Portrait of Sebastian Khan

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Tuesday New Release Day: Starring Washington, Hustvedt, Rosenwaike, Rankine, and More

Here’s a quick look at some notable books—new titles from the likes of  Bryan Washington, Siri Hustvedt, Polly Rosenwaike, Claudia Rankine and more—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

Look How Happy I’m Making You by Polly Rosenwaike

Here’s what Publishers Weekly had to say about Look How Happy I’m Making You: “The 12 stories in Rosenwaike’s striking debut collection portray women of childbearing age confronting the challenges of becoming, or not becoming, a mother. In ‘Grow Your Eyelashes,’ a web developer admires a baby on a bus while recalling her own fruitless efforts to get pregnant. Freelance editor Cora, of ‘Period, Ellipsis, Full Stop,’ has a miscarriage. In incisive language, Rosenwaike evokes the baby’s miniature hands and swollen cheeks; the cavernous, windowless institute where Leah works; and Cora writing pleasant work emails despite her throbbing uterus. Longing and anxiety pervade ‘White Carnations’ as four motherless, childless friends celebrate Mother’s Day together, and ‘June,’ in which an expectant mother feels torn between her unborn daughter and dying aunt. Self-aware humor helps baby Alice’s parents through her first Christmas/Hanukkah gathering in ‘Welcome to Your Family’ and a wakeful infant’s parents through the night in ‘Parental Fade.’ The road to parenthood is paved with denial in ‘The Dissembler’s Guide to Pregnancy,’ resistance in ‘Ten Warning Signs of Postpartum Depression,’ and overwhelming affection in ‘Love Bug, Sweetie Dear, Pumpkin Pie, Etc.’ Rosenwaike’s edgy stories are endearingly honest, excruciatingly detailed, and irresistibly intimate, expertly depicting what motherhood means to millennials.”

Far Country by Franco Moretti

Here’s what Publishers Weekly had to say about Far Country: ‘Short in pages, and compressed in style,’ according to the author, this smart collection from Moretti (The Bourgeois: Between History and Literature), cofounder of the Stanford Literary Lab, takes five introductory lectures on literary history out of the classroom. His selections pair authors in unexpected ways, such as Walt Whitman and Charles Baudelaire, or Ernest Hemingway and James Joyce, or, branching out from literature, Jans Vermeer and Edward Hopper. Moretti has a penchant for grammatical analysis, at one point counting the number of prepositional phrases (25) in a passage from Hemingway’s ‘Big Two-Hearted River.’ He observes that sentences such as ‘In his shirt the breast pockets bulged against him with his lunch and his fly book’ tell the reader what the character has already done, so that action is implied, but ‘not really visible anymore.’ This interest in the invisible or the ‘missing thing’ also gets applied to the use of repetition in Gertrude Stein’s Three Lives (Moretti argues that the difficulty of Stein’s language duplicates the problem of expressing one’s inner state), and to the sense of mystery Vermeer creates about what might have happened just before the scene depicted in a painting. Learned without being difficult or jargony, Moretti proves that criticism can be both thought provoking and fun.”

Horizon by Barry Lopez

Here’s what Publishers Weekly had to say about Horizon: “A globe-trotting nature writer meditates on the fraught interactions between people and ecosystems in this sprawling environmentalist travelogue. Essayist Lopez (Arctic Dreams) recounts episodes from decades of his travels, most of them tied to scientific investigations: camping on the Oregon coast while considering the exploits of British explorer James Cook; examining archaeological sites in the high Arctic while reflecting on the harshness of life there; hunting for hominin fossils in Kenya while weighing human evolution; scuba-diving under an Antarctic ice shelf while observing the rich marine biota. His free-associative essays blend vivid reportage on landscapes, wildlife, and the knotty relationships among the scientists he accompanies with larger musings on natural history, environmental and climate crises, and the sins of Western imperialism in erasing indigenous cultures. It’s often hard to tell where Lopez is going with his frequent digressions: one two-page section skitters from global cancer rates past a one-eyed goshawk he once saw in Namibia to an astrophysics experiment at the South Pole to detect dark matter, with no particular conclusion. Still, his prose is so evocative—during a tempest at sea, ‘veils of storm-ripped water ballooned in the air around us’ amid ‘the high-pitched mewling of albatrosses, teetering impossibly forty feet away from us on the wind’—and his curiosity so infectious that readers will be captivated.”

