Milkman: A Novel

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Most Anticipated: The Great First-Half 2020 Book Preview

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The year has gotten off to a rocky start worldwide, but we hope this semi-annual Millions tradition will be a bright spot. We seem to say this every year, but at 140-something books, this is truly our most gratuitously enormous Preview to date. And yet there are even more books to be read in the first half of this year! As usual, we will continue with our monthly previews, beginning in February. Hop into the comments to let us know what we missed, and look out for the second-half Preview in July!

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January

Uncanny Valley by Anna Wiener: When the history of what went wrong in the first two decades of the 21st century is written, the rampant fragmentation of our attention, the proliferation of propaganda, the inanities and barbarities of social media, New Yorker staff writer Wiener’s memoir, Uncanny Valley, will be instrumental in the forensics. An optimistic millennial who absconded from the moribund publishing industry of New York to the supposedly sunny, utopian environs of Silicon Valley, Wiener quickly learns that the counter-cultural promise once embodied by the tech industry has been abandoned in favor of adopting an ethos that’s as at home with any 19th-century robber baron as any of the more conventionally predatory business that dominate American economic life. “But we see now that we’ve been swimming in the Kool Aid,” Wiener writes, “and we’re coming up for air.” Something to think about when you share a (rightfully glowing) recommendation for Uncanny Valley on social media. (Ed S.)

Interior Chinatown by Charles Yu: No one writes like Yu: he’s at once sincere and funny, his father-son narratives make me tear up, his work is science-fiction-but-not, and he’s always formally inventive. His new novel isn’t like anything else, either: it’s a novel that’s also a screenplay…or a screenplay that busts out of its form to be a novel. In it, actor Willis Wu longs to play more than “generic Asian man” on various TV shows, but the industry—and the world, the culture—won’t let him. This is a book about race and the roles we play, both among strangers and our family. Emily St. John Mandel calls it “Wrenching, hilarious, sharp, surreal, and, above all, original.” (Edan)

Topics of Conversation by Miranda Popkey: Beginning in Italy and ending in San Joaquin Valley, Popkey’s understated and gorgeous debut follows conversations between an unnamed narrator and other women over two decades. Exploring gender, desire, and violence, the slim novel captures the intimacy of female friendships, and the ways women create narratives for themselves and others. A must-read for fans of Jenny Offill. (Carolyn)

Hitting a Straight Lick with a Crooked Stick by Zora Neale Hurston: This collection of eight lesser-known stories written during Hurston’s time as a student at Barnard in New York City showcase the author’s range. While many know Hurston best for her fiction depicting rural life, these stories brim with the vibrancy and madcap liveliness of the Harlem Renaissance. (Nick M.)

Cleanness by Garth Greenwell: Cleanness is the work of a writer so absolutely attuned to the world: our paradoxes of love, bodies, desires, regrets. In the morning, a man looks at his lover: “his face bearded and dark, smoothed out by sleep.” There, and elsewhere in Greenwell’s imagery, the material world joins the metaphysical, the rare ability to give shape and texture to the mystical. I wanted to linger on these sentences, but also to follow the routes of these narratives—Greenwell knows the subtle suspense created by careful syntax. “Harbor,” one section in the second half of the book, is a stirring classic unto itself.  (Nick R.)

All the Days Past, All the Days to Come by Mildred D. Taylor: Readers have grown up with the Logan Family saga, told in the classic young adult novels Song of the Trees, Roll of Thunder, Hear My Cry, Let the Circle Be Unbroken, and The Road to Memphis. The new book, the first since prequel The Land in 2001, follows Cassie across the country to college and law school, and then back to Mississippi in the 1960s to the heart of the Civil Rights Movement. A major event in young adult fiction. (Lydia)

Run Me to Earth by Paul Yoon: I’ll read anything by Yoon. A 2014 Young Lions Award winner, Yoon displays uncanny range, imagination, and originality; every novel is so different and surprising. Run Me to Earth, his fourth novel, is also one of the most beautiful galleys I’ve ever seen (yes, I can be shallow that way). Early reviews suggest it is also exceptional inside the covers, Library Journal in a starred review calls this book set in 1960s Laos “essential reading.” (Marie Myung-Ok Lee)

The Gimmicks by Chris McCormick: A fluid, beautifully written story about professional wrestling, intergenerational trauma, genocide, and history, jumping through Armenia to America and from one generation to another. John Williams of the New York Times said of the book, “With a minimum amount of soapiness, he keeps the pages turning on his love triangles and nostalgic wrestlers and brothers at peace and war. And he allows his larger themes to resonate without pushing them on us too hard.” (Lydia)

A Long Petal of the Sea by Isabel Allende: The author of iconic novels like The House of the Spirits and Eva Luna returns with her 20th work of fiction, a novel of refugees fleeing the Spanish Civil War for Chile. Of the new work Colum McCann says “What a joy it must be to come upon Allende for the first time. She knows that all stories are love stories, and the greatest love stories are told by time.” (Lydia)

Blue Flowers by Carola Saavedra (translated by Daniel Hahn): A epistolary thriller from the award-winning Brazilian novelist, Blue Flowers is a case of obsession and mistaken identity told in part through letters sent to the wrong man. Catherine Lacey calls it “an elegant and unnerving meditation on the aftermath of love and the lasting power of desire.” (Lydia)

Little Gods by Meng Jin: Jin’s brilliant debut novel centers on Su Lan, a woman who gives birth to her only daughter, Liya, on the night of Tiananmen Crackdown. By immersing the readers in various personal narratives, Jin raises difficult questions about history, life, and self. For example, are the young protesters on Tiananmen Square driven by their pursuit of a righteous cause or their desire for expansive attention? What does self-erasure lead to? Cultural assimilation or loss of identity or both? What is the relationship between memory and self? Little Gods is elegantly written, emotionally compelling, and thought provoking on every page. (Jianan Qian)

Track Changes by Sayed Kashua: Track Changes is the fourth novel of internationally lauded author, screenwriter, and journalist Kashua. The book’s protagonist, an Arab-Israeli memoirist, receives a note one day that his father is dying. Immediately, he leaves his wife and children in the United States and boards a plane back to his hometown of Tira in Palestine. However, his homecoming is coldly received, and an increasing tension between him and his family suggests a long-standing estrangement. Sitting by his father’s sickbed, the protagonist begins to recall the causes of his isolation. But he has meanwhile found himself fabricating memories. On a broad level, Track Changes traces the process of which stories get told and forgot in Palestine and Israel. On each page, it is also a fierce and intelligent exploration of identity, class, relationship, and truth. (Jianan Qian)

The Third Rainbow Girl by Emma Copley Eisenberg: Blending memoir and true crime, Eisenberg’s book recounts the 1980 murders of two young women in rural West Virginia—known as the “Rainbow Murders”—and her time living and working in Pocahontas County. Exploring the intersection of gender, class, and violence, Eisenberg reveals the way the murders inflicted trauma onto generations of Appalachians. Carmen Maria Machado calls the book “a staggering achievement of reportage, memoir, and sociological reckoning.” (Carolyn)

The Longing for Less by Kyle Chayka: Culture critic Chayka’s nonfiction book explores the origins of minimalism and where our current obsession stems from. From architects and philosophers to museums and Zen gardens, he reveals that “less is more” is not just about material goods. Jenny Odell says the book “peels back the commodified husk of minimalism to reveal something surprising and thoroughly alive.” (Carolyn)

We Wish You Luck by Caroline Zancan: In Zancan’s second novel, a group of students at a low-residence MFA program band together to take revenge on a professor who has wronged one of their own. Zancan does a wonderful job of describing the characters who populate this program, with excellent pacing and a momentum that turns the MFA life into a gripping story of professional and personal revenge. (Lydia)

The Black Cathedral by Marcial Gala: In this English-language debut by the Cuban novelist Gala and translated by Anna Kushner, a newcomer to the small town of Cienfuegos embarks upon a radical project: to construct “the first cathedral for and by the meek.” But the strange, massive project is also seen as a hubristic shrine for “those with darkness in their hearts.” Told by a series of characters—poets, murderers, hustlers—this is an energetic, soaring novel of Gaudi-esque proportions. (Matt)

Fabulous by Lucy Hughes-Hallet: Hughes-Hallet has written several nonfiction works, including a biography (The Pike) of the priapic daredevil Italian poet Gabriele d’Annunzio. At age 65, Hughes-Hallet published her first novel, Peculiar Ground, which described an English estate in the 16th and 20th centuries; Publishers Weekly called the novel a “sprawling epic debut about an enclosed paradise.” Her second work of fiction is a collection of modern-day retellings of myths. In one, for example, an opera singer’s wife, Eurydice, suffers a fall and descends into a coma. Hughes-Hallet is an erudite chronicler well suited to reviving old tales. (Matt)

Heart of Junk by Luke Geddes: “There were antiques and then there were collectibles,” says Margaret, one of the more pedantic dealers of the Heart of America Antique Mall, the fertile comic setting for Geddes’s first novel. Geddes, who has written a short story collection, taxonomizes the stuff accumulated by a society as well as the peculiar souls for whom collecting that stuff constitutes a kind of religion. The struggling merchants hope that being featured on an American Pickers-like show will reverse their fortunes, if a scandal involving a kidnapped toddler doesn’t torpedo the mall first. (Matt)

Children of the Land by Marcelo Hernandez Castillo: A memoir from the prize-winning poet about crossing the border with his family and living as an undocumented person in the United States. Of the book, Sandra Cisneros writes, “This moving memoir is the document of a life without documents, of belonging to two countries yet belonging to neither. Hernandez Castillo has created his own papers fashioned from memory and poetry. His motherland is la madre tierra, his life a history lesson for our times.” (Lydia)

The Majesties by Tiffany Tsao: “Blood does run thick. Even if poison trumps all,” we read early on in Tsao’s The Majesties, whose narrator is the sole survivor when her sister poisons 300 people. (Shark-fin soup is the deadly delivery mechanism.) The sisters are scions of an Indonesian textile clan, one of the nation’s richest 50 families. Tsao, who has written two novels in a fantasy series and translated several books of Indonesian poetry and prose, explores the hidden motives behind the Borgia-fication of this hyper-wealthy family. (Matt)

Show Them a Good Time by Nicole Flattery: A collection of witty stories from the Irish writer. Kirkus writes, “Flattery’s prose-absurd, painfully funny, and bracingly original-slingshots the stories forward. These female characters never say what you’re expecting, and their insights are always incisive…Nervy, audacious stories in which women finally get to speak their minds.” (Lydia)

Small Days and Nights by Tishani Doshi: A woman leaves the United States and her failed marriage to return to Pondicherry, only to discover a relative she never knew she had. The novel documents the new life they start together. Gary Shteyngart writes, “Tishani Doshi brings all her skills as one of the world’s best poets to this lovely, beguiling, brilliant novel.” (Lydia)

The Baudelaire Fractal by Lisa Robertson: “Hard to explain but easy to enjoy” is one way to attempt to define poet-cum-novelist Robertson’s uncategorizable work (per Stephanie Burt). Robertson’s process is one of collecting, assembling, and collapsing sentences into extended forms, such as with her book-length poem, Cinema of the Present. Consider The Baudelaire Fractal, her first novel, an extension of this—in which poet Hazel Smith awakens to find she’s authored the complete works of Charles Baudelaire. According to Bookforum’s Jennifer Krasinski, part of the book’s delight is “wrestling with how exactly to apprehend and define this Escher-like interiority that Robertson and Hazel Brown cohabit—kind of—with him.” (Anne)

An Apartment on Uranus by Paul B. Preciado: In Testo Junkie, Preciado’s pivotal memoir/”body essay,” he wrote of his experiments with testosterone, its effects on body and mind, and in doing so described the reproductive and social control imposed by the pharmaceutical and porn industries during late capitalism. Preciado’s newly translated An Apartment on Uranus—with a forward by Virginie Despentes—could be considered its sequel. Within, Preciado recounts his transformation from Beatriz to Paul B., while attempting to define a third space beyond existing power, gender, and racial strictures: “My trans condition is a new form of uranism,” he declares. (Anne)

Creatures by Crissy Van Meter: A family story set on the coast of southern California, this debut garnered a starred review of Kirkus: “Some of the most heartbreaking moments in this novel are the most simply told, and there are scenes of beauty and magic and dry humor amid the chaos…A quietly captivating debut.” (Lydia)

A Map Is Only One Story, edited by Nicole Chung and Mensah Demary: An anthology of essays about migration and belonging, this collection includes work by writers like Nur Nasreen Ibrahim, Jennifer S. Cheng, Nadia Owusu, and Lauren Alwan. Publishers Weekly writes, “this collection is a vital corrective to discussions of global migration that fail to acknowledge the humanity of migrants themselves.” (Lydia)

Dear Edward by Ann Napolitano: One Story associate editor Napolitano’s Dear Edward opens with a commercial airline crash, and as Ron Charles in the Washington Post Book Review put it, “Don’t read this book on a plane. Or if you ever hope to fly again.” Hyperbolic, maybe, but the book follows Edward, the sole survivor and “world’s most famous orphan,” and in alternating chapters returns to the final minutes of the crash. Based on a real crash, that of Air France Flight 447, this book should keep readers on the edge of their seats. (Marie Myung-Ok Lee)

February

The Resisters by Gish Jen: In Jen’s dystopian future of America, AutoAmerica, people are divided into two different social classes: the Netted, who monopolize the access to technology and wealth and political rights, and the Surplus, who are forced to live on Basic Income and are denied any human rights. Gwen, the novel’s protagonist, receives an express ticket to rise from the Surplus that she was born into the Netted to which she aspires. But that promising future also means betraying from the people she loves. The Resisters is more serious than Jen’s previous works, which glisten with humor. But the probing and calibrated narrative that Jen deliberately chooses for the novel captures a comprehensive yet disturbing picture of how totalitarianism speeds back to the center stage of human history. (Jianan Qian)

Weather by Jenny Offill: Offill’s new novel, Weather, tells the story of Lizzie Benson, a librarian enlisted by famous podcaster Sylvia Liller to answer the mail she receives, from climate-change worriers on the left and rightwingers fearing the downfall of Western civilization. As Lizzie becomes increasingly doomsday-obsessed, she tries to save her troubled mother and brother, all the while managing the political chaos of Sylvia’s world. In a starred review, Kirkus says, “Weather is clever and seductive…the ‘weather’ of our days both real and metaphorical, is perfectly captured in Offill’s brief, elegant paragraphs, filled with insight and humor. Offill is good company for the end of the world.” (Adam P.)

