Barbara the Slut and Other People

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A Year in Reading: Michael Schaub

For the past few years, I’ve used these essays to reflect somberly on the events of the year, and how they have shaped me as a reader and a person. Unfortunately, I have a selective memory, and can generally only recall the events of the year that have been horribly depressing. I blame this on my Catholic upbringing, and the fact that many of the first books I ever read were about boys who loved dogs who then die. (Either the boy or the dog. It doesn’t matter.) So the end result has been a series of essays more dismal than a Leonard Cohen concept album about children who have burned to death in chemical factory explosions.

But this year has been different! I mean, a lot of depressing things have happened, but thanks to my therapist (by which I mean my dog, because I have shitty health insurance), I’ve learned to deal with it with a mixture of denial and gleeful resignation. I also started reading funnier books, because life is short — too short for books where dogs die at an alarming frequency. (Except for The Visiting Privilege by Joy Williams, which does have more than one dead dog, but which owns.)

One of the funniest books I read this year was also one of the best novels I’ve ever read. Paul Beatty’s The Sellout is chiefly about racism and slavery, neither of which, of course, are traditionally fodder for light humor, unless you are Donald Trump. The book opens with the African-American narrator sitting before the U.S. Supreme Court, where he’s landed after trying to reinstate slavery in his South Los Angeles neighborhood.

The court’s sole African-American justice, who is not named but who is clearly Clarence Thomas, is not amused. “Racial segregation? Slavery? Why you bitch-made motherfucker, I know goddamn well your parents raised you better than that! So let’s get this hanging party started!” The thought of Justice Thomas saying anything from the bench is funny enough; imagining him calling someone a “bitch-made motherfucker” is genuinely inspired comedy. The Sellout is a serious book, but it’s also a masterpiece of inspired humor.

Politics is also at the center of the debut book The Speechwriter: A Brief Education in Politics by Barton Swaim. The author worked as a writer in the press office of Mark Sanford, the then-governor of South Carolina who later inspired the (still hilarious!) euphemism “hiking the Appalachian trail.” Swaim’s portrait of Sanford is scathing but funny, particularly when he discusses Sanford’s tenuous grasp on language. In one passage, Swaim warns his co-worker that Sanford hates sentences that begin with conjunctions, urging him to change a sentence that begins with “Yet.” “He doesn’t know ‘yet’ is a conjunction,” his co-worker responds, correctly. It’s a great, frequently hilarious political memoir by one of America’s smartest young writers.

Another great debut is Lauren Holmes’s Barbara the Slut and Other People. Holmes deals with serious subjects — broken families, AIDS, slut-shaming — but she has a brilliant sense of humor that shines through nearly all of her stories. Particularly great is “I Will Crawl to Raleigh If I Have To,” about a young woman’s abortive attempt to break up with her boyfriend while on the way to a vacation with her family and their friends. Her description of a pre-teen boy that the protagonist loathes is especially funny: “Dylan was twelve and seemed like he was two or three years away from realizing that he hated his parents. For now, though, he liked to sit as close to his mom as possible, and other than that his only hobbies were whining and watching anime.”

It’s no secret that the author Mat Johnson is hilarious; he has one of the funniest Twitter accounts of any writer. Johnson mixes humor and pathos in Loving Day, a novel about a biracial comic book artist who discovers he has a teenage daughter. The book is both sweet and funny, with some of the sharpest, most amusing writing of the year. On a comic book-obsessed man who has invited the narrator to sign his work at a convention: “Travis is so happy. He smiles the width of his wire-framed glasses. He looks like he just received an official letter that says he is not a juvenilia-obsessed dork. The letter is wrong.”

Finally, there’s the absurd and anarchic The Mark and the Void, by Irish author Paul Murray. This one is special to me — on a recent episode of The Book Report, Janet Potter and I discussed the novel, Murray’s follow-up to his amazing Skippy Dies. (If it weren’t for Murray, The Book Report might never have happened; Janet and I first met when I edited her review of Skippy Dies for Bookslut.) The Mark and the Void is one of the few books that made me laugh out loud multiple times, especially this passage, where the French protagonist and his Australian co-worker are talking to a mysterious writer who has entered their lives:

‘I’m Claude’s best mate in this dump,’ Ish volunteers. ‘Which is funny, because people say that Frogs and Ozzies don’t get on. ‘Cos the Frogs are all, you know, Shmuhh-shmuhh-shmuhh, and the Ozzies are all, Wa-hey! But we get on like a house fire, don’t we, Claude?’

I picture the flames, the screaming. ‘Yes,’ I say.

Murray’s novel brings back great memories for me — talking about books that made me laugh with one of my best friends, as opposed to, say, talking about books that chronicle the Armenian genocide with my therapist (read: dog). And while I’m never going to give up on depressing literature — it is in my genes — I’m going to keep making myself follow up every soul-crushing war novel with one that’s more light-hearted. Unless Donald Trump gets elected president next year. Then it’s all books about dead dogs, and I’ll be writing my next Year in Reading essay from my tar-paper shack in rural Canada.

More from A Year in Reading 2015

Don’t miss: A Year in Reading 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005

The good stuff: The Millions’ Notable articles

The motherlode: The Millions’ Books and Reviews

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A Year in Reading: 2015

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Now in its second glorious decade, the Year in Reading has become a Millions tradition, featuring contributions from a roster of emerging and marquee authors, staff writers, and friends of the site. It’s an effort that yields hundreds of books for to-be-read piles, as well as some of the best writing we run all year.