Lot by Bryan Washington

Here’s what Publishers Weekly had to say about Lot: “Washington debuts with a stellar collection in which he turns his gaze onto Houston, mapping the sprawl of both the city and the relationships within it, especially those between young black and brown boys. About half of the stories share a narrator, whose transition into manhood is complicated by an adulterous and absent father, a hypermasculine brother, a sister who leaves their neighborhood the first chance she gets, and a mother who learns that she and her restaurant may no longer be welcome in a gentrifying Houston. All this is on top of his grappling with the revelation that he might be attracted to men. Washington is exact and empathetic, and the character that emerges is refreshingly unapologetic about his sexuality, even as it creates rifts in his family. In general, there is a vein of queerness in these stories that runs deep and rich. Washington excels when he gets playful with his narration, like the Greek chorus of ‘Alief,’ in which the residents of an apartment complex acknowledge their role in an affair and its disastrous ending. And in the best stories, such as ‘South Congress,’ ‘Waugh,’ and ‘Elgin,’ Washington captures the dual severity and tenderness of the world for young people. Washington is a dynamic writer with a sharp eye for character, voice, and setting. This is a remarkable collection from a writer to watch.”

The Parade by Dave Eggers

Here’s what Publishers Weekly had to say about The Parade: “Eggers’s unremarkable latest (after The Monk of Mokha) follows two unnamed men sent to an unnamed country by an unnamed corporation to pave a road. The country—tropical, malarial—is emerging from years of civil war, and a new road running through the heart of the country is intended to be a first step by the government to unite the populace. The men charged with paving it are code-named Four and Nine. Four is a stoic company man intent on getting the job done ahead of schedule and with as little fuss as possible. Nine exists seemingly only to annoy Four; he talks incessantly, has no problem breaking company protocol—particularly when it comes to interacting with locals, which the company prohibits but he engages in endlessly—and does pretty much anything other than his job, including playing in a potentially contaminated river. As Four gets to work, Nine becomes increasingly irresponsible, and after his antics predictably get him ill and in trouble with the locals, both men end up in a precarious, possibly grave, situation. The repetitive narrative, sparse prose, and overall vagueness lend this an allegorical feel, and because the reader spends the whole book waiting for the hammer to drop, when it finally does (on the last page), it lands with more a thud than a wallop. There’s nothing particularly bad about this, but it comes across as more an exercise than a full-blooded novel.”

Waiting for Bojangles by Olivier Bourdeaut (translated by Regan Kramer)

Here’s what Publishers Weekly had to say about Waiting for Bojangles: “Bourdeaut’s debut, an international bestseller, is a wacky, melancholy tribute by a loving young son to his charmed life in the company of his eccentric parents. In his own words, and quoting diaries his father kept—each often falling into rhyming verse—the boy recalls his unconventional upbringing. His mother is beautiful and mad, and dances her way through his childhood. His father is indulgent and kind, giving up his job when his son is born and always telling ‘such beautiful lies for love.’ The two met and married one night on a whim, and their life proceeds as a succession of parties and holidays, even after the boy’s birth. The narrator chronicles alcohol-fueled evenings, an old-fashioned turntable always playing Nina Simone’s ‘Mr. Bojangles,’ sunlit weeks in Spain after being confronted by the taxman, and so many days late to school that the boy is simply allowed to stop going altogether. Their household is chaotic, and includes an exotic squawking crane and occasionally a famous senator (whom the father worked for). But the boy’s mother teeters on the brink of insanity, and sorrows fall on her ‘from somewhere very, very high.’ When darkness threatens to overcome the intensity of light she has always thrown off, father and son go to great lengths to try to protect her. This fanciful love story, fraught with sadness, is a sweet meditation on the more unorthodox gifts that parents leave the children they cherish.”