Real Life by Brandon Taylor: Taylor has been a prolific member of the literary community via Electric Lit, LitHub, Kimbilio, Iowa Writers’ Workshop, et alia; Real Life is his debut novel. Bits of autobiography form the scaffolding of this story about a group of friends, a summer weekend in the midwest, and an introverted black man from Alabama working toward a Ph.D. in biochemistry. Writes Roxane Gay: “[Taylor] writes so powerfully about so many things—the perils of graduate education, blackness in a predominantly white setting, loneliness, desire, trauma, need. Wallace, the man at the center of this novel, is written with such nuance and tenderness and complexity.” (Sonya)

Apeirogon by Colum McCann: Drawing upon real-life details and experiences, McCann’s seventh novel examines how friendship and mutual understanding between Palestinian and Israeli fathers can be stitched around grief’s void. Ambitious in scope and kaleidoscopic in form, the novel at once explodes and atomizes one of the world’s most intractable conflicts. Its title is fitting: an apeirogon is a shape with an infinite number of sides and angles. (Nick M.)

Verge by Lidia Yuknavitch: In her new short story collection, Verge, Lidia Yuknavitch displays the same gift for exploring the borderland between art, sex, and trauma that readers have come to expect from the author of The Book of Joan and The Small Backs of Children. Whether it’s an 8-year-old transporting frozen organs through the streets of Eastern Europe, a child fighting off schoolyard bullies with invented religion, or a young janitor creating a miniature city from refuse, Yuknavitch turns her powers toward life on the margins in a collection Vogue describes as “brutal and beautiful,” and no less than Kelly Link calls “vertiginous and revelatory.” (Adam P.)

Indelicacy by Amina Cain: Inhabiting Cain’s novel Indelicacy “is a bit like standing in a painting, a masterful study of light and dark, inside and out, freedom and desire,” writes Danielle Dutton. I’d concur. As I wrote in my 2019 Year in Reading, I developed a kind of synesthesia when considering Cain’s writing, imagining Cain like Virginia Woolf’s Lily Briscoe standing before a canvas, painting her book with lush but controlled strokes, the painting itself airy, allowing ample room to move within. Needless to say—like its swift, keen title, Indelicacy is graceful and incisive. (Anne)

trans(re)lating house 1 by Poupeh Missaghi: This debut novel is set in the turbulent aftermath of Iran’s 2009 election, when a woman goes looking for the statues that are disappearing from Tehran’s public places. As she scours the city’s teahouses, galleries and hookah bars, her search leads her to actual victims of state violence. This blurring leads the narrator to note that in Persian “both ‘testimony’ and ‘martyrdom’ are expressed with one word.” Missaghi, a writer, translator, editor and teacher, uses a fragmented style, veering from journalism to magical realism, to tell a fragmented story that produces no answers, only questions: “Will the trauma ever stop being inherited? Will humans ever change?” (Bill)

The Lucky Star by William Vollmann: Vollmann takes us back to the San Francisco of his early fiction, to the haunts of those who will live and die on the city’s margins. The story centers on Neva, “a woman everybody loves,” who spends a lot of time at a certain bar in the city’s Tenderloin District. For all the contemporaneity in the telling, there is (as always) a certain moral quality to Vollmann’s work. In this one: there is no one on earth, no one, who would not benefit from a little more love and a lot less contempt. (Il’ja)

Little Constructions by Anna Burns: In 2018, Burns’s third book, Milkman, a novel about the Troubles that never mentions the Troubles, in which no one is named and everything is both familiar and out of a dream, won the Man Booker Prize. But before Milkman there was Little Constructions, the Northern Irish author’s second novel. Here everyone has not one name but several—Jesse Judges and JanineJuliaJoshuatine Doe, I mean—and a woman steals a Kalashnikov before terrorizing the town of Tiptoe Floorboard. There are gun shops and gun shop owners, calculated killers and victims caught in long cycles of violence, and throughout it all runs Burns’s surrealist prose and pitch black humor. (Kaulie)

Minor Feelings by Cathy Park Hong: As an acclaimed poet, Hong is constantly creating new language and interrogating existing narratives, particularly in Dance, Dance Revolution (Norton 2017), and here strikes out on a different vector with this memoir/essay collection that’s hard to define with its intimate looks at micro-moments, sweeping narrative arcs, and deep-dives into philosophy and cultural criticism. The title hints at the way Asian-American narratives have often been dismissed or marginalized in mainstream culture. Publishers Weekly calls it a “blistering essay collection.” (Marie Myung-Ok Lee)

Everywhere You Don’t Belong by Gabriel Bump: Claude McKay Love starts this fantastic debut with this: “‘If there’s one thing wrong with people,’ Paul always said, ‘it’s that no one remembers the shit that they should, and everyone remembers the shit that doesn’t matter for shit.'” And we’re off and running in this spirited novel of a kid just trying to be a kid and how difficult that is in our present moment. “An instant American classic for the post-Ferguson/Trump era,” writes Jeff Parker (Ovenman). Library Journal in a starred review says it’s laugh-out-loud funny and “delivers a singular sense of growing up black that will resonate with readers.” (Marie Myung-Ok Lee)

Apartment by Teddy Wayne: In his fourth novel, Wayne returns to the theme of male loneliness he explored in two earlier novels, Loner and The Love Song of Jonny Valentine. This time, his unnamed narrator, a young writer studying in the Columbia University MFA program in the 1990s, offers to let a fellow student stay for free in his rent-stabilized apartment, gaining a rare friend, and then, slowly, losing him. “Underneath the straightforward story, readers will find a careful meditation on class and power,” says an early review in Publishers Weekly. (Michael)

And I Do Not Forgive You by Amber Sparks: A rangy yarn-spinner, Sparks is capable of real surprise and real sentiment. There are ghosts here, and women who have been buried in history. In “Our Mutual (Theater) Friend,” a woman “explodes every now and then in the most embarrassing fashion, usually at children’s birthday parties,” waxing “about the vulgarity of modern pizza parlors, upstaging Elmo and Abby and Cookie Monster—not to mention the pirate-themed face painters.” In lists, fables, dreams, and nightmares, Sparks’s characters make noise. A whimsical collection in the tradition of Donald Barthelme, delivered with Sparks’s unique touch. (Nick R.)

The Cactus League by Emily Nemens: “Here’s the thing about baseball, and all else,” says the narrator in this novel’s first chapter, “everything changes.” Nemens delivers an engaging, eccentric cast of players, coaches, families, and others who inhabit the world of baseball—including a wise, witty, and somewhat omniscient sportswriter-narrator. From start to finish, Nemens captures the spirit of the game—both on the field and off, all meanings double-played: “Spring is a sensitive time for the ballplayers, working out the kinks of their winters, proving themselves into pitching rotations or fighting to keep themselves in starting lineups, competing against younger knees, quicker bats, unmarried men.” (Nick R.)

The Lost Book of Adana Moreau by Michael Zapata: If you’re a fan of the art-within-art genre, Zapata’s debut novel may be for you. There’s a lot going on here—a jam-packed elevator pitch if ever there was one: “The mesmerizing story of a Latin-American science fiction writer and the lives her lost manuscript unites decades later in post-Katrina New Orleans.” The eponymous science fiction writer was a Dominican immigrant, her novel is called Lost City, her son Maxwell is a theoretical physicist living in New Orleans, and Moreau’s manuscript is discovered by a Jewish immigrant in Chicago. Novelist Laura van den Berg writes: “A stunner—equal parts epic and intimate, thrilling and elegiac.” (Sonya)

Amnesty by Aravind Adiga: The Booker Prize-winning author’s new novel depicts the plight of an illegal immigrant and refugee in Australia. The protagonist, Danny (short for Dhananjaya), flees his native Sri Lanka for Sydney, where he takes up residence in a grocery stockroom and works as a cleaner to support himself. He gets by and saves up money, inching himself closer to a stable life. But then one of his clients is murdered, and Danny is forced to make a choice: stay silent and let the killer go free, or say what he knows and put himself at risk of deportation? (Thom)

I Know You Know Who I Am by Peter Kispert: Kispert’s debut story collection weaves through the lives of people whose deceptions have complicated their lives. In one piece, a man hires an actor to pretend to be his friend, in hopes of seeming less lonely and pathetic to a lover he’s worried will leave him. In another, a man’s lie that he’s an avid hunter makes his life difficult when he runs across a deer carcass. Another story features a theater producer who forces death row inmates to stage New Testament crucifixions. Throughout, the author tackles questions of identity and performance, as well as the difficulties of navigating a queer identity. (Thom)

March

The Night Watchman by Louise Erdrich: Celebrated novelist Erdrich, author of Love Medicine, The Plague of Doves, and The Round House, returns to the Chippewa Turtle Mountain Reservation in The Night Watchman. One of the most powerful voices in contemporary Native-American literature, Erdrich provides a fictionalization of her own uncle’s story, when he journeyed from North Dakota to Washington DC in 1953 to testify on a congressional hearing about the Termination Act, which would once again abrogate the United States’ treaties with a Native-American nation. The Night Watchmen, as with all of Erdrich’s writing, reminds us that Native-American culture is not hidden in history books and museums, but an identity that is current, or as she writes in The Plague of Doves, “History works itself out in the living.” (Ed S.)

The Glass Hotel by Emily St. John Mandel: The Millions’ own Mandel is back with The Glass Hotel, the long-awaited sequel to her much-beloved first novel, Station Eleven, a National Book Award finalist. Where Station Eleven explored a post-apocalyptic landscape ravaged by a super-plague, The Glass Hotel explores what Mandel calls “the kingdom of money,” locales as disparate as a South Carolina prison and a container ship in international waters, and the messily intertwined lives of half-siblings Vincent and Paul. In a starred review of The Glass Hotel, Publishers Weekly says, “This ingenious, enthralling novel probes the tenuous yet unbreakable bonds between people and the lasting effects of momentary carelessness.” (Adam P.)

Longing for an Absent God: Faith and Doubt in Great American Fiction by Nick Ripatrazone: The Millions’ own Ripatrazone has proven himself over the past decade to be one of our most adept critics at explicating the faith of poetry and the poetics of faith. Now in Longing for an Absent God: Faith and Doubt in Great American Fiction, Ripatrazone asks in what sense Roman Catholicism informs the writings of some of our most crucial writers, from Flannery O’Connor and Walker Percy, to more surprising authors like Toni Morrison (who converted) and Cormac McCarthy. For Ripatrazone, there is a fruitful tension between those who joined the Church, those who left it, and those who stayed. “Writers long for God,” Ripatrazone argues, “and their longing creates a beautiful and melancholy story.” (Ed S.)