After 13 years of solo striving, this was the first year that site editor C. Max Magee finally called for reinforcements; we happily stepped into the breach (now that we’ve seen the amount of work that goes into this, we’re a little frightened of him). It has been a thrill to look for exciting voices, to send emails like carrier pigeons off into the universe and hope they’ll come back bearing book recommendations from Stephen King (maybe next year). If you follow the literary world, you’d think that everyone is reading Elena Ferrante 24/7. And while lots of people are (you’ll see), Year in Reading is also our annual chance to peek behind the curtain at people’s singular reading lives—who went down a comics wormhole, or read multiple Freddie Mercury biographies, or discovered August Wilson for the first time. And not only what they read, but how they felt about what they read–how the reading shaped the year.

There are a huge number of books represented in the series this year, many fantastic lists, and many extraordinary meditations on reading and life. We think you’ll enjoy reading them as much as we enjoyed putting them together. As in prior years, the names of our 2015 contributors will be unveiled throughout the month as their entries are published. Bookmark this post, load up the main page, subscribe to our RSS feed, or follow us on Facebook or Twitter to make sure you don’t miss an entry.

– Your Year in Reading Editors, Lydia Kiesling & Janet Potter

Stephen Dodson, co-author of Uglier Than a Monkey’s Armpit, proprietor of Languagehat.
Ottessa Moshfegh, author of Eileen.
Atticus Lish, author of Preparation for the Next Life.
Angela Flournoy, author of The Turner House.
Claire Messud, author of The Woman Upstairs.
Celeste Ng, author of Everything I Never Told You.
Nell Zink, author of Mislaid.
Claire Vaye Watkins, author of Gold Fame Citrus.
Chris Kraus, author of Summer of Hate.
Katrina Dodson, translator of The Complete Stories of Clarice Lispector.
Joyce Carol Oates, author of The Accursed, among many other books.
Saeed Jones, author of Prelude to Bruise.
The Book Report, everyone’s favorite literary show.
Bijan Stephen, associate editor at the New Republic.
Garth Risk Hallberg, contributing editor for The Millions, author of City on Fire.
Lydia Kiesling, staff writer for The Millions and creator of the Modern Library Revue.
Janet Potter, staff writer for The Millions.
Elizabeth Minkel, staff writer for The Millions.
Emily St. John Mandel, staff writer for The Millions and author of Station Eleven.
Michael Schaub, staff writer for The Millions.
Thomas Beckwith, social media and previews editor for The Millions.
Anne K. Yoder, staff writer for The Millions.
Chigozie Obioma, author of The Fishermen.
Greg Hrbek, author of Not on Fire, but Burning.
Terry McMillan, author of Waiting to Exhale.
Sasha Frere-Jones, writer and musician.
Matthew Salesses, author of The Hundred-Year Flood.
Meaghan O’Connell, author of And Now We Have Everything.
Cristina Henríquez, author of Come Together, Fall Apart.
Vinson T. Cunningham, contributing writer for The New Yorker.
J.M. Ledgard, author of Submergence.
Nadifa Mohamed, author of The Orchard of Lost Souls.
Manjula Martin, editor of SCRATCH: Writers, Money, and the Art of Making a Living.
Lauren Groff, author of Fates and Furies.
Alexander Chee, author of Edinburgh.
Olivia Laing, author of The Lonely City.
Rahawa Haile, author of short stories and essays.
Rumaan Alam, author of Rich and Pretty.
Justin Taylor, author of Flings.
Julia Alvarez, author of How the Garcia Girls Lost Their Accents.
Jaquira Díaz, editor of 15 Views of Miami .
Dave Cullen, author of Columbine.
Hannah Gersen, staff writer for The Millions.
Tess Malone, associate editor for The Millions.
Matt Seidel, staff writer for The Millions.
Claire Cameron, staff writer for The Millions, author of The Bear.
Nick Ripatrazone, staff writer for The Millions, author of We Will Listen for You.
Edan Lepucki, staff writer for The Millions, author of California.
Viet Thanh Nguyen, author of The Sympathizer.
Daniel José Older, author of Shadowshaper.
Lincoln Michel, author of Upright Beasts.
Rebecca Carroll, author of Saving the Race.
Ana Castillo, author of So Far from God.
Patrick Rothfuss, author of The Name of the Wind.
Katie Coyle, author of Vivian Apple at the End of the World.
Sady Doyle, a writer in New York.
Patricia Engel, author of Vida.
Manuel Muñoz, author of What You See in the Dark.
Karolina Waclawiak, author of The Invaders.
Hamilton Leithauser, a singer/songwriter in New York City.
Catie Disabato, author of The Ghost Network.
Parul Sehgal, senior editor at The New York Times Book Review.
Margaret Eby, author of South Toward Home.
Tahmima Anam, author of A Golden Age.
Sandra Cisneros, author of Have You Seen Marie?.
Brian Etling, intern for The Millions.
Nick Moran, special projects editor for The Millions.
Jacob Lambert, staff writer for The Millions.
Michael Bourne, staff writer for The Millions.
Bruna Dantas Lobato, intern for The Millions.
Bill Morris, staff writer for The Millions, author of Motor City Burning.
Summer Brennan, author of The Oyster War.
Kerry Howley, author of Thrown.
Rachel Eliza Griffiths, author of Lighting the Shadow.
Maggie Nelson, author of The Argonauts.
Lauren Holmes, author of Barbara the Slut and Other People.
Kate Harding, author of Asking for It.
Year in Reading Outro.

Don’t miss: A Year in Reading 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005

The good stuff: The Millions’ Notable articles

The motherlode: The Millions’ Books and Reviews

Like what you see? Learn about 5 insanely easy ways to Support The Millions, and follow The Millions on Twitter, Facebook, Tumblr.

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