Memories of the Future by Siri Hustvedt

Here’s what Publishers Weekly had to say about Memories of the Future: “This provocative, experimental novel from Hustvedt (The Blazing World) joins several narratives to illustrate the roles of memory and perspective in making sense of a life. A version of the author, called S.H. and nicknamed Minnesota by her friends for her state of origin, stumbles through her first year in New York, which begins in August, 1978. Having saved up her money and postponed graduate school, she has given herself a year to write a novel in a ‘grim apartment in a scraped, chipped, battered building.’ Passages from that dryly humorous, meandering novel, which follows a misfit pair of teenage detectives, are interspersed with the memories of the now 61-year-old narrator, selections from her journals in 1978 and ’79, and slices of the life of ‘proto-punk’ Dada poet Baroness Elsa von Freytag-Loringhoven, who serves as a sort of muse. Dominating S.H.’s memories of her year in New York is her fascination with the disturbed older woman in the next apartment, Lucy Brite, to whose rants she listens regularly with a stethoscope pressed to the wall, and for whom she becomes an unexpected savior when Lucy is assaulted. The many moods and flavors of this brash ‘portrait of the artist as a young woman’ constantly reframe and complicate the story, making for a fascinating shape-shifter of a novel.”

Little Boy by Lawrence Ferlinghetti

Here’s what Publishers Weekly had to say about Little Boy: “‘I’ve always been off in my own burb in some suburb of consciousness dreaming away or otherwise goofing off,’ writes the author of this wonderfully effusive autobiographical prose poem. Ferlinghetti (A Coney Island of the Mind, etc.), who turns 100 this year, offers a lyrical accounting of his life, both the ‘Me-me-me,’ with whom he identifies, and ‘the Other,’ who is his ‘shadow self.’ He also reflects on his private preoccupations with such broader issues as ‘ecological meltdown,’ third-world politics, and the ‘bad breath… of industrial civilization’—what he refers to as a way ‘to find the universal in the particular.’ He provides vivid memories of his tumultuous childhood, shuttled between family, orphanages, and the foster family he eventually chose for his own, and his wartime experiences as part of the D-Day invasion. Ferlinghetti’s prose pulses with the enjambments that energized the beats, whose work he published (famously, Ginsberg’s Howl), and it’s punctuated with such stunningly evocative metaphors as his recall of himself in Paris in 1948 as ‘a little like Conrad carrying Coleridge’s albatross and the albatross my past’—one of the numerous literary allusions that pepper the text. This book is a Proustian celebration of both memory and moments that will delight readers.”

Oksana, Behave! by Maria Kuznetsova

Here’s what Publishers Weekly had to say about Oksana, Behave!: “Kuznetsova’s standout debut offers a fresh and funny look into the life of a bold young immigrant woman. Told in a series of long vignettes, Oksana’s story begins in her last moments in Ukraine as a young girl and traverses the U.S. from Florida to Ohio, the East Coast to the West Coast over the next 20-odd years. Along with her fiery, sexy grandmother, her gentle and brilliant father, and her nervous but loving mother, Oksana attempts to assimilate, but her efforts are thwarted by her own bad behavior. Known as ‘little idiot’ to her family, Oksana seems incapable of taking on the role of Model Immigrant. In middle school, she attempts to blackmail the principal of her school; by high school, she has an illicit relationship with her troubled track coach. And in her young adulthood, she sleeps around and relies on substances to help repress her family’s painful past. Using light humor, Kuznetsova tackles difficult themes in her sparky narrator’s life; the nuances of trauma and campus rape culture are particularly well handled. While a yearning and affection for her homeland underlie much of the novel, Oksana’s story is that of a young woman making her own place in a world both new and familiar. This accomplished and frank work is a new take on an immigrant girl’s complicated coming-of-age.”