Deacon King Kong by James McBride: The National Book Award-winning author of The Good Lord Bird and The Color of Water returns with a novel set in 1969 in Brooklyn, addressing a murder through the various members of a bustling neighborhood. In a starred review, Publishers Weekly says, “This generous, achingly funny novel will delight and move readers.” (Lydia)

The Mirror and the Light by Hilary Mantel: THE FINAL VOLUME IS UPON US. Mantel dazzled readers with Wolf Hall and Bring Up the Bodies, and now she completes her stunningly good account of the life of Thomas Cromwell and the court of Henry VIII. One of the literary events of the young millennium. (Lydia)

New Waves by Kevin Nguyen: In this debut novel, friends Margo and Lucas’s plan to get revenge on the start-up where they work is upended when Margo dies in a car accident. Tommy Orange says it’s “a brilliant meditation on death and grief in the age of the Internet,” and in its starred review, Publishers Weekly hailed it as a “stellar debut,” calling it “a piercing assessment of young adulthood, the tech industry, and racism.” (Edan)

Actress by Anne Enright: The acclaimed Irish writer’s latest novel is a mother-daughter story about an aging theater actress, Katherine O’Dell, and her daughter Norah. For years, Norah admired her mother’s bohemian and unconventional path, but when Katherine commits a bizarre crime late in life, Norah has to reconsider her mother’s legacy and confront some long-buried secrets, including her father’s identity. Norah’s investigations into the past are combined with her own search for meaningful work and a life partner. (Hannah)

Lakewood by Megan Giddings: After Lena Johnson’s grandmother dies and her family falls on hard times, she drops out of college and applies to participate in a secretive research project. The pay is good, there’s health insurance, but something’s off. Lena, a black millennial, joins a pool of subjects who are all black, Indian, or Latinx; all the researchers are white. Experimental eye drops change brown eyes blue, subjects are given mysterious medication, and it soon becomes clear that Lena’s participation may require more sacrifices than she’s willing to make. Giddings’s debut novel, Lakewood takes a long and horrified look at the costs levied on people of color in the name of science. (Kaulie)

Fiebre Tropical by Juliana Delgado Lopera: This novel is the coming-of-age-while-coming-out story of 15-year-old Francisca, who is dragged against her will from Bogotá to Miami, where she is subjected to feverish religious services in a stinky room at the Hyatt, among other indignities of “Yanquiland.” But Francisca finds herself falling in love with the pastor’s daughter, and the novel becomes a layered portrait of exile, sexual awakening, and family bonds. As wise young Francisca puts it: “Women in my family possessed a sixth sense…from the close policing of our sadness: Your tristeza wasn’t yours, it was part of the larger collective female sadness to which we all contributed.” (Bill)

It’s Not All Downhill from Here by Terry McMillan: As its uplifting title implies, McMillan’s new novel is about women of a certain age refusing to see the late stage of life as a dreary slide toward death. At the center of a reunited group of high school classmates is 68-year-old Loretha Curry, head of a beauty-supply empire, whose world is turned upside down by an unexpected loss. “It’s about living in the here and now,” 68-year-old McMillan tells O magazine, “even being willing to fall in love and live happily ever after in these late chapters of our lives.” Like McMillan’s earlier hits, How Stella Got Her Groove Back and Waiting to Exhale, this novel looks destined for the bestseller lists. (Bill)

Recollections of My Nonexistence by Rebecca Solnit: The prolific cultural critic and author of Men Explain Things to Me returns with a memoir of her development as an artist as a young woman in San Francisco in the 1980s and the violence against women that undergirds American life. In a starred review, Kirkus calls the book “Absorbing…A perceptive, radiant portrait of a writer of indelible consequence.” (Lydia)

My Dark Vanessa by Kate Elizabeth Russell: At 15, Vanessa Wye enters into an affair with Jacob Strane, her 42-year-old English teacher. Seventeen years later, Vanessa must reckon with their relationship when Jacob is accused of sexually abusing another student. Author Janet Fitch says: “It’s breathtakingly suspenseful, like downing a flaming drink without blowing it out.” Compulsive, complicated, and timely, Russell’s debut explores ideas of memory, trauma, abuse, and complicity. (Carolyn)

Later by Paul Lisicky: In his newest memoir, Lisicky explores his coming-of-age as a gay man living in Provincetown, Mass., in the early 1990s. As the AIDS epidemic rages on, Lisicky searches for love and community in the face of grief, illness, and uncertainty. About the radiant memoir, Rebecca Makkai writes: “Both telescopic and microscopic, this story challenges and illuminates—and, as only the best books do, leaves the reader fundamentally transformed.” (Carolyn)

Sharks in the Time of Saviors by Kawai Strong Washburn: The author was born and raised on the Hamakua coast of the Big Island and this is the novel that will help many of us realize we need to read more fiction from Hawai‘i. In 1995, 7-year-old Nainoa Flores falls over the side of a cruise ship, but is rescued by a shark—a divine favor. When fortunes turn, his family are forced to confront their bonds, the meaning of heritage, and the cost of survival. Marlon James calls it, “a ferocious debut.” (Claire)

Wow No Thank You by Samantha Irby: A collection of essays on life, love, and work by the piercingly funny and trenchant writer, to follow the best-selling We Are Never Meeting in Real Life. The new collection documents bad dates with new friends, weeks in Los Angeles taking meetings with “tv executives slash amateur astrologers,” while being a “cheese fry-eating slightly damp Midwest person,” “with neck pain and no cartilage in [her] knees,” who still hides past due bills under her pillow. Read Irby’s latest piece on settling down, for The Cut. (Lydia)

Trust Me by Richard Z. Santos: A thriller of political and familial intrigue set against the public relations campaign for a New Mexico airport by the NBCC board member. Tim O’Brien calls the book “a suspenseful and thoroughly enjoyable novel that explores the themes of betrayal, deceit, redemption, and cultural collision in modern-day New Mexico.” (Lydia)

August by Callan Wink: The author’s debut novel follows his 2016 short story collection, Dog, Run, Moon—a set so good that I hoped Wink could distract himself from fly-fishing long enough to range further and give us a novel. And now he has: this testament of the obstacles encountered by a Michigan boy battling his way toward manhood. Told with all the economy, clarity of character, and lively prose that mark Wink’s short stories, this is writing that would tell just as well around the campfire as it does on the page. (Il’ja)

Days of Distraction by Alexandra Chang: In what Nana Kwame Adjei-Brenyah has described as an “immaculate debut novel” and “a wholly engaging joy to read,” Chang follows a 24-year-old Asian-American woman as she leaves a prestigious tech reporting job in Silicon Valley to move with her boyfriend to upstate New York. The move, precipitated by her boyfriend’s entrance into graduate school, is more of an excuse than a reason. The narrator has been searching for a way out. But once there, she finds herself captivated by stories of Asian Americans in history, and forced to think more deeply than she ever has about her role in an interracial relationship. In this tender, funny coming-of-adulthood story, Chang asks what it means to live in a society that does not notice or understand you. (Jacqueline)

The City We Became by N.K. Jemisin: In a starred review, Kirkus called the latest novel from science fiction luminary Jemisin “fierce, poetic, uncompromising.” Set in Jemisin’s hometown of New York City, this work of speculative fiction features five New Yorkers who must come together to defend their city against the Enemy, which Jemisin described, in an interview with EW, as “a dangerous otherwordly tourist…trying to supernaturally gentrify the city to death.” Toilet stalls attack, backyard pools become portals, and FDR traffic “becomes a literal, tentacled killer.” So, your standard work of social realism. I can’t wait for this one. (Jacqueline)

So We Can Glow by Leesa Cross-Smith: Forty-two stories, some short, some not, some in email and one in the form of a recipe, make up Cross-Smith’s So We Can Glow. Different as they are, all the stories focus on the strange hearts of women and girls—brave and broken, longing and loving—and weave together to create this structurally playful and lyrically rich second collection. (Kaulie)


You Will Never Be Forgotten by Mary South: A collection of razor-sharp stories on technology, pathology, and humanity from a hugely talented writer. (Lydia)

Barn 8 by Deb Olin Unferth: The author’s sixth book has a nigh-unforgettable premise: Two auditors for the American egg industry hatch an improbable plot to steal a thousand chickens from a farm in the dead of night. They assemble a team, gather their supplies, and head to the farm in question, where (predictably) a chain of disasters ensues. The author employs a wide range of voices—including, at one point, a chicken explaining what she thinks will happen when she dies—to furnish a heist story that’s unlike anything else. (Thom)

We Ride upon Sticks by Quan Barry: From the author of the acclaimed novel She Weeps Each Time You’re Born, We Ride upon Sticks is a wickedly funny and moving story that is set in the 1980s in Danvers, Mass., where the 1692 witch trials took place. The novel focuses on members of the Danvers High School girls’ field hockey team who will do anything to win—even witchcraft. A Kirkus starred review says “readers will cheer them on because what they’re really doing is learning to be fully and authentically themselves.” Maris Kreizman says the novel is “A perfect blend of aesthetic and narrative pleasure…It’s very funny and a little angry and a lot of fun.” (Zoë)

Sansei and Sensibility by Karen Tei Yamashita: Yamashita blends Jane Austen’s characters with stories of Japanese Americans in this dynamic collection. In merging these characters, she reconsiders canonical works, questions cultural inheritance, and experiments with genre and form. Julie Otsuka says “whether she is riffing on Jane Austen, channeling Jorge Luis Borges, or meditating on Marie Kondo, Yamashita is a brilliant and often subversive storyteller in superb command of her craft.” (Zoë)

Then the Fish Swallowed Him by Amir Ahmadi Arian: Arian’s first English novel follows Iranian bus driver Yunus Turabi who leads a simple life until he’s arrested during a strike. Kirkus’s starred review says calls the novel “a distressing, smartly interior tale of the horrors sown by oppressive politics.” (Carolyn)

Separation Anxiety by Laura Zigman: Zigman (Piece of Work) chronicles the downward spiral of a once-successful children’s book author whose life in midlife starts to erode—and so she does what? Inexplicably starts wearing the family dog in a BabyBjörn. Kirkus calls it “adept at Where’d You Go Bernadette–style snarkery.” (Marie Myung-Ok Lee)

Deceit and Other Possibilities by Vanessa Hua: Following the success of Hua’s wonderful novel A River of Stars, Counterpoint is reissuing her debut collection of stories with new, never-published work. (Lydia)

Ordinary Insanity by Sarah Menkedick: A work of nonfiction and reportage on the crisis of maternal anxiety that is still treated as a taboo in American society. (Lydia)

I Don’t Want to Die Poor by Michael Arceneaux: A new collection of essays by the New York Times-bestselling author of I Can’t Date Jesus. In his new collection, Arceneaux explores how debt and a fear of personal economic collapse affect his decisions from dating to seeking medical care. (Lydia)

April

How Much of These Hills Is Gold by C Pam Zhang: Zhang’s debut novel is a smart, beautiful, and intimate legend, not only of an immigrant family, but also of an expanding empire. One day, a pair of teenage siblings wake up to the sudden death of their father, a former prospector and coal miner. In the afterglow of the American gold rush, the two girls find themselves orphaned and vulnerable, and their very existence as immigrants is denied by this seemingly promising land. Carrying a stolen horse, their father’s body, and a pistol, they set off on their journey to give their father a proper burial. In their adventure, they witness the extermination of giant buffalos, encounter the ghosts of ruined nature, and discover family memories. How Much of These Hills Is Gold ambitiously examines the nation’s long neglected racialized past and, more importantly, brings those individuals to life again on the page, with their desire and anger, longing and frustration. (Jianan Qian)

Notes from an Apocalypse by Mark O’Connell: With his Wellcome-Prize winning To Be a Machine, The Millions’ own Mark O’Connell established himself as a poet laureate of human frailty, quixoticism, and creativity as they manifest in the technologic age. Now, O’Connell travels across the world to tour bunkers and silos and interview all manner of people who are living as though the end of the world is upon us. Kirkus called it “A contribution to the doom-and-gloom genre that might actually cheer you up.” Long-time McConnell fans know it will be gloriously funny, incredibly alarming, empathetic, insightful, and beautifully written. (Lydia)

Mothers Before​ by ​Edan Lepucki, ed.​: Who was your mother before she became a mother? Lepucki, the New York Times-bestselling novelist of California and Woman No. 17 and indispensable contributing editor at The Millions, asks this question. She and her contributors offer answers in more than 60 essays and photographs, including work by Brit Bennett, Jennifer Egan, Jia Tolentino, Lisa See, and many others. The book builds on the popular Instagram account @mothersbefore. (Claire)

Perfect Tunes by Emily Gould: In her second novel, Gould tells the story of Laura, who comes to New York City in the early 2000s, fresh from Columbus, Ohio, with big plans to record an album and live out her dreams. Things don’t go as planned: Love (or lust) gets in the way. In this “sharply observant” (Publishers Weekly) novel by the author of Friendship, we get not only a bygone New York, but also: music, sex, motherhood, and ambition. Stephanie Danler says it’s an “intoxicating blend of music, love, and family from one of the essential writers of the internet generation.” P.S. there’s a great description of a penis. (Edan)

The House of Deep Water by Jeni McFarland: River Bend, Mich., is a small town much like any other, except that it’s the hometown the three women at the core of McFarland’s debut novel couldn’t wait to leave. Years later, Linda, Paula, and Beth reluctantly return and soon find themselves living together at Beth’s father’s house. A May-December relationship, the arrest of one woman’s abuser, a confrontation over the town’s quiet racism, and all a small town’s secrets and scandals confront the women, who find it difficult to keep as quiet as they used to do. Recommended for readers who loved Tayari Jones’s An American Marriage or Brit Bennett’s The Mothers. (Kaulie)

Passage West by Rishi Reddi: It’s 1913 in California and Ram Singh has just arrived, anxious to make his fortune so he can return to his wife and infant son in India. He takes work on a friend’s cantaloupe farm, forcing fruit out of the desert of the Imperial Valley, while many others from the world over work farms up and down the valley. But anti-immigrant sentiment is growing in both support and violence, and a rift between friends threatens to finally uproot everything Singh has built. (Kaulie)

The Dominant Animal by Kathryn Scanlan: If there were an ancestry of influences in writing, Scanlan’s would be charted as the love child of (Gary) Lutz and (Diane) Williams. She shares their linguistic obsessions, including an “outrageous attention to sound and structure that approaches the devotional.” Scanlan’s first book was the unexpected and heralded Aug 9—Fog, which she developed from a found text, a journal written by an elderly woman, which Scanlan then edited and rearranged into its current state. Of her forthcoming book of short stories, The Dominant Animal, Gary Lutz says, “Kathryn Scanlan comes to us as an oracle when we have never before been so desperately in need.” (Anne)

Godshot by Chelsea Bieker: Bieker’s debut novel, Godshot, takes her readers to the fertile fields of California, where divinities are seemingly as much of a bumper crop as avocados, except for adolescent Lacey May there’s lots of the former and little of the later (or any other crop for that matter). The California of Godshot is in the midst of a brutal drought, and for the cult that Lacey May lives with, the faith of the indoctrinated turns towards their leader Pastor Vern who claims that he can once again make the rain come. What Lacey May brutally learns are the depths to which men can sink, the pain that they’re willing to inflict on women, and the promise of solidarity that can be approached as she goes on a road trip to find her exiled mother. A gothic phantasmagoria, Bieker’s book explores the ways in which cultish devotion in times of ecological catastrophe can seemingly push groups of people towards a social apocalypse—a novel eerily pertinent in 2020. (Ed S.)

