Amanda Eyre Ward's new novel, Forgive Me, will be published in paperback in January 2008. She lives in Austin, Texas, with her family. Visit amandaward.comHow the hell had I not read Revolutionary Road, by Richard Yates, until this year? Why didn't anyone tell me about it? Where have I been, under a freaking rock? This book is so amazing, so elegant and careful and devastating, that I can't stop thinking about it. It's about to be a movie, so I'll spare you the details, but it's amazing, and I don't care how great the movie is, these are sentences that must be read.I am obsessed with Africa, and of the many books about that continent that I read this year, two novels slayed me: What is the What by Dave Eggers, and Half of a Yellow Sun by Chimamanda Ngozi Adichie. Both of these novelists know that characters are paramount, and that a great novel must tell an awesome story. I was caught up in both books by page two, and both taught me not only about history and foreign cultures, but about the human heart.We've all read Bright Lights, Big City by Jay McInerney, but have you read The Last of the Savages? Published in 1996, Savages is my favorite McInerney. It's a slow, thoughtful novel, the story of two friends' relationship evolving and fraying over thirty years.Lastly, I was blown away by a book I grabbed from the library on a whim because its cover creeped me out in an intriguing way: What You Have Left by Will Allison. It reminded me of Dan Chaon (who I read last year, but nobody asked me what I read last year). I admired Allison's clean, insightful sentences, and I loved each self-contained section of the book. The story is not told chronologically, and I was rapt, piecing together the story of Holly Greer and her disasterous family. Come to think of it, the structure is very similar to Half of a Yellow Sun. I like it when authors assume I'll take the time to appreciate a gorgeous paragraph, to think hard about the emotions between the lines. I will, and thank you for trusting me.More from A Year in Reading 2007
"When I want to be ambushed, captured, thrust into a strange and vivid world, and tossed aloft until I cannot stand it, until everything is at stake and life feels almost unbearably vivid, I do something simple. I read short stories." Electric Literature has posted Ben Marcus's "paean to the contemporary American short story," which doubles as the introduction to New American Stories and does a pretty good job of capturing just what it is we love about reading fiction.
I have two items to mention. 1. I have long enjoyed the fiction of Jorge Luis Borges, owner of the most prodigious imagination of the twentieth century. The reader probably is familiar with that body of work; if not, I suggest laying hands on "Funes the Memorious," or "The Library of Babel," or any of his other short stories. In the likely event that you find them delightful, you might become interested in spending additional time in the company of Borges to learn what he had to say when he wasn’t writing those remarkable tales. For that purpose I recommend a book that I enjoyed immensely this year and that is a bit less familiar: his Selected Non-Fictions. The book collects more than 150 essays, biographical sketches, book and movie reviews, and other miscellany that Borges wrote over the course of about sixty years. Every piece is short. The range of his curiosity and knowledge is astounding. There are comments on Virgil, Shakespeare, Gibbon, Melville, Henry James, William James, and dozens of other writers and thinkers, many famous and many obscure. There are his contemporaneous reviews of Ulysses and Finnegans Wake, and of King Kong and Citizen Kane. He writes about the history of the tango, and about the blindness that overtook him in middle age. There is an essay on the paradox of Achilles and the Tortoise, another called "The Art of Verbal Abuse," and another on sixteenth-century projects of John Wilkins that would be at home in a Borges short story. And on and on; these hints only start to suggest what is here (and what is here is but a sampling of his gigantic output). Borges is provocative, eccentric, ingenious, peremptory, and often funny. He leaves the impression of having been one of the best-read people ever to walk the earth, with an ability to deploy all that he knew on short notice and with a light touch. I don’t find every one of the entries interesting. Perhaps nobody would. But open to any page and you are in brilliant company, with an excellent chance of being edified and amused. 2. I’ll bet few readers of this site have heard of John Jay Chapman, let alone read anything by him; in any event, I had not until this year. He deserves better. Chapman was one of the finest American essayists of the early 20th century, and a very singular character; after starting an unjustified fight as a young man, he punished himself by putting his hand into a fire until the skin burned off, forcing its amputation. Fortunately he did his writing with the other hand, and was prolific with it. He wrote with learning, passion, moral energy, and rhetorical skill about all sorts of topics, most related to American political and cultural history. An excellent example is his piece on William Lloyd Garrison, the great anti-slavery agitator. Garrison might sound like a dull subject; I only bothered to read the essay after much badgering by a friend. I’m glad I did, though, because Chapman’s fascination with the man, his work, and his place in history is sufficiently intense to infect the reader from a great distance. Unfortunately most of Chapman’s writings are out of print, but many can be found online. Here is the one I just mentioned. If I am fortunate enough to count you as a reader of Classical English Rhetoric, you are especially likely to enjoy Chapman’s work. He writes very clearly, but in an older tradition; he makes vigorous and skillful use of figurative language. Chapman merited inclusion in the rhetoric book, and I am sorry not to have provided it. He will certainly appear in any sequel. More from A Year in Reading 2011 Don't miss: A Year in Reading 2010, 2009, 2008, 2007, 2006, 2005 The good stuff: The Millions' Notable articles The motherlode: The Millions' Books and Reviews Like what you see? Learn about 5 insanely easy ways to Support The Millions, The Millions on Twitter, Facebook, Tumblr.
From the Paris Review, a small selection of Victor Hugo's four thousand drawings.