The Island of Sea Women by Lisa See

Here’s what Publishers Weekly had to say about The Island of Sea Women: “See (The Tea Girl of Hummingbird Lane) once again explores how culture survives and morphs in this story of a real-life Korean female diving collective. Young-Sook and Mi-Ja meet as young girls in 1939 in Hado, a village on the island of Jeju, where traditionally the women earn a living while their husbands care for the children and home. The two girls begin training as haenyeo, divers who harvest oysters, sea slugs, and octopi from the sea. But after WWII when American occupation of southern Korea begins, the two grow apart. While Young-Sook struggles to make ends meet for her family, Mi-Ja’s husband’s role in the government spares her the economic suffering endured by most of the country. But after Mi-Ja’s family betrays Young-Sook, Young-Sook struggles for decades to reconcile her anger with fond memories of her friend, even after their families cross paths again. Jumping between the WWII era and 2008, See perceptively depicts challenges faced by Koreans over the course of the 20th century, particularly homing in on the ways the haenyeo have struggled to maintain their way of life. Exposing the depths of human cruelty and resilience, See’s lush tale is a wonderful ode to a truly singular group of women.”

Also on shelves: Portrait of Sebastian Khan by Aatif Rashid and The White Card by Claudia Rankine.

March Preview: The Millions Most Anticipated (This Month)

We wouldn’t dream of abandoning our vast semi–annual Most Anticipated Book Previews, but we thought a monthly reminder would be helpful (and give us a chance to note titles we missed the first time around).  Here’s what we’re looking out for this month—for more March titles, check out our First-Half Preview. Let us know what you’re looking forward to in the comments!

Want to know about the books you might have missed? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.
The Old Drift by Namwali Serpell: Described as the “Great Zambian Novel you didn’t know you were waiting for,” this debut novel, from the winner of the 2015 Caine Prize for African writing, tells the story of three Zambian families—black, white, and brown—caught in a centuries-long cycle of retribution, romance, and political change. Serpell asks, “How do you live a life or forge a politics that can skirt the dual pitfalls of fixity (authoritarianism) and freedom (neoliberalism)? And what happens if you treat error not as something to avoid but as the very basis for human creativity and community?” Recipient of a starred review from Kirkus and advance praise from Carmen Maria Machado, Alice Sebold, and Garth Greenwell, The Old Drift is already well positioned to become the Next Big Thing of 2019. (Jacqueline)
Gingerbread by Helen Oyeyemi: Oyeyemi became a critical darling in 2014 with Boy, Snow, Bird, a retelling of “Snow White.” She takes us back into fairy tale world with Gingerbread, the story of mother and daughter, Harriet and Perdita Lee, and their family’s famous, perhaps…magical, gingerbread recipe. Along with Harriet’s childhood friend Gretel, the Lees endure family, work, and money drama all for the sake of that crunchy spice. (Janet)

The New Me by Halle Butler: If Butler’s first novel, Jillian, was the “feel-bad book of the year,” then her second, The New Me, is a skewering of the 21st-century American dream of self-betterment. Butler has already proven herself a master of writing about work and its discontents, the absurdity of cubicle life and office work in all of its dead ends. The New Me takes it to a new level in what Catherine Lacey calls a Bernhardian “dark comedy of female rage.” The New Me portrays a 30-year-old temp worker who yearns for self-realization, but when offered a full-time job, she becomes paralyzed after realizing the hollowness of its trappings. (Anne)
Kaddish.com by Nathan Englander: Pulitzer finalist Englander’s latest novel follows Larry, an atheist in a family of orthodox Memphis Jews. When he refuses to recite the Kaddish, the Jewish prayer for the dead, for his recently deceased father, Larry risks shocking his family and imperiling the fate of his father’s soul. Like everyone else in the 21st century, Larry decides the solution lies online, and he makes a website, kaddish.com, to hire a stranger to recite the daily prayer in his place. What follows is a satirical take on God, family, and the Internet that has been compared to early Philip Roth. (Jacqueline)
Minutes of Glory by Ngũgĩ wa Thiong’o: Thiong’o, the perennial Nobel Prize contender who once got through a prison sentence by drafting a memoir on toilet paper, has collected his best short stories in this collection, which spans half a century. From “The Fig Tree,” which Thiong’o wrote when he was an undergraduate in Uganda, to “The Ghost of Michael Jackson,” which he wrote while teaching at Irvine, these stories affirm the wide range of a global sensation. (Thom)

Look How Happy I’m Making You by Polly Rosenwaike: A couple of months ago I zipped through this funny and poignant collection of stories about women grappling with motherhood in many different ways: One struggles with infertility, for instance, and another gets pregnant by accident. Throughout, I was struck by the depth of feeling, not once compromised by the brevity of the form. In its starred review, Kirkus calls it “an exquisite collection that is candid, compassionate, and emotionally complex.” Meaghan O’Connell says, “Each story in Look How Happy I’m Making You is a lovely universe unto itself—funny, intimate, casually profound—but there is something transcendent about reading them together like this.” (Edan)

If, Then by Kate Hope Day: In a quiet mountain town, four neighbors’ worlds are rocked when they begin to see versions of themselves in parallel realities. As the disturbing visions mount, a natural disaster looms and threatens their town. From a starred review in Publishers Weekly: “Day’s well-crafted mix of literary and speculative fiction is an enthralling meditation on the interconnectedness of all things.” (Carolyn)

Long Live the Tribe of Fatherless Girls by T Kira Madden: With a sparkling blurb from Mary Gaitskill—“Sad, funny, juicy and prickly with deep and secret thoughtful places”—and a sparkling cover (literally—see her website), T Kira Madden’s debut memoir, a coming-of-age story set in Boca Raton, is primed for buzz. As a grownup, Madden self-describes as an “APIA writer, photographer, and amateur magician”; as a child, “Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability…she found lifelines in the desperately loving friendships of fatherless girls.” One of the best, most evocative titles of the release season, IMHO. (Sonya)
A Woman Is No Man by Etaf Rum: Isra, a 17-year-old Palestinian girl in 1990, prefers reading to suitors, but after her family marries her to an American deli owner she finds herself living in Brooklyn, trapped in a losing struggle against his oppressive mother, Fareeda. Eighteen years later, Fareeda attempts to pressure Isra’s oldest daughter into an early marriage, but an estranged family member offers Isra a chance to determine her own life. Rum, who was born to Palestinian immigrants living in Brooklyn, has written that she hopes her debut novel moves readers “by the strength and power of our women.” (Kaulie)
The White Card by Claudia Rankine: The author of Citizen, Macarthur Genius grant honoree, and founder of the Racial Imaginary Institute will publisher her first play, one that examines the concept of whiteness and white Americans’ failures to acknowledge it, through a series of interactions between an artist and an affluent couple. In the play’s introduction, Rankine writes “The scenes in this one-act play, for all the characters’ disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.” (Lydia)
EEG by Daša Drndic: I first encountered Daša Drndic through her novel Belladona in June, unwittingly a mere two weeks after the author’s death from lung cancer. I was struck by the character Andreas Ban, and his idiosyncratic reflection upon ears, that “marvelous ugly organ,” accompanied by a diagram of an ear marked with the body’s points. This character Ban continues into Drndic’s next and final book, EEG, where after surviving a suicide attempt he goes on to dissect and expose the hidden evils and secrets of our times. He’s stand-in for Drndic herself, who wrote emphatically and had stated that “Art should shock, hurt, offend, intrigue, be a merciless critic of the merciless times we are not only witnessing but whose victims we have become.” (Anne)
Instructions for a Funeral by David Means: Means’s last publication, Hystopia, was a Booker-nominated novel, but he is still best known for his short stories. Instructions for a Funeral is therefore a return to (the short story) form, 14 pieces, previously published in the New Yorker, Harpers, The Paris Review, and VICE, that display the intelligence and questing range for which Means is known. From a fistfight in Sacramento to a 1920s FBI stakeout in the midwest, Instructions for a Funeral invites readers on a literary journey with a master of the modern short story. (Adam P.)
The Cook by Maylis de Kerangal (translated by Sam Taylor): Writes Priya Parmal in her 2014 New York Times review of Maylis de Kerangal’s first novel translated into English, The Heart, “These characters feel less like fictional creations and more like ordinary people, briefly illuminated in rich language, beautifully translated by Sam Taylor, that veers from the medical to the philosophical.” In The Cook, a “hyperrealist” tale centered around a self-taught professional cook, we are treated to “lyricism and [the] intensely vivid evocative nature of Maylis de Kerangal’s prose, which conjures moods, sensations, and flavors, as well as the exhausting rigor and sometimes violent abuses of kitchen work.” The Cook is her 10th novel, her second translated into English (also by Taylor); Anglophones can be grateful that we’re finally catching up with this many-prize-winning author. (Sonya)
Sing to It by Amy Hempel: Hempel, the short story legend best known for “In the Cemetery Where Al Jolson Is Buried,” is back with her first new collection of stories in over a decade. From “Cloudland,” which depicts a woman’s reckoning with her decision to give up her child, to “A Full-Service Shelter,” which follows a volunteer at a shelter where abandoned dogs are euthanized, the stories in Sing to It are fitting additions to Hempel’s work. (Thom)


The Other Americans by Laila Lalami: Lalami, whose previous novel, The Moor’s Account, was a finalist for the Pulitzer, returns with a “structurally elegant mystery” (Kirkus). At the opening of this highly anticipated new novel, Morroccan immigrant Driss Guerraoui is killed by a speeding car on a California highway. The book then follows a number of characters connected to and affected by his death, including his jazz composer daughter, his wife, and an undocumented immigrant who witnessed the accident. J.M. Coetzee says, “This deftly constructed account of a crime and its consequences shows up, in its quiet way, the pressures under which ordinary Americans of Muslim background have labored since the events of 9/11.” (Edan)
Good Talk by Mira Jacob: A graphic novel about raising her mixed-race son in a white supremacist society by the author of The Sleepwalker’s Guide to Dancing, built around conversations with a curious six year old. Jacqueline Woodson says “In Jacob’s brilliant hands, we are gifted with a narrative that is sometimes hysterical, always honest, and ultimately healing.” (Lydia)

Joy by Erin McGraw: In her newest collection, McGraw gathers 53 “very short stories” about time, religion, class, and relationships. In Publishers Weekly’s starred review, they said “this quintessential collection of stories serves as an homage to the form while showcasing McGraw’s stunning talent and deep empathy for the idiosyncrasies, small joys, and despairs of human nature.” (Carolyn)

The Club by Takis Würger (translated by Charlotte Collins): German reporter Würger’s debut novel focuses on the Pitt Club, an exclusive all-male dining club, and Hans Stichler, the young boxer tapped to investigate them. Full of secrets, violence, and ruminations on class, the novel explores the dangers of toxic masculinity and the cost of justice. (Carolyn)

The Dragonfly Sea by Yvonne Adhiambo Owuor: Owuor, whose debut Dust was shortlisted for the Folio Prize, returns with a coming-of-age novel about Ayaana, a young African woman who travels in order to find her place in the world. The book has received starred reviews from both Kirkus and Publishers Weekly—the latter writes, “with a rollicking narrative and exceptional writing, this epic establishes Owuor as a considerable talent.” (Carolyn)

Portrait of Sebastian Khan by Aatif Rashid: Fiction and nonfiction writer Rashid’s forthcoming debut follows the eponymous Sebastian Khan—a noncommittal, Muslim American art history student—on the cusp of his 2011 college graduation. Author J. Ryan Stradel called the debut “a smart, thoughtfully constructed, and propulsive coming-of-age story.” (Carolyn)

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