As we noted yesterday, Carolyn Kellogg has an interesting piece up at Papercuts about Bruce Springsteen and Walker Percy. Carolyn expresses some surprise at finding out that the Boss is an avid reader. To us die-hard fans, however, evidence of Bruce's bookish leanings is legible as far back as the late '70s. There's the song title nicked from Flannery O'Connor ("A Good Man is Hard to Find," from Tracks); the in-concert plug for Joe Klein's Woody Guthrie: A Life (on Live 1975-1985); the East of Eden-ish "Highway Patrolman" (from Nebraska); and the long quotation from The Grapes of Wrath in the title track of The Ghost of Tom Joad.For those interested in what else Bruce has been reading, a big photo spread of Springsteen's "writing room" in the current issue of Rolling Stone offers a tantalizing glimpse (Ed. - The photo they've posted is much smaller than the one in the magazine, frustrating attempts at further investigation online). I found myself distracted from the accompanying article, perusing the bookshelves instead, as I tend to do involuntarily when I'm invited into the house of an acquaintance for the first time. In addition to the prerequisites of any writing room - Roget's Thesaurus; The Holy Bible; Bob Dylan's Lyrics - the Springsteen shelves boast an eclectic mix of literary fiction and books on history and music. Here's what I could glean from the spines.Black Tickets, by Jayne Anne PhillipsWhite Noise, by Don DeLilloAmerican Pastoral, by Philip RothThe Tipping Point, by Malcolm Gladwell Cold New World , by William FinneganCountry: The Music and the MusiciansAmerican Moderns, by Christine StansellReal Boys, by William PollackAt the Center of the Storm, by George TenetWhen We Were Good, by Robert S. CantwellJohn Wayne's America, by Garry WillsThe Elegant Universe, by Brian GreeneThe Search for God at Harvard, by Ari L. GoldmanFeel Like Going Home, by Peter GuralnickDark Witness, by Ralph WileyGo Cat Go, by Craig MorrisonNew Americans, by Al SantoliOrlando, by Virginia WoolfCurrently, Bruce appears to be reading Fallen Founder, a biography of Aaron Burr by Nancy Isenberg. And he is evidently something of a fan-boy himself; prominently displayed on his coffee table is a book called Greetings from E Street.
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"A story works when there’s momentum, life behind the words," Mary Miller told Matthew Salesses at The Rumpus. She needs that momentum for her new novel, The Last Days of California, about a family driving to California for the rapture. Also, Amy Butcher wrote about her favorite Millerisms at Hobart.
Growing up in California, our own Michael Bourne didn’t have a full sense of his own privilege until 1981, when a chance encounter with a group of teenagers dressed up as skeletons woke him up to the realities of segregation in America. In a long essay for Orange Coast Review, he goes over the meaning of that incident, complete with meditations on Marin County, his abandoned early novel and his family’s history in Danville, Virginia. Pair with: Michael’s piece for The Millions on Tess Taylor’s The Forage House.