The Death of a President November 20- November 25 1963

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The More They Stay the Same: William Manchester’s The Death of a President

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From time to time I read your glossy publications.  One of my favorite things to do is visit my mom, lie on her couch, and read Hello magazine or Vanity Fair (she has the TLS, too, but that’s not very glossy).  Sometimes I look at the pictures in Paris Match.  My mom and her friends have an ingenious cost-saving publication cooperative, wherein one shopping bag full of books and magazines gets passed around until everyone has read its contents.
Lacking such a network, and not being in a position to spend six dollars on a photo spread of a celebrity dressed up to look like another, different celebrity, I occasionally try to recreate the experience online (it’s not even close).  This is where I found Sam Kashner’s telling of the sad story of William Manchester, the historian tapped by Jacqueline and Robert Kennedy to preempt the jackals and write the authorized account of JFK’s assassination.  According to the article, Manchester researched and wrote himself into illness.  Then Jacqueline, regretting her hours of private taped meetings with Manchester and the revelations made therein, launched an assault against the author and his work.  The fallout and the eventual publication history is all there in the article.  The experience crushed Manchester, although the book, The Death of a President, did eventually appear.  
The story caught my fancy.  I started thinking about it from the market perspective, and spent a fun half hour trawling the internet and gawking at choice specimens of Kennedyana.  Eventually, I bought a copy of Manchester’s book. (Since the book is out of print, some online selling algorithms have inflated its price substantially. Even so, inexpensive copies of first editions and early reprints proliferate online and are easily found on meta-search sites like Via Libri.)
Obviously, a billion trees’ worth of pages, glossy and unglossy, have been devoted to various Kennedys (sex, scandals, outfits, and deaths, mainly).  I’ve absorbed through osmosis that which floats around in the collective American consciousness, but I didn’t actually know much about Kennedy’s politics, the assassination, or the political climate at the time.
The Death of a President, unsurprisingly, is pure hagiography, but that’s actually the large part of its charm.  For one, Manchester had been given this herculean task directly from the boss, so to speak, and the pressure must have been enormous to do justice to his subject.  Additionally, his devotion to the slain president is evident on every page, and the prose has a dated, chivalrous quality that would seem comic in a contemporary work of non-fiction.  It goes without saying that Marilyn does not feature in this story, nor Jackie (maybe) looking sideways at Bobby.  Here’s JFK on the gurney: “By now, one would think, Kennedy would have bled white, but his great heart continued to pump…”  It’s not just Manchester, though, who is painting an idealized picture.  Everyone was in it together in the construction of Camelot–the family’s Secret Service names were Lancer, Lace, Lyric, and Lark, for God’s sake.
Poetic flights notwithstanding, Manchester accounts for every moment leading up to November 22, and the ones that followed.  While it would be easy to make this exhaustive approach a very tedious read, Manchester imbues the pages before the denouement with a palpable sense of dread, creating this inexorable pace.  The suspense he conjures is all quite distinct from the things which the reader necessarily brings to the book.  He also does an extraordinary job of describing the absolute chaos following the assassination, even and especially within the Kennedy/Johnson camp, which was, apparently, wholly unprepared for this contingency.  Manchester paints a picture of a country adrift.  People cramming the streets, wandering aimlessly, putting on one sock, calling the White House.  
Like many people, I’ve got Mad Men fever.  That may have been one of the reasons I felt compelled to read this book; it’s got that attractive reek of cigarettes and hair pomade.  The book, as far as research and writing style, is a perfect snapshot of a time, which is what everyone says about Mad Men.  Except this book is like, real, and Mad Men is a television show.  Where Mad Men has a man playing Conrad Hilton, Manchester’s book features the authentic young Bill Moyers, and Walter Cronkite saying “This is Walter Cronkite, and you’re a goddamned idiot.”  For someone who missed this period of history, it’s fascinating.  I’m sure it holds a different appeal for the people who didn’t.
Despite its throw-back feel, The Death of a President also seems (terrifyingly) timely.  On the one hand, I guess you can take comfort from Manchester’s descriptions of Texas generally, and Dallas particularly, before the assassination, in the sense that venomous, ugly invective of a political nature is nothing new.  The Warren commission, Manchester points out, declared that the political climate of Dallas had no bearing on the actions of Oswald, who was a lone, pseudo-communist, ex-military whack job.  On the other hand, Manchester spends a lot of time talking about and roundly condemning the Dallas climate, positing that an act like Oswald’s simply cannot take place in a vacuum.  I found these portions of the text chilling. On Dallas:
In that third year of the Kennedy Presidency a kind of fever lay over Dallas County.  Mad things happened.  Huge billboards screamed “Impeach Earl Warren.”  Jewish stores were smeared with crude swastikas.  Fanatical young matrons swayed in public to the chant, “Stevenson’s going to die–his heart will stop, stop, stop and he will burn, burn burn!” Radical Right polemics were distributed in public schools; Kennedy’s name was booed in classrooms; junior executives were required to attend radical seminars.  Dallas had become the mecca for medicine-show evangelists of the National Indignation Convention, the Christian Crusaders, the Minutemen, the John Birch and Patrick Henry societies . . . In Dallas a retired major general flew the American flag upside down in front of his house, and when, on Labor Day of 1963, the Stars and Stripes were hoisted right side up outside his own home by County Treasurer Warren G. Harding–named by Democratic parents for a Republican President in an era when all Texas children were taught to respect the Presidency, regardless of party–Harding was accosted by a physician’s son, who remarked bitterly, “That’s the Democrat flag.  Why not just run up the hammer and sickle while you’re at it?
On the day Kennedy arrived in Dallas, a local group took out a full-page ad in the paper which said, among other things “Why have you ordered or permitted your brother Bobby, the Attorney General, to go soft on Communists, fellow-travelers, and ultra-leftists in America, while permitting him to persecute loyal Americans who criticize you, your administration, and your leadership?”
This all sounds too familiar.  It goes on for pages.  Politicians like William Fulbright and Adlai Stevenson worried about the President’s safety in Dallas, although they expected harm to come from one of the vocal groups who loathed Kennedy, not some loner weirdo.  It’s like going into a pit with bears and tigers and hippos, and then being killed by a tiny venomous bug.  The irony about all this is that, as with our own President, the accusations leveled at JFK were largely centered on his purported Communist sympathies, even though, as my beloved puts it, “Nobody hated Commies more than JFK.”  Now, as then, bewildered Communists everywhere are looking at each other and thinking, if this President is a Communist (and a Nazi, against all odds) maybe I should change parties?
I want to focus on the positive.  The world has changed.  But sometimes it doesn’t seem that it has changed very much.  The Birchers became Birthers; the Minutemen kept the same name.  And in every town in America, there’s an unaffiliated loon with a military-grade weapon (or ten).  And it gives me the goddamned willies.

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