The Moment of Tenderness by Madeleine L’Engle: Few fantasy writers had as indelible an influence on a certain tribe of bookish, introverted, curious children during the 20th century as the great L’Engle. Her classic A Wrinkle in Time, and the series of books that she wrote about the Wallace siblings and their journeys through time and space, remain not just classics of children’s literature, but an indelible exploration of authoritarianism as well. Now, like one of her characters who are able to transcend the fourth dimension, a collection of previously unpublished work written between her time in college and the publication from her first novel is being posthumously published as The Moment of Tenderness after its rediscovery by her granddaughter. Some stories are clear drafts of later writing, and others are completely original, but for fans of L’Engle, they allow us a window into her process of writing fantasy, which she called the “one and only language in the world that cuts across all barriers of time, place, race, and culture.” (Ed S.)

What Is Grass by Mark Doty: In the visionary 1855 poem “Song of Myself” from Walt Whitman’s prophetic collection Leaves of Grass, the good, grey poet imagines a child approaching the narrator of the verse (a variable “I” often conflated with the author) and asking “What is the Grass?” That line has been borrowed for the title of poet Mark Doty’s new reflection What Is Grass: Walt Whitman in My Life. Whitman is simultaneously the most singular and the most universal of poets, the most subjective and most objective, both “Walt” and a very “Kosmos.” It’s been said that no American poet can entirely ignore Whitman, and Doty is a reverential penitent before the greatest American poet, giving an account of how his own subjective experience intersects with that of the singer of “Song of Myself.” Both men are lovers of men; both men are New Yorkers; both men are poets. What Doty most shares with Whitman, however, is a heretic’s faith in language, both its promise and its failures. As Doty wrote of “he who’d written his book over and over, nearly ruining it, /so enchanted by what had first compelled him/ – for him the word settled nothing at all.” (Ed S.)

Breasts and Eggs by Mieko Kawakami: Haruki Murakami has called Kawakami his favorite new writer—which was enough to pique my interest! Translated from Japanese by Sam Bett and David Boyd, this two-part novel tells the story of two sisters, one unmarried and childless, the other married with a daughter. In the first part of the book, the daughter is 12 and nervous about growing up; meanwhile her mother is looking into breast enhancement surgery. The second part of the novel takes place 10 years later, when the younger sister is contemplating artificial insemination. (Hannah)

Death in Her Hands by Ottessa Moshfegh: When it comes to evoking the jagged edge of contemporary anxiety there might not be a more insightful writer working today than Moshfegh. That is, if the boundless dark potential of the human psyche is your thing. If it’s not, this atmospheric, darkly comic tale of a pathologically lonely widow and the thrills lurking in her sylvan retreat might not be for you. But, sophisticated reader that you are, you’re not afraid of the dark. Right? (Il’ja)

How to Pronounce Knife by Souvankham Thammavongsa: In poet Thammavongsa’s fiction debut, Lao immigrants and refugees write letters, experience new desires, and struggle to build lives in unfamiliar territory. Described by Publishers Weekly as “sharp and elegant,” the collection is a visceral and tender exploration of what it means to make a living. David Chariandy calls How to Pronounce Knife “a book of rarest beauty and power…one of the great story collections of our time.” (Jacqueline)

Life for Sale by Yukio Mishima: After a failed suicide attempt, salaryman Hanio Yamada places an ad in a Tokyo newspaper offering to sell his life. Soon, he is contacted by a few interested buyers: an old man who wants to punish his adulterous wife, a librarian looking for a guinea pig for a drug testing, and a son in need of a volunteer for his vampiric mother. Different from Mishima’s other works, Life for Sale is a wildly funny pulp fiction. The novel grapples with the grave topic of humanity’s instincts for self-preservation and self-destruction, but you’ll find yourself laughing through instead of agonizing over it. (Jianan Qian)

The Knockout Queen by Rufi Thorpe: The third novel from Thorpe, The Knockout Queen follows Bunny Lambert, a beautiful, desperate 6’3″ blonde, and Michael, the boy next door who’s trying to understand his sexuality, as they become strange friends. All too soon, though, that friendship is marked by a dangerous mix of first love, brutal gossip, and violence. Our own Edan Lepucki says Thorpe’s “one-of-a-kind narrator is funny, vulnerable, brilliant, and brimming with longing, and the story he tells distills the pain and beauty of a life-changing friendship like nothing else I’ve read before. This book’s got guts and heart, and wisdom for days.” (Kaulie)

A Luminous Republic by Andres Barba (translated by Lisa Dillman): In his Year in Reading, Omar El Akkad wrote called this “The book I’ve thought about the most this year.” In this novel by the Spanish writer, 32 seemingly feral children arrive unannounced in an Argentine town. Edmund White, in his introduction, called it “One of the best books I’ve ever read.” (Lydia)

Kept Animals by Kate Milliken: Milliken, who won the Iowa Short Fiction Award for her collection If I’d Known You Were Coming, explores the fissures that undergird a ranch, a stable, and a community in Topanga Canyon, Calif., just before a catastrophic fire. With themes of class, race, migration, work, land, and ownership, this is a beautifully written novel. (Lydia)

Take Me Apart by Sara Sligar: It’s rare to find a gripping archival mystery, which is unfortunate because archival mysteries are some of the best ones. In this novel of the gorgeous California coast, Sligar invents a troubled, tragic artist whose fate is pieced together through the clues in her archive, which a young journalist at loose ends is hired to put in order. A literary thriller that is also an exploration of art, women’s ambition, violence, and mental health. (Lydia)

The Only Good Indians by Stephen Graham Jones: A horror story about four men from the Blackfeet Nation who are being hunted for something they did in the past. Paul Tremblay calls this novel “a masterpiece. Intimate, devastating, brutal, terrifying, yet warm and heartbreaking in the best way, Stephen Graham Jones has written a horror novel about injustice and, ultimately, about hope. Not a false, sentimental hope, but the real one, the one that some of us survive and keeps the rest of us going.”” (Lydia)

The Beauty of Your Face by Sahar Mustafah: A novel that explores the aftermath of a school shooting told from the perspective of a Palestinian-American girl living in Chicago. Rebecca Makkai calls this “a striking and stirring debut, one that reaches its hands straight into the fire. Sahar Mustafah writes with wisdom and grace about the unthinkable, the unspeakable, and the unspoken.” (Lydia)

St. Ivo by Joanna Hershon: Hershon’s last novel, A Dual Inheritance, published seven years ago, was a riveting intergenerational saga covering decades in the lives of two families. In St. Ivo, Hershon narrows the aperture to focus on two couples over the course of a long weekend spent together upstate. “Hershon explores with moving simplicity the complexities friendships and a marriage that has frayed but not yet died,” says Publishers Weekly in an early review. (Michael)

Love after Love by Ingrid Persaud: Trinidad-born Persaud hit the scene with a splash in 2017-2018 when she won both the Commonwealth Short Story Prize and BBC National Story Award. Love after Love, her second novel, is a story of complicated, messy families and uncovered secrets, set primarily in Trinidad and New York City. André Aciman describes the novel as “Restless, heartbreaking, and intensely spellbinding.” (Sonya)

American Harvest by Marie Mutsuki Mockett: Novelist Mockett turns to nonfiction with this terribly relevant memoir about the time she spent with the conservative evangelicals who work the harvest on her paternal family’s 7,000-acre Nebraska wheat farm. Mockett, who grew up in northern California with her Japanese mother and a Nebraskan father who put the Midwest and farming behind him, gives herself over for a time to a way of life and ingrained beliefs that others in her milieu might never know from the inside out. Writes Susan Cheever: “Mockett’s account of the harvest is riveting, and the way she navigates her own plural identity as she travels with the combines is brilliant.” Fans of Kathleen Norris’s Dakota may especially want to check this one out. (Sonya)

Afterlife by Julia Alvarez: The bestselling author of In the Time of the Butterflies and How the Garcia Girls Lost Their Accents returns with a novel focused on Antonia Vega, a recently retired English professor and writer whose husband unexpectedly dies and whose sister disappears. Soon after these losses, an undocumented and pregnant teen arrives at her door. Luis Alberto Urrea says that Afterlife is “the exact novel we need in this fraught era. A powerful testament of witness and written with audacity and authority.” (Zoë)

Man of My Time by Dalia Sofer: An Iranian man who has spent his life as a government interrogator travels to New York on a diplomatic mission and agrees to fulfill his deceased father’s wish of being buried in Iran, carrying his ashes back and reflecting on his own life on the way. (Lydia)

If I Had Your Face by Frances Cha: A story of four women in Seoul and the way that economic and social realities determine the paths available to them. Helen Oyeyemi writes, “Each voice in this quartet cuts through the pages so cleanly and clearly that the overall effect is one of dangerously glittering harmony. The tale told here is as engrossing as a war chant, or a mosaic formed with blades, every piece a memento sharpened on those unyielding barriers between us and our ideal lives.” (Lydia)

Pets: An Anthology, edited by Jordan Castro: Forget eyes as the window to the soul: It’s really one’s pets who animate one’s intimate desires and projections. Case in point: Both my brother and partner’s brother recently have been transformed into baby-talking, cat-and-dog toting men (respectively) because of their fierce attachments. Pets: An Anthology, edited by Jordan Castro, is a collection of original writing and art by fiction writers, poets, and academics, including Christine Schutt, Blake Butler, Scott McLanahan, Patty Yumi Cottrell, and Sarah Manguso. The menagerie accounted for includes a killer chihuahua, a catatonic toy poodle, and a backyard full of endangered desert tortoises. (Anne)

The Immortals of Tehran by Ali Araghi: A story of tales told through generations, and the odd twists and turns of a man’s life, culminating in the Iranian Revolution. (Lydia)

May

Pew by Catherine Lacey: To some degree all of Lacey’s fiction focuses on ontology and states of being, conveying the intimacy of relationships, as well as their built-in claustrophobia and desire to flee. Lacey has a way of articulating this in a way that’s both beautiful and delightfully jarring. It seems this counterbalance of delightful and jarring will also hold true in her third novel, Pew (what a name, even), which depicts the itinerancy of a person shuffled between homes during a Forgiveness Festival, and who is nicknamed such for having been found sleeping in a church pew. (Anne)

Little Eyes by Samanta Schweblin: Schweblin’s Little Eyes is her second novel to be translated into English (her first was the frenzied Fever Dream). In Spanish the novel’s title is Kentukis, which is also the name for the cutesy device, described as a “creepier Furby,” that acts as a portal between lives of the owner and the person who has purchased essentially a voyeur’s right to its camera feed. Embedded within this novel of international interconnectivity are questions of the exhibitionism and voyeurism tied up in our use of technology. Expect echoes of the Wachowskis’ Sense8, except told with what has been characterized as Schweblin’s “neurotic unease.” (Anne)

Brown Album by Porochista Khakpour: A collection of linked essays reflecting on Khakpour’s experience growing up in a family who fled Iran for Los Angeles and finding her way through intersecting communities during the rise of Islamophobia and xenophobia in the United States. (Lydia)

Strange Hotel by Eimear McBride: A woman walks into a hotel room. Then another, and another. Hotels in Austin, Avignon, Auckland, others, and each room reflects back something of herself. Sometimes she meets a man, sometimes she fights with her memories, and sometimes she thinks about what it would mean to go home. An avid McBride fan ever since A Girl Is a Half-Formed Thing, I eagerly await the arrival of what’s sure to be a darkly brilliant work. (Kaulie)

These Ghosts Are Family by Maisy Card: A family story that travels from Jamaica to Harlem unveiling its secrets along the way. Victor LaValle says of the novel, “This book is painful and shocking but it can be funny as hell, too. What a talented writer. Maisy Card has written one of the best debut novels I’ve read in many years.” (Lydia)

Drifts by Kate Zambreno: Drifts is Zambreno’s first novel since Green Girl, and is first in a series that continues to explore and reify her obsessions with artistic ambition and the possibilities and failures of literature. Her narrator spends long days alone, corresponding with writers, and taking photos of residents and strays in her neighborhood alike—with nods to the likes of Rilke, Dürer, and Chantal Ackerman, among others. “Zambreno’s books have a way of getting under your skin,” writes Paris Review staffer Rhian Sasseen, as does “her willingness to write ugly, to approach the banal and the cliché as just another tool and subvert it into works of rage and oftentimes real beauty.” (Anne)

The Narcissism of Small Differences by Michael Zadoorian: Set in his native Detroit in the grim year of 2009, Zadoorian’s new novel, The Narcissism of Small Differences, is a comedy of the compromises Joe Keen, a failed fiction writer, and Ana Urbanek, an advertising copy writer, have made over the course of their long relationship. Their compromises come in many flavors—financial, moral, professional—and as these two creative types near their dreaded 40s, they’re forced to confront the people they have become because of those compromises. Like Zadoorian’s earlier novels—The Lost Tiki Palaces of Detroit, The Leisure Seeker and Beautiful Music—this new novel brims with wit, passion and soul. (Bill)

The Book of V.​ by ​Anna Solomon: This novel intertwines the lives of three women across centuries: Lily, a mother in Brooklyn in 2016 who is grappling with her sexual and intellectual desires; Vivian, a political wife in Watergate-era Washington, D.C., who refuses to obey her ambitious husband; and Esther, an independent young woman in ancient Persia who is offered up as a sacrifice to please the king. Solomon, the author of Leaving Lucy Pear and The Little Bride, explores how things have both changed and stayed the same. Mary Beth Keane says it’s “searingly inventive, humane, and honest.” (Claire)

Death of Jesus by J.M. Coetzee: The capstone of Coetzee’s Jesus Trilogy, this latest novel returns to the life of the boy David, the protagonist of the first two books in the series. But this time it’s David—in perhaps the story’s sole clear analogy to the life of Christ—dying too young. And was his life, stripped of every cursory marker of identity, worth anything? Is everything, as the sages have told us, meaningless? Coetzee, via David, leaves us with better template by which to ask—if never answer—these questions. (Il’ja)

All Adults Here​ by ​Emma Straub​: I keep hearing online chatter that this is Straub’s best novel yet. When Astrid Strick witnesses an accident, a suppressed memory causes her to question the legacy of her parenting to her now-grown children. Elizabeth Strout says it’s, “totally engaging and smart book about the absolutely marvelous messiness of what makes up family.” Ann Patchett says it’s “brimming with kindness, forgiveness, humor.” Straub is a New York Times-bestselling author and co-owner of the vibrant Brooklyn bookstore Books Are Magic. (Claire)

Sorry for Your Trouble by Richard Ford: Pulitzer-Prize winner Ford’s latest is a short story collection that explores themes of love and loss, taking readers to his native Mississippi, as well as New Orleans and Canada. The volume includes a novella, The Run of Yourself, which depicts a New Orleans widower learning to cope without his Irish wife. (Hannah)

A Children’s Bible by Lydia Millet: A new novel from the Pulitzer Prize finalist, this one takes place at a family vacation, where 12 children break off from their parents’ revelries and find themselves in apocalyptic circumstances. Karen Russell calls Millet “A writer without limits.” (Lydia)

Good Morning, Destroyer of Men’s Souls by Nina Renata Aron: A memoir on love and addiction in the early days of motherhood. (Lydia)

Shiner by Amy Jo Burns: Burns’s memoir, Cinderland, powerfully evoked the post-industrial ruins, both physical and psychic, of her childhood home in Mercury, Penn. In Shiner, she returns with a book similarly rooted in geography, the story of 15-year-old Wren Bird, who lives in isolation on a West Virginia mountain with her mother and father, an itinerant preacher and snake-handler. When tragedy strikes at one of her father’s sermons, Wren is forced to discover the truth about her family and imagine a life outside of her cloistered West Virginia existence. The Millions’ own Lydia Kiesling, author of The Golden State, calls Shiner “a lush, gripping novel that explores love, grief, rage, and regeneration in a small Appalachian community,” and says, “I won’t forget the haunting mood, place, and characters that Burns brings to life.” (Adam P.)


Beauty by Christina Chiu: Amy Wong is an up-and-coming designer in New York, navigating a largely chauvinistic and cutthroat world and trying to see just where her ambition takes her. Novelist Michael Cunningham calls it “beautiful in the way of a scalpel blade.” (Marie Myung-Ok Lee)

Quotients by Tracy O’Neill: National Book Foundation 5 Under 35 honoree O’Neill’s (The Hopeful) sophomore effort follows a young couple attempting to make a seemingly conventional home together—but this story turns into a heady brew of fractured identities, aliases, big data, and what it means to live in this age of terrorism and global surveillance. Fiona Maazel (A Little More Human) describes it as “a love story rendered in galloping prose that takes you all over the map.” Looking forward to this timely and intriguing work. (Marie Myung-Ok Lee)

Thirty Names of Night by Zeyn Joukhadar: By the author of The Map of Salt and Stars, a novel about three generations of Syrians linked by a particular species of bird. R.O. Kwon says of the book, “Zeyn Joukhadar’s new book is a vivid exploration of loss, art, queer and trans communities, and the persistence of history. Often tender, always engrossing, The Thirty Names of Night is a feat.” (Lydia)

Index of Self-Destructive Acts by Chris Beha: Beha’s novel begins in 2009, with two prophets: a street preacher who promises an apocalyptic “Great Unveiling,” and Sam Waxworth, a religious skeptic and software engineer whose “political projection system” predicted every result of the 2008 election. Now a writer, Waxworth has been assigned a piece on Frank Doyle, a legendary, infamous commentator of baseball and politics. The assignment turns out to be more than Waxworth expected, widening and revealing his own faults. Beha’s earlier work has been rightfully compared to the work of Graham Greene, and in this new novel Beha does what only Greene and a handful of other novelists have been able to accomplish: make God, belief, and doubt the stuff of serious fiction—even down to the probing dialogue of his characters. (Nick R.)

Life Events by Karolina Waclawiak: Evelyn is in her late 30s struggling with an existential crisis, driving Californian freeways and avoiding her maybe soon-to-be ex-husband. As the novel unfolds, she decides to work with terminally ill patients, and the work allows her to grapple with her grief and pushes her to confront her past. Lydia Kiesling says, “Life Events is a hypnotic novel that beautifully grapples with fundamental questions about how to die and how to live. Karolina Waclawiak transports the reader into the streets of Los Angeles, the deserts of the southwest, the apartments of the dying, and a woman’s life at a moment of profound change.” (Zoë)

This Is One Way to Dance by Sejal Shah: A collection of linked essays explores her experience of Americanness as the child of Gujarati immigrants in western New York and elsewhere. Kiran Desai says of the book, “While this memoir is frequently heartbreaking, it also dazzles with incandescent humor. One of the most nuanced, wise, and tender portraits of immigration I have ever read.” (Lydia)

Book of the Little Axe by Lauren Francis-Sharma: Francis-Sharma’s prose shines in this epic and propulsive historical novel that is set in Trinidad and the American West, and follows the life of Rosa Rendón, who is talented, bright, and fierce. Laila Lalami writes that the novel “recreates the hybrid history of Native and African peoples during the era of American exploration and expansion,” and Peter Ho Davies says that it “adds (or better say restores) another strand to our national narrative. We’re all the richer for Book of the Little Axe.” (Zoë)

Conditional Citizens by Laila Lalami: A personal account of her own immigration story and a probing assessment of how nationality is conceived of in America by the author of The Other Americans and The Moor’s Account. Viet Thanh Nguyen says of the book “Laila Lalami has given us a clear-eyed, even-handed assessment of this country’s potential—and its limits—through her insightful notion of conditional citizenship. Her book is a gift to all Americans—if they are willing to receive it.” (Lydia)

A Registry of My Passage upon the Earth by Daniel Mason: From the author of The Winter Soldier and The Piano Tuner, a collection of stories that go from Regency England to the outskirts of Rio de Janeiro. (Lydia)

All My Mother’s Lovers by Ilana Masad: Critic and fiction writer Masad’s debut novel follows 27-year-old Maggie Krause, whose mother has just died in a car crash. On her return home, Maggie finds five sealed envelopes from her mother, each addressed to a man Maggie doesn’t know. Maggie sets out on a road trip to discover the truth about her mother’s hidden life, and her own difficulties with intimacy. Described by Kristen Arnett as a “queer tour de force.” (Jacqueline)


F*ckface: And Other Stories by Leah Hampton: A debut collection of stories taking place in post-coal Appalachia, featuring dead humans, dead honeybees, told with humor and heart. Rachel Heng writes, “These stories take you apart slowly, piece by piece, and by the time you realize what’s happening, it’s already too late. The stories are in your blood now. They live in you, with all their strangeness and decay, isolation and comfort, hellscapes and moments of grace.” (Lydia)

Starling Days by Rowan Hisayo Buchanan: Following her acclaimed debut Harmless Like You, Buchanan’s second novel follows Mina and Oscar, a married couple who relocate to London after a foiled tragedy. Suffering from mental health issues, Mina finds comfort—and something more— in a woman named Phoebe. (Carolyn)

Latitudes of Longing by Shubangi Shwarup: Longlisted for the International Dublin Literary Award 2020, this novel brings together characters as disparate as a geologist and a yeti. Nilanjana S. Roy writes, “Astonishing and completely original, Shubhangi Swarup’s magical novel will change the way you see people—and landscapes, forests, the oceans, snow deserts. She stirs your curiosity about the earth, takes you from sadness and heartbreak to rich, unexpected surprises, and finds hope in the cracks of broken lives.” (Lydia)

My Mother’s House by Francesca Momplaisir: A Haitian family who settles in New York and falls on hard times has the house itself to contend with in this literary thriller that Carolina De Robertis says “is poised to blow the roof off.” (Lydia)

Fairest by Meredith Talusan: A memoir about migration, transition, difference, and growing up by an award-winning journalist and editor of them. Garrard Conley calls this “a truly brilliant memoir with sparkling sentences, navigating incredibly complex questions of privilege with ease and candor.” (Lydia)

June

The Vanishing Half by Brit Bennett: I loved The Mothers, Bennett’s bestselling first novel, so I can’t wait for her second, about identical twin sisters who run away from their small Southern town at age 16. Ten years later, one of the sisters is passing as white, and not even her white husband knows the truth. The book moves back and forth in time, from the 1950s to the 1990s, and, according to the jacket copy, “considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations.” (Edan)

The Lying Life of Adults by Elena Ferrante (translated by Ann Goldstein): A long-awaited novel from elusive genius Ferrante, another work set in Naples. According to Il Libraio, “As you read, a vast panorama of characters slowly unfolds…a diverse and dynamic tableau of humanity. Once again, Elena Ferrante has not created a mere story but an entire world.” (Lydia)

How Beautiful We Were by Imbolo Mbue: By the author of Behold the Dreamers, Mbue’s new novel describes the struggle of a fictional village in Africa to combat a rapacious American oil company. Sigrid Nunez says “Mbue has given us a book with the richness and power of a great contemporary fable, and a heroine for our time.” (Lydia)

I Hold a Wolf by the Ears by Laura van den Berg: You might be tempted to race through all 11 stories in Van Den Berg’s new collection, her first since Isle of Youth in 2013. This would be unwise, because haste and haunting are incompatible, and you really need to live with these ghosts, to slow your eyes over their uncanny weirdness until you’re both unsettled and seen—the hallmark quality of van den Berg’s writing. (Nick M.)

Utopia Avenue by David Mitchell: A new novel from the literary superstar follows the career of a fictional British psychedelic rock band. Mitchell described the book in the Guardian: “Songs (mostly) use language, but music plugs directly into something below or above language. Can a novel made of words (and not fitted with built-in speakers or Bluetooth) explore the wordless mysteries of music, and music’s impact on people and the world? How?” Mitchell asked. “Is it possible to dance about architecture after all? Utopia Avenue is my rather hefty stab at an answer.” (Lydia)

A Burning by Megha Majumdar: The hotly anticipated debut novel from the editor of Catapult, A Burning takes place in contemporary India and follows three characters from different circumstances as they are thrown together after a bombing. Colum McCann says “This is a novel of now: a beautifully constructed literary thriller from a rare and powerful new voice.” (Lydia)

The Last Great Road Bum by Héctor Tobar: In the 1960s, Joe Sanderson left the Midwest to globe-trot and live a life worth writing about. By 1979, he had joined a leftist band of guerrilla fighters in El Salvador, fighting against the U.S.-backed military junta. Not long after, Sanderson was dead, becoming one of only two known Americans to have fought and died for this cause. In the late aughts, Tobar acquired a trove of Sanderson’s writings, and has since used them as an outline for this fictionalized account of Sanderson’s life—which turned out to be worth writing about, after all. (Nick M.)

Parakeet by Marie-Helene Bertino: The week of her wedding, a woman known only as The Bride is visited by the spirit of her dead grandmother, who appears in the form of a parakeet. Her grandmother tells her: Don’t get married. Seek out your brother. As the novel follows The Bride in the increasingly hectic few days between this encounter and her wedding, Bertino tells a complex story about family, responsibility and the need to become our best selves. (Thom)

Imperfect Women by Araminta Hall: From the author of Our Kind of Cruelty, a book the Washington Post called “strange, sexy,” comes a new mystery about death, grief, and secrets. The book opens with the murder of Nancy Hennessy, a woman whose life looks perfect from the outside (money, loving family, etc.). But wait! This may surprise you, but Nancy’s life is not perfect. When the investigators fail to come up with answers, Nancy’s two best friends must take it upon themselves to learn what really happened to her. Out come secrets galore, plus a nuanced depiction of complex female friendships. For fans of Patricia Highsmith and Paula Hawkins. (Jacqueline)

Pizza Girl by Jean Kyoun Frazier: A kind of sibling/cousin to Convenience Store Woman, Frazier’s Pizza Girl follows the picaresque adventures of an 18-year-old pregnant pizza delivery girl in suburban L.A. Her life becomes further complicated when she befriends and becomes obsessed with a single mother on her route. (Marie Myung-Ok Lee)

Nine Shiny Objects by Brian Castleberry: Spanning decades, Castleberry’s mysterious debut novel follows The Seekers, a group who wants to create a utopia, and the violence that rises to meet—and squash—them. Pulitzer Prize winner William Finnegan calls the novel “sharply-tuned, funny, satisfyingly strange, and preternaturally poised.” (Carolyn)

You Exist Too Much by Zaina Arafat: A novel of self-discovery following a Palestinian-American girl as she navigates queerness, love addiction, and a series of tumultuous relationships. Tony Tulathimutte says of the book, “Zaina Arafat speaks for the persistently hungry.” (Lydia)

Mother Daughter Widow Wife by Robin Wasserman: Wendy Doe, found on a bus to Philadelphia, has no money, ID, or memory. Suffering from dissociative fugue, she becomes a body to be experimented on to some, a source of fascination and wonder for others. But who is Wendy Doe, really? Untethered from obligations and history, who can she become? The novel follows on the success of Wasserman’s first book, Girls on Fire. Leslie Jamison praises it as “not only an investigation of how female intimacy plays out across landscapes shaped by male power and desire, but an exploration of identity itself.” (Jacqueline)

The Lightness by Emily Temple: The first novel from LitHub senior editor Temple, The Lightness is “psychologically wise and totally wise-assed, all while being both cynical and spiritual,” according to one Mary Karr. After Olivia runs away to a place known as the Levitation Center, she joins the camp’s summer program for troubled teens and falls into a close-knit group of girls determined to learn to levitate. Of course, it’s not that easy, could even be dangerous, but Olivia’s search for true lightness pushes her towards the edge of what’s possible in this novel that blends religious belief, fairy tales and physics. (Kaulie)

A Short Move by Katherine Hill: By the author of the novel The Violet Hour and co-author of The Ferrante Letters, this novel follows a young man from Virginia through his rise to the NFL, and takes the microscope to the disintegration of his life as an adult. (Lydia)

A Year in Reading: Chanelle Benz

This year has
been the year of baby, the year of book baby, a year of anxiety, exhaustion,
and the struggle to be present enough to feel enough gratitude. I have given
birth (again), been hustling my book all over the country, and yet spent a lot
of time alone in my bedroom with my newborn listening to true crime or
politics—perhaps synonymous at this point. Beautiful books have been the balm
to my blistering, sleep-deprived mind when I am parched by Twitter and the
unrelenting, oppressive news cycle. These are a few of the books that gave me a
shot in the arm.

I actually had the sublime experience of slowing down when I realized I was coming to the last pages because I didn’t want Sarah Moss’s Ghost Wall to end. More of a novella than a novel, it follows a family who join an expedition with an archeology professor and his students in order to reenact the lives of Iron-Age Britons. It’s a menacing and strange coming-of-age story about authenticity, violence, and what connects us to those that have come long before us.

Anna Burns’s Milkman blew me away. It’s one of those books you have to give into because the repetition and rhythm and digressions of the voice are intimately connected to who the nameless protagonist is. I love that there’s so much pain and honesty and humor in something so constructed—it’s exceptional.

In Brandon Hobson’s Where The Dead Sit Talking the language is economical, sometimes lyrical, and sometimes deceptively simple. The protagonist, Sequoyah, is truly unpredictable, which, I think, is a rare thing in fiction. I was worried for him, a little scared of him, and endeared by what he saw/the way he sees. There’s an ache at the center of this book.

Miriam Toews’s Women Talking felt like theater. In the sense that it is dialogue-led, but also in that something invisible is being channeled. The voices of this group of Mennonite women are sort of floating in the air as they trade jokes and barbs and philosophy while trying to decide whether or not to leave their community. The way that Toews distinguishes between the characters is done so gracefully. It reminds me of something that the author Yewande Omotoso once said to me when I was scared to write something—that you have to “Love that voice into being.”

The Millions Top Ten: July 2019

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for July.

This Month
Last Month

Title
On List

1.
2.

The Shell Game: Writers Play with Borrowed Forms
6 months

2.
4.

The Practicing Stoic: A Philosophical User’s Manual
3 months

3.
5.

Normal People
3 months

4.
7.

The New Me

3 months

5.
6.

Educated: A Memoir
6 months

6.
10.

The Golden State

4 months

7.
9.

Slave Old Man
2 months

8.
8.

Becoming
3 months

9.


The Nickel Boys
1 month

10.


Conversations with Friends
1 month

Both Milkman by Anna Burns and Dreyer’s English by Benjamin Dreyer graduated to our site’s Hall of Fame this month, marking each author’s first appearance on that hallowed list. Dreyer’s book also becomes the first style guide to appear on a list otherwise dominated by novels, albeit interspersed with occasional rarities including at least one treatise on sharpening pencils.

Meanwhile it’s heartening to see former site editor Lydia Kiesling’s debut novel The Golden State ascend toward the upper-half of this month’s Top Ten. The book belongs in your hands and on your shelves, but in order to get there it must first appear on our list. The higher it is, the farther it’s reaching, and so on.

Newcomers on this month’s list include The Nickel Boys by Colson Whitehead and Conversations with Friends by Sally Rooney. Whitehead’s latest was recently featured in our Great Second-Half 2019 Book Preview, and surely it will soon be joined by additional titles on that massive list. (Have you read through it all yet?) It’s also noteworthy that Rooney now has two of her books listed simultaneously on our Top Ten, an extremely rare feat around these parts.

This month’s near misses included: Selected Stories, 1968-1994 (Alice Munro), On Earth We’re Briefly Gorgeous, Fever Dream, The Great Believers, and The White Card: A Play. See Also: Last month’s list.

The Millions Top Ten: June 2019

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for June.

This Month
Last Month

Title
On List

1.
1.

Dreyer’s English: An Utterly Correct Guide to Clarity and Style

6 months

2.
3.

The Shell Game: Writers Play with Borrowed Forms
5 months

3.
4.

Milkman
6 months

4.
10.

The Practicing Stoic: A Philosophical User’s Manual

2 months

5.
9.

Normal People
2 months

6.
6.

Educated: A Memoir

5 months

7.
8.

The New Me
2 months

8.
7.

Becoming
2 months

9.


Slave Old Man
1 month

10.


The Golden State
3 months

This month Lydia Kiesling’s The Golden State published in the United Kingdom and Australia, so it’s fitting that it returns to our list. Kiesling’s debut novel tracks its protagonist through some unique stresses of motherhood, but in so doing, as the author noted this week in an Australian interview, we experience the more universal stresses quite vividly:
It was my feeling when I had a very young child, as someone who reads a lot, that I hadn’t really seen the minute-to-minute of care-taking portrayed on the page, and it struck me as somewhat unfair … [In those moments] you feel like you’re in some sort of epic, but one that has never really been commemorated on the page—as with going to sea, or going to war—but it can feel that big even though it’s an experience that we think of as fairly mundane. That was certainly something I thought about when I sat down to write: trying to transmit some of how relentless it can feel in the moment.
Another new arrival this month is Linda Coverdale’s translation of Patrick Chamoiseau’s novel Slave Old Man, which recently won this year’s Best Translated Books Award in fiction. In an interview for our site, P.T. Smith spoke with Coverdale about her approach to translating the text:
My approach to translating has always been based on trying to make the English text reflect not just what the French says, but also what it means to native French-speakers, who are immersed—to varying degrees—in the worlds of their language, a language that has ranged widely in certain parts of the real world.
Elsewhere on this month’s list, Sally Rooney’s Normal People rose four spots to fifth position. This rise was so explosive it enabled her earlier novel, Conversations with Friends, to draft upwards as well, and now it ranks among this month’s “near misses.”

In the coming weeks, we’ll publish our annual Great Book Preview, so stay tuned for shake-ups to our list after July!

This month’s near misses included: Conversations with Friends, Last Night in Nuuk, On Earth We’re Briefly Gorgeous, Congo, Inc.: Bismarck’s Testament, and My Sister, the Serial Killer. See Also: Last month’s list.

The Millions Top Ten: May 2019

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for May.

This Month
Last Month

Title
On List

1.
1.

Dreyer’s English: An Utterly Correct Guide to Clarity and Style

5 months

2.
2.

The Friend
6 months

3.
3.

The Shell Game: Writers Play with Borrowed Forms
4 months

4.
5.

Milkman

5 months

5.
6.

The William H. Gass Reader
6 months

6.
7.

Educated: A Memoir

4 months

7.
9.

Becoming
2 months

8.


The New Me
1 month

9.


Normal People
1 month

10.


The Practicing Stoic: A Philosophical User’s Manual
1 month

Patience gets undeserved hype because persistence is the real virtue. Persistence is active; it depends on a desire to change one’s status. Persistence relies on volition. Meanwhile anything can be patient if it sits around long enough. I am thinking of this today, nine months after The Practicing Stoic: A Philosophical User’s Manual first appeared in our Top Ten posts… among the “near misses.” Since then, Ward Farnsworth’s book, which Ed Simon called an “idiosyncratic, strange, yet convincing and useful volume,” has made seven more appearances… among the “near misses.” It was only this month, roughly 250 days since we first caught its glimpse, that the book has made it to the actual Top Ten list… in tenth position. Persistence, friends. It’s patience plus positivity.

Two true newcomers joined our Top Ten this month as well: Halle Butler’s The New Me, which came out in March, and Sally Rooney’s Normal People, which followed in April. In our Great Book Preview, Anne K. Yoder called Butler’s second novel “a skewering of the 21st-century American dream of self-betterment.” Then, in a review for our site, Freya Sanders called Rooney’s latest “an unconventional bildungsroman that explores not the power of self-determination but the idea of the self as something generated between people.”

These three books found space on this month’s list because our Hall of Fame scooped up three more: Ling Ma’s Severance, Ottessa Moshfegh’s My Year of Rest and Relaxation and Kate Atkinson’s Transcription. For Ma and Atkinson, this is their first trip to our Hall, but Moshfegh has been there once before in 2017—her ticket stamped on the strength of Homesick for Another World.

Next month we inch closer to our Great Second-Half Book Preview, so buckle up.

This month’s near misses included: The Golden StateThe Great Believers, Circe, Love in the New Millennium and Last Night in Nuuk. See Also: Last month’s list.

The Millions Top Ten: April 2019

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for April.

This Month
Last Month

Title
On List

1.
1.

Dreyer’s English: An Utterly Correct Guide to Clarity and Style

4 months

2.
2.

The Friend
5 months

3.
4.

The Shell Game: Writers Play with Borrowed Forms
3 months

4.
3.

Severance

6 months

5.
7

Milkman
4 months

6.
5.

The William H. Gass Reader

5 months

7.
6.

Educated: A Memoir
3 months

8.
8.

My Year of Rest and Relaxation
6 months

9.


Becoming
1 month

10.
10.

Transcription
6 months

What pairs better than Haruki Murakami and our site’s Hall of Fame? Running and The Beatles? Spaghetti and cats? This month, Murakami sent his fourth book, Killing Commendatore, to our hallowed Hall, equalling our site’s all-time record for works from a single author. (If someone ever asks you what the author has in common with David Mitchell, you’ll know what to say.)

For the most part, our list held steady from last month, with the exception of one high-profile newcomer. After spending four months in our “near misses” section, Michelle Obama’s Becoming finally cracked our April lineup. Surely Millions readers need no introduction to Obama, and don’t need to be handsold such a blockbuster memoir, but in case someone needs a nudge out there, it’s worth noting that Marta Bausells dug the audiobook in our most recent Year in Reading series. “[It] did GOOD things to me and I recommend,” Bausells wrote.

Next month a minimum of three slots should open on our list, so we should get some excitement. Stay tuned!

This month’s near misses included: The New Me, The Golden StateCirce, The Practicing Stoic: A Philosopher’s User Manual and The Great Believers. See Also: Last month’s list.

Women’s Prize for Fiction Names 2019 Shortlist

The Women’s Prize for Fiction announced its 2019 shortlist.

Formerly the Orange Prize and Baileys Prize, the Women’s Prize for Fiction recognizes the best English-language novel by a woman published in the U.K. in the previous year. The award celebrates “excellence, originality and accessibility in women’s writing from throughout the world.”

The shortlist includes one debut author (Oyinkan Braithwaite), one previously shortlisted author (Anna Burns), a previous Orange Prize for Fiction winner (Madeline Miller), and an Orange Award for New Writers winner (Diana Evans). The list also includes a few Year in Reading alums, and all the books were featured in our 2018 First-Half and Second-Half Book Previews.

Here is the 2019 shortlist, with Publishers Weekly reviews:

The Silence of the Girls by Pat Barker

Read Publishers Weekly’s review here: Barker, author of the Booker-winning The Ghost Road, speculates about the fate of the women taken captive during the Trojan War, as related in Homer’s Iliad. Briseis, queen of the small country of Lyrnessus, was captured by the Greek forces and awarded to Achilles, fated to serve him as slave and concubine. Through her eyes readers see the horror of war: the sea of blood and corpses, the looting, and the drunken aftermath of battle. When Agamemnon demands that Briseis be handed over to him, Achilles reacts with rage and refuses to fight, and when his foster brother and lover Patrocles is killed, having gone into battle in Achilles’s stead, Briseis becomes the unwitting catalyst of a turning point in the war. In Barker’s hands, the conflict takes on a new dimension, with revisionist portraits of Achilles (“we called him the butcher”) and Patroclus (he had “taken his mother’s place” in Achilles’s heart). Despite its strong narrative line and transportive scenes of ancient life, however, this novel lacks the lyrical cadences and magical intensity of Madeline Miller’s Circe, another recent revising of Greek mythology. The use of British contemporary slang in the dialogue is jarring, and detracts from the story’s intensity. Yet this remains a suspenseful and moving illumination of women’s fates in wartime.

My Sister, the Serial Killer by Oyinkan Braithwaite

Here’s what Publishers Weekly’s starred review had to say: Braithwaite’s blazing debut is as sharp as the knife that twists in the chest of Femi, the now-dead boyfriend of Ayoola, whose boyfriends, curiously, seem to keep winding up dead in her presence. Femi makes dead boyfriend number three—each were killed in self-defense, according to Ayoola—and, per usual, Ayoola’s older sister, Korede, is called upon to help dispose of the body. The only confidante Korede has is a coma patient at the Lagos hospital where she works, which is the only place she can go to escape Ayoola. It is also where she can see the man she loves, a handsome and thoughtful doctor named Tade. Of course, this means that when the capricious Ayoola decides to start visiting her sister at work, she takes notice of him, and him of her. This is the last straw for Korede, who realizes she is both the only person who understands how dangerous her sister is and the only person who can intervene before her beloved Tade gets hurt, or worse. Interwoven with Korede, Ayoola, and Tade’s love triangle is the story of Korede and Ayoola’s upbringing, which is shadowed by the memory of their father, a cruel man who met a tragic and accidental death—or did he? As Korede notes when she considers her own culpability in her sister’s temperament: “His blood is my blood and my blood is hers.” The reveal at the end isn’t so much a “gotcha” moment as the dawning of an inevitable, creeping feeling that Braithwaite expertly crafts over the course of the novel. This is both bitingly funny and brilliantly executed, with not a single word out of place.

Milkman by Anna Burns

Here’s Publishers Weekly’s starred review: In her Booker-winning novel, Burns (No Bones) gives an acute, chilling, and often wry portrait of a young woman—and a district—under siege. The narrator—she and most of the characters are unnamed (“maybe-boyfriend,” “third brother-in-law,” “Somebody McSomebody”)—lives in an unspecified town in Northern Ireland during the Troubles of the 1970s. Her town is effectively governed by paramilitary renouncers of the state “over the water,” as they call it. The community is wedged between the renouncers, meting out rough justice for any suspected disloyalty, and the state’s security forces. One day, “milkman,” a “highranking, prestigious dissident” who has nothing to do with the milk trade, offers the narrator a ride. From this initial approach, casual but menacing, the community, already suspicious of her for her “beyond-the-pale” habit of walking and reading 19th-century literature, assumes that she is involved with the rebel. Milkman, however, is in essence stalking her, and over the course of several months she strives, under increasing pressure, to evade his surveilling gaze and sustained “unstoppable predations.” There is a touch of James Joyce’s Stephen Dedalus in the narrator’s cerebral reticence, employing as she does silence, exile, and cunning in her attempt to fly the nets of her “intricately coiled, overly secretive, hyper-gossippy, puritanical yet indecent, totalitarian district.” Enduring the exhausting “minutiae of invasion” to which she is subjected by milkman, and the incursion of the Troubles on every aspect of life, the narrator of this claustrophobic yet strangely buoyant tale undergoes an unsentimental education in sexual politics. This is an unforgettable novel.

Ordinary People by Diana Evans

Read what Publishers Weekly had to say: Evans’s striking novel (following 26A) investigates the relationships of two sets of friends as they navigate pivotal moments during 2008. Melissa and Michael remain engaged after 13 years; Melissa misses her former job as a magazine’s fashion editor, which she left to care for her seven-year-old, Ria, and infant, Blake, while Michael longs for the passionate relationship they used to have. Continually feeling rebuffed at home, Michael searches for attention from others and notices a younger woman in his office. Hesitant to be unfaithful, Michael plans an outing to connect with Melissa, but the evening falls short of expectations and Melissa withdraws further. Meanwhile, in the second narrative, Michael’s friend Damian is frustrated with Stephanie, his wife of nearly 16 years, because she refuses to live in London like their friends, opting instead to raise their children in the suburbs, thereby squelching his dream of city life and ambition of being a writer. Along with coping with the recent loss of his activist father, Damian believes his wife and her family don’t share his values, and instead measure their success by the size of their home and the private lessons they provide their children. With penetrating emotional and psychological observations, Evans creates a realistic portrayal of the couples as they struggle to redefine commitment. Readers looking for careful studies of relationship dynamics will find much to contemplate.

An American Marriage by Tayari Jones

Read Publishers Weekly’s review: Jones (Silver Sparrow) lays bare the devastating effects of wrongful imprisonment in this piercing tale of an unspooling marriage. Roy, an ambitious corporate executive, and Celestial, a talented artist and the daughter of a self-made millionaire, struggle to maintain their fledgling union when Roy is sentenced to 12 years in prison on a rape charge he is adamant is false. Before Roy’s arrest, the narrative toggles between his and Celestial’s perspectives; it takes an epistolary form during his imprisonment that affectingly depicts their heartbreaking descent into anger, confusion, and loneliness. When Roy is proven innocent and released seven years early, another narrator is introduced: Andre, Celestial’s lifelong best friend who has become very close to her while Roy has been away. Jones maintains a brisk pace that injects real suspense into the principal characters’ choices around fidelity, which are all fraught with guilt and suspicion, admirably refraining from tipping her hand toward one character’s perspective. The dialogue—especially the letters between Roy and Celestial—are sometimes too heavily weighted by exposition, and the language slides toward melodrama. But the central conflict is masterfully executed: Jones uses her love triangle to explore simmering class tensions and reverberating racial injustice in the contemporary South, while also delivering a satisfying romantic drama.

Circe by Madeline Miller

Read Publishers Weekly’s starred review here: Miller follows her impressive debut (The Song of Achilles) with a spirited novel about Circe’s evolution from insignificant nymph to formidable witch best known for turning Odysseus’s sailors into swine. Her narrative begins with a description of growing up the awkward daughter of Helios, the sun god. She does not discover her gift for pharmakeia (the art of using herbs and spells) until she transforms her first love, a poor fisherman, into a god. When he rejects her in favor of vain Scylla, Circe turns Scylla into a sea monster. Now considered dangerous, Circe is exiled to an island, where she experiments with local flora and fauna. After returning from a visit to Crete to help her sister give birth to the Minotaur, Circe is joined on the island by errant nymphs sentenced to do their penance in her service. By the time Odysseus’s ship arrives, winding its way home from the Trojan War, Circe reigns over a prosperous household. Welcome guests enjoy her hospitality; unwelcome guests are turned into wild pigs. Neither the goddess Athena nor the deadliest poison known to man makes Circe flinch. Weaving together Homer’s tale with other sources, Miller crafts a classic story of female empowerment. She paints an uncompromising portrait of a superheroine who learns to wield divine power while coming to understand what it means to be mortal.

The winner will be announced on June 5.

The Millions Top Ten: March 2019

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for March.

This Month
Last Month
 
Title
On List

1.
1.

Dreyer’s English: An Utterly Correct Guide to Clarity and Style

3 months

2.
3.

The Friend
4 months

3.
4.

Severance
5 months

4.
10.

The Shell Game: Writers Play with Borrowed Forms

2 months

5.
6

The William H. Gass Reader
4 months

6.
5.

Educated: A Memoir

2 months

7.
8.

Milkman
3 months

8.
7.

My Year of Rest and Relaxation
5 months

9.
9.

Killing Commendatore

6 months

10.


Transcription
5 months

March sent Esi Edugyan’s novel Washington Black to our site’s Hall of Fame, opening one spot for a newcomer on our list. As it happens, instead of a newcomer, we welcome something more familiar. Kate Atkinson’s novel Transcription had been on our Top Ten lists last September through December, yet for reasons unclear it dropped out of the running in January. Since then, it’s hovered in the “near misses” section at the bottom of these posts, and now it’s officially back as if to say, Spring is here and perennials return.

Meanwhile, Benjamin Dreyer’s instructive Dreyer’s English solidified its position in the top spot. Not long ago, our own Adam O’Fallon Price pondered the book’s popularity. “It would be difficult to think of a current subject that feels, superficially, less likely to top a list of best sellers,” Price wrote. “But beyond the pleasure of Dreyer’s prose and authorial tone, I think there is something else at play with the popularity of his book,” he explained. “To put it as simply as possible, the man cares, and we need people who care right now.”

Elsewhere on the list, little changed. Some titles swapped positions, some other titles moved up or down a spot or two, and outside the birds chirped and the planet spun and we completed just about one 12th of a rotation around the sun.

This month’s near misses included: Circe, Becoming, The Golden State, The New Me, and How to Write an Autobiographical Novel: Essays. See Also: Last month’s list.

National Book Critics Circle Award Winners Announced

The National Book Critics Circle announced its 2019 Award Winners, and the winners of three additional prizes: the Ivan Sandrof Lifetime Achievement Award, John Leonard Prize, and Nona Balakian Citation for Excellence in Reviewing.

The six finalists were selected from 31 finalists across six different categories: Fiction, Nonfiction, Biography, Autobiography, Fiction, Poetry, and Criticism.

Anna Burns won the big prize in fiction for Milkman, which also won the 2018 Man Booker Prize. Zadie Smith was awarded the prize in criticism for Feel Free: Essays (found in our February 2018 Monthly Book Preview); the Poetry award went to The Carrying by Ada Limón (found in our August 2018 Must-Read Poetry list). Nora Krug won the Autobiography award for Belonging: A German Reckons With History and Home; Christopher Bonanos won the Biography award for Flash: The Making of Weegee the Famous; and Steve Coll was awarded the prize in Nonfiction for Directorate S: The C.I.A. and America’s Secret Wars in Afghanistan and Pakistan.

As to the three stand-alone awards, Arte Público Press won the Ivan Sandrof Lifetime Achievement Award for its contributions to book culture; Maureen Corrigan won the Nona Balakin Citation for Excellence in Reviewing; and Tommy Orange’s There There won the John Leonard Prize for a first book in any genre. (Read Orange’s 2018 Year in Reading entry).

The Millions Top Ten: February 2019

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for February.

This Month
Last Month

Title
On List

1.
4.

Dreyer’s English: An Utterly Correct Guide to Clarity and Style

2 months

2.
1.

Washington Black

6 months

3.
3.

The Friend

3 months

4.
5.

Severance

4 months

5.


Educated: A Memoir

1 month

6.
7.

The William H. Gass Reader

3 months

7.
6.

My Year of Rest and Relaxation

4 months

8.
8.

Milkman

2 months

9.
9.

Killing Commendatore

5 months

10.


The Shell Game: Writers Play with Borrowed Forms
1 month

Spring approaches but has not yet come. It brings a fresh start, and all around buds await the best moment to bloom. Naturally, some jump the gun, and so it’s fitting that we welcome two new titles to our final Top Ten of the winter season: Educated: A Memoir by Tara Westover and The Shell Game: Writers Play with Borrowed Forms, which was edited by Kim Adrian. Even on a list with William H. Gass, snowfall’s poet laureate, there’s no stopping the season’s change.

This timing has its logic. Westover’s memoir was recently named a finalist for the National Book Award. Detailing the author’s journey from backcountry Idaho to Cambridge University, Educated underscores both the propulsive, transformative power of schooling and also the complexity of leaving family behind.

The Shell Game deals as well with transmutation, or in this case so-called “hermit crab essays.” These pieces, as Vivian Wagner explained for our site last summer, “like the creatures they’re named after, borrow the structures and forms they inhabit.” These are essays as quizzes, grocery lists, and more. “Hermit crab essays de-normalize our sense of genre, helping us to see the way that forms and screens, questionnaires and interviews all shape knowledge as much as they convey it,” Wagner writes. “For essays like these, message is always, at least in part, the medium.” (If you’re intrigued, I highly recommend Cheyenne Nimes’s “SECTION 404,” originally published in DIAGRAM, and included in Adrian’s anthology.)

Elsewhere on our list, things thrummed and lightly fiddled. Dreyer’s English rose from fourth to first. The Incendiaries is off to our Hall of Fame. Outside on bare tree branches, some leaves begin to grow.

This month’s near misses included: BecomingTranscription, Circe, and The Practicing Stoic. See Also: Last month’s list.

Women’s Prize for Fiction Names 2019 Longlist

 

 

Previously known as the Bailey’s Prize for Fiction (2013-2016) and the Orange Prize for Fiction (1996-2012), the Women’s Prize for Fiction announced its 2019 shortlist today. The award, created in the wake of a 1991 all-male Booker Prize shortlist, celebrates “excellence, originality and accessibility in women’s writing from throughout the world.” The longlist, which includes seven debut novels, is as follows (with bonus links when possible):The Silence of the Girls by Pat Barker (also nominated for the 2018 Costa Book Awards shortlist and featured in our September Preview)Remembered by Yvonne Battle-FeltonMy Sister, the Serial Killer by Oyinkan Braithwaite (featured in our November Preview) The Pisces by Melissa Broder (mentioned in Marta Bausell’s 2018 Year in Reading and interviewed by The Millions here)Milkman by Anna Burns (winner of the 2018 Man Booker Prize)Freshwater by Akwaeke Emezi (mentioned in not one, or even two, but three Year in Reading posts; Emezi was also a 5 Under 35 honoree this year)Ordinary People by Diana Evans (featured in our September Preview)Swan Song by Kelleigh Greenberg-JephcottAn American Marriage by Tayari Jones (February Preview)Number One Chinese Restaurant by Lillian Li (interview with Li here, plus mentions in quite a few of our Year in Reading posts) Bottled Goods by Sophie van LlewynLost Children Archive by Valeria Luiselli (featured in two Previews and two Year in Reading posts)Praise Song for the Butterflies by Bernice L. McFadden (praised in Margaret Wilkerson Sexton’s Year in Reading)Circe by Madeline Miller (Steph Opitz’s , Marta Bausells’s, and Kaulie Lewis‘s Year in Reading)Ghost Wall by Sarah Moss (reviewed here and here)Normal People by Sally Rooney (in two 2018 Year in Reading posts)The shortlist will be announced on April 29th, and the winner will be selected on June 5th.

The Millions Top Ten: January 2019

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for January.

This Month
Last Month

Title
On List

1.
2.

Washington Black

5 months

2.
3.

The Incendiaries

6 months

3.
5.

The Friend

2 months

4.


Dreyer’s English: An Utterly Correct Guide to Clarity and Style

1 month

5.
4.

Severance

3 months

6.
8.

My Year of Rest and Relaxation

2 months

7.
7.

The William H. Gass Reader

3 months

8.


Milkman

1 month

9.
9.

Killing Commendatore

4 months

10.


The Golden State
2 months

Three spaces opened on our list this month, and filling them are two newcomers and one reappearance.

First, congratulations to Tommy Orange and Aja Gabel, whose novels There There and The Ensemble were so beloved by Millions readers that they’ve been immortalized forever in the site’s Hall of Fame. On the other hand, Kate Atkinson’s Transcription dropped out of the running after four months of strong showings on our list.

Keep faith, Atkinson fans. It’s quite common for books to leave our list one month only to reappear the next. How common? Well, the exact scenario just occurred with The Golden State by Lydia Kiesling. After debuting on our list in November, the book dropped off in December and has since reappeared to kick off 2019 in 10th position. At this rate, Kiesling will be joining Orange and Gabel in our Hall of Fame next September.

Two newcomers on our list this month are Milkman by Anna Burns and Dreyer’s English by Benjamin Dreyer. Burns’s novel won the 2018 Man Booker Prize for fiction and was briefly previewed by our own Carolyn Quimby last month, and is said to be “a story of the way inaction can have enormous repercussions.” Dreyer’s English, meanwhile, was described by Kiesling in our Great 2019 Book Preview as “a guide to usage by a long-time Random House copyeditor that seems destined to become a classic.” (I’ll echo Lydia’s request: please don’t copyedit this write-up.)

Next month’s list should open up for at least one new addition to our list, but as we’ve seen time and again: sometimes those new additions are blasts from the past.

This month’s near misses included: BecomingThe Shell Game: Writers Play with Borrowed FormsThe Practicing Stoic, and How to Write an Autobiographical Novel. See Also: Last month’s list.

National Book Critics Circle Award Finalists Announced



The National Book Critics Circle announced their 2018 Award Finalists, and the winners of three awards: the Ivan Sandrof Lifetime Achievement Award, John Leonard Prize, and Nona Balakian Citation for Excellence in Reviewing.

The finalists include 31 writers across six different categories: Fiction, Nonfiction, Biography, Autobiography, Fiction, Poetry, and Criticism. Here are the finalists separated by genre:

Fiction:
Milkman by Anna Burns (winner of the Man Booker Prize)
Slave Old Man by Patrick Chamoiseau (translated by Linda Coverdale)
The Largesse of the Sea Maiden by Denis Johnson
The Mars Room by Rachel Kushner
The House of Broken Angels by Luis Alberto Urrea

Nonfiction:
The Line Becomes a River: Dispatches from the Border by Francisco Cantú (part of our 2018 Great Book Preview)
Directorate S: The C.I.A. and America’s Secret Wars in Afghanistan and Pakistan by Steve Coll
The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting Up a Generation for Failure by Greg Lukianoff and Jonathan Haidt
We the Corporations: How American Businesses Won Their Civil Rights by Adam Winkler
God Save Texas: A Journey into the Soul of the Lone Star State by Lawrence Wright

Biography:
Flash: The Making of Weegee the Famous by Christopher Bonanos
Ninety-Nine Glimpses of Princess Margaret by Craig Brown
Inseparable: The Original Siamese Twins and Their Rendezvous with American History by Yunte Huang
The Man in the Glass House: Philip Johnson, Architect of the Modern Century by Mark Lamster
The Big Fella: Babe Ruth and the World He Created by Jane Leavy

Autobiography:
The Day That Went Missing: A Family’s Story by Richard Beard
All You Can Ever Know: A Memoir by Nicole Chung
What Drowns the Flowers in Your Mouth: A Memoir of Brotherhood by Rigoberto Gonzalez
Belonging: A German Reckons With History and Home by Nora Krug
Old in Art School: A Memoir of Starting Over by Nell Painter
Educated: A Memoir by Tara Westover

Poetry:
American Sonnets for My Past and Future Assassin by Terrance Hayes (read our review)
The Carrying by Ada Limón (found in our August 2018 Must-Read Poetry list)
Holy Moly Carry Me by Erika Meitner
Still Life with Two Dead Peacocks and a Girl by Diane Seuss
Asymmetry by Adam Zagajewski (translated by Clare Cavanagh)

Criticism:
Is It Still Good to Ya?: Fifty Years of Rock Criticism, 1967-2017 by Robert Christgau
Tyrant: Shakespeare on Politics by Stephen Greenblatt
To Float in the Space Between: A Life and Work in Conversation with the Life and Work of Etheridge Knight by Terrance Hayes
The Reckonings: Essays by Lacy M. Johnson
Feel Free: Essays by Zadie Smith (found in our February 2018 Monthly Book Preview)

Here are the winners of the three stand-alone awards: Arte Público Press won the Ivan Sandrof Lifetime Achievement Award for their contributions to book culture. Maureen Corrigan won the Nona Balakin Citation for Excellence in Reviewing. Tommy Orange’s There There won the John Leonard Prize for a first book in any genre. (Read Orange’s 2018 Year in Reading entry).

The winners of the National Book Critics Circle awards will be announced on March 14, 2019.

The Millions Top Ten: December 2018

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for December.

This Month
Last Month

Title
On List

1.
3.

There There

6 months

2.
2.

Washington Black

4 months

3.
4.

The Incendiaries

5 months

4.
9.

Severance

2 months

5.


The Friend

1 month

6.
5.

The Ensemble

6 months

7.
6.

The William H. Gass Reader

2 months

8.


My Year of Rest and Relaxation

1 month

9.
8.

Killing Commendatore

3 months

10.
7.

Transcription
4 months

The Overstory‘s reign is over, and once again Millions readers have sent a book to our Hall of Fame. It’s the 155th title to reach the Hall since we began counting in 2009, and those books represent a combined 930 months of our readers’ interest. Laid out consecutively instead of concurrently, that’s more than 77 years of reading!

In its place, There There by Tommy Orange assumes supremacy this month, leapfrogging Esi Edugyan’s Washington Black which remains in second. Both books were highly regarded by contributors in our Year in Reading series, in which Tommy Orange himself participated. I’m not saying Millions readers reward authors for publishing in the series but I’m not not saying the same.

Meanwhile two newcomers join this month’s list: My Year of Rest and Relaxation by Ottessa Moshfegh and The Friend by Sigrid Nunez.

Mere weeks ago, Lucia Senesi interviewed Moshfegh for The Millions, and in their wide-ranging discussion about craft and creative output, they also explored the notion of whether “writers or artists really have a gender.” Moshfegh believed so:
I think the female and male minds work very differently in their biology, the way that language has developed over the last how many thousands of years was part of the patriarchal system. Written language is inherently more male logic linearity. Femininity is more in the realm of emotional intelligence and intuition. That’s why it’s very difficult to argue between the gender. Mostly women learn how to argue like a man. So I do think that writers, maybe it’s different for visual artists, whatever everybody’s brain is different, but I do think that women writers have a different experience and sensibility than male writers, because by their very nature. I think maybe part of this whole movement for equality try to suggest that we are the same, which we are not. The work we need to do is to learn how to value both genders for the things that they’re given us.
Like There There, The Friend, which won this year’s National Book Award, was a darling of our Year in Reading series, drawing praise from seven contributors: Bryan Washington, Ada Limón, Adrienne Celt, Lucy Tan, Anisse Gross, Kamil Ahsan, and our own Anne K. Yoder. For her part, Nunez contributed to the series back in 2010, when the series was only six years old.

This month’s near misses included: Becoming, MilkmanThe Practicing Stoic, and What We Were Promised. See Also: Last month’s list.

December Preview: The Millions Most Anticipated (This Month)

We wouldn’t dream of abandoning our vast semi–annual Most Anticipated Book Previews, but we thought a monthly reminder would be helpful (and give us a chance to note titles we missed the first time around). Here’s what we’re looking out for this month (the last of 2018!). Find more December titles at our Great Second-Half Preview, and let us know what you’re looking forward to in the comments!

North of Dawn by Nuruddin Farah: Farah has been writing about the world’s greatest catastrophes for years, and his novels, especially Hiding in Plain Sight, have been about the tragedy that accompanies the loss of one’s original country. That strong theme is the centrifugal force of this novel about a calm home engulfed when a son leaves quiet and peaceful Oslo to die back in Somalia. His widow and children return to Norway to live with his parents, and in bringing their devoted religiosity with them, threaten to explode the family once again. Farah is a master of shifts and turns, so this novel promises to be among the year’s most exciting publications. (Chigozie)

Revolution Sunday by Wendy Guerra (translated by Achy Obejas): Translated for the first time into English, internationally bestselling novelist Guerra’s book follows a writer from Cuba to Spain, where her expat compatriots assume she is a spy for Castro. Back home in Cuba, she is treated with equal suspicion by her government. (Lydia)

 

America and Other Fictions by Ed Simon: In a collection of essays, Millions staffer writes about the complicated history of religion in America—especially in the context of this particular moment of cultural and political crisis. Simon touches on everything from mortality, legacies of American violence, Walt Whitman, Bob Dylan, and the need for an Augustinian left. About the collection, writer Tom Bissel wrote: “His goal as an essayist is a kind of secular reenchantment of the old, dead creeds—to acknowledge, and cherish, truths that go deeper than mere belief. Most remarkable of all is how often he succeeds.” (Carolyn)

The Day the Sun Died by Yan Lianke (translated by Carlos Rojas): Winner of the Dream of the Red Chamber Award, Lianke’s newest novel takes place in a town over the course of one haunted night. In their small village, fourteen-year-old Li Niannian helps his parents run a funeral parlor. One night he notices something strange: dreamwalking neighbors are gathering outside to continue on with their daily routines, seemingly unaware it’s nighttime. Over one chaotic, disturbing evening, Li Niannian and his parents must save their town from the brink of collapse. (Carolyn)

The Dakota Winters by Tom Barbash: Freshly off a stint in the Peace Corps, 23-year-old Anton Winter returns to find his father, a popular night talk show host, has suffered a mental breakdown. In an effort to help reignite his father’s career, Anton travels far and wide—to Lake Placid, the Hollywood Hills, the Bermuda Triangle—and rubbing elbows with the likes of Johnny Carson and John Lennon. About the book, Publisher’s Weekly wrote it’s “packed with diverting anecdotes and a beguiling cast, making for an immensely entertaining novel.” (Carolyn)

Milkman by Anna Burns: Winner of the 2018 Man Booker Prize, the novel is set in an unnamed city and focuses on middle sister, a young woman who must navigate political and social pressures in a tight-knit, paramilitary-patrolled community. In a starred review, Kirkus called it a “deeply stirring, unforgettable novel that feels like a once-in-a-generation event.” (Carolyn)

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