to the Wooden Barn, a Vermont boarding school for troubled teens, to recover. While studying The Bell Jar (of course!), Jam discovers that keeping her own journal helps her access another world: one where Reeve is alive. But which world will Jam choose?

The Interestings (2013): Wolitzer’s last novel for adults, about a group of creative strivers who meet at a summer camp upstate in the ’70s, contains all her favorite themes writ large: friendship, ambition, gender politics. There’s Jules, a failed actress turned beleaguered therapist; Ash, a playwright and social activist with a troubled brother; and Ethan, a cartoonist whose Simpsons-level success makes him all kinds of rich. Class difference is the major bugaboo here, and while the opening chapters capture the electric feeling of young people discovering their passions, the book also veers off to explore what I fondly think of as “rich people problems.” Ash’s brother skips out on his trial for sexual assault and holes up in Iceland with a former camp counselor, leaving the gang to decide when—and how—they handle the (very illegal) secret.

The Uncoupling (2011): If despairing Twitter jokes about not wanting to date hetero men right now are up your alley, let me introduce you to four women in suburban New Jersey who lose all desire to have sex with their husbands and lovers. Is it the high school production of Lysistrata, or is something bigger and more complicated at work? Middle-age desire, marriages good and bad, and the pleasures and perils of nonmonogamy all get their moment in the spotlight.

The Ten-Year Nap (2008): What would you do if, after deciding to stay home to raise your children, you suddenly realized you wanted your old life—your career, your freedom—back? That’s the question at the heart of this wry examination of marriage, family, and ambition, and it hardly feels out of place 10 years later. There’s a rash of mothering memoirs hitting in the shelves in 2018, from Meaghan O’Connell’s And Now We Have Everything to Sheila Heti’s Motherhood, and I can’t help thinking of all those alarm clocks ringing out across Manhattan in the novel’s opening scene, asking each of Wolitzer’s women what kind of lives they want to waken into.

The Wife (2003): “Though I’m now sixty-four years old and mostly as invisible to men as a swirl of dust motes, I used to be a slender, big-titted blond girl with a certain shyness that drew Joe toward me like a hypnotized chicken,” confides Joan Castleman, the shrewd narrator of Wolitzer’s sixth novel. As Joan’s marriage to her husband (and former professor!) falls apart, she tells their love story with razor-sharp humor and pathos. Perhaps most poignant is Joan’s anger and grief about all that she has missed out on shepherding Joe’s career as a writer—when she could have been shepherding her own.

Image: Flickr/Mauricio Sepulveda

No Superheroes Here: Nine Upcoming Book-to-Film Adaptations

Hollywood has always looked to the literary world for stories, and 2018 has already seen a number of big screen adaptations, including Annihilation, A Wrinkle in Time, Ready Player One, and On Chesil Beach. Here’s a look ahead to the summer’s offerings, so if you’re the type of person who prefers to read the book before the movie—and we know you are, Millions readers!—you’ll have time to prepare.

Eating Animals is Jonathan Safran Foer’s memoir about becoming vegan. Now it’s a documentary narrated by Natalie Portman. Make sure to eat a good meal before watching it, because it’s one of those documentaries, like Food, Inc., that’s sure to make you lose your appetite (in theaters June 15).

Leave No Trace is an adaptation of Peter Rock’s My Abandonment, the story of a father and daughter who live secretly in a public urban park in Portland, Ore.—until they are accidentally discovered by a jogger. It’s written and directed by Debra Granik, who also directed Winter’s Bone (in theaters June 29).

Don’t Worry, He Won’t Get Far on Foot is based on the memoir of John Callahan, whose wickedly funny cartoons are the kind that make you say, “I really shouldn’t be laughing at this.” At 21, Callahan was involved in a bad car crash that left him a quadriplegic. After years of therapy, he learned to hold a pen again and started drawing. Joaquin Phoenix stars as Callahan, with Gus Van Sant directing (in theaters July 13).

Far from the Tree is a documentary based on Andrew Solomon’s nonfiction book about parents whose children are very different from them, e.g., hearing parents whose children are deaf, the parents of children with autism, the parents of child prodigies, the parents of children with dwarfism—to name just a few of the many people Solomon interviews. I loved this doorstopper of a book when it was first published and am curious to see how Solomon’s in-depth reporting and research translates to the screen (in theaters July 20).

The Wife will star Glenn Close as the titular wife of Meg Wolitzer’s 2003 novel, which is narrated by the self-sacrificing wife of a famous novelist. It’s a bitterly comic novel, one that the 2003 Publisher’s Weekly review notes has “no cheap, gratifying Hollywood ending to make it all better.” Let’s see if the movie stays true to form (in theaters Aug. 3).

Juliet, Naked is based on Nick Hornby’s 2009 novel about the girlfriend of a fanboy who begins a correspondence with the object of her boyfriend’s obsession, a singer-songwriter called Tucker Crowe. Hornby has had success with previous adaptations of his novels, including High Fidelity and About a Boy, and this latest book-to-screen transition looks like a smooth one. Starring Ethan Hawke as Tucker Crowe (in theaters Aug. 13).

Crazy Rich Asians looks like it’s going to be just as much fun as Kevin Kwan’s novel, a romantic comedy about an NYU student, Rachel Chu, who travels with her boyfriend, Nick Young, to Singapore to meet his family—who turn out to be ridiculously wealthy. Also, Nick is the sole heir to the family fortune! This spells trouble for Rachel, who is just a naive, middle-class girl from California. Kwan’s novel, the first of the Crazy Rich Asians trilogy, was a bestseller in 2013. So maybe this isn’t the last film adaptation we’ll see (in theaters Aug. 13).

The Bookshop adapts Penelope Fitzgerald’s novel by the same name. It’s a tragicomedy about a bookstore trying to thrive in a small fishing village in 1959. Today’s bookstore owners might relate? Originally published in 1978 in the U.K., it didn’t make it to the U.S. until the late 1990s. Now it’s a film starring Emily Mortimer, Bill Nighy, and Patricia Clarkson, written and directed by Isabel Coixet (in theaters Aug. 24).

The Little Stranger is based on Sarah Waters’s bestselling haunted house thriller. Set in postwar England, it tells the story of a country doctor, Farady, who is called to the estate of Hundreds Hall to treat a servant. The house is one he knows from childhood, because his mother used to work there as a maid. He soon becomes entangled with the family. With Domhnall Gleeson as Farady and Charlotte Rampling as the lady of the house, and directed by Lenny Abrahamson, who directed the 2015 adaptation of Emma Donoghue’s Room (in theaters Aug. 31